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Christine SoThistles and Pines (Hand-printed cyanotype, 18 x 24 inches)2023
2023
$300
£228.14
€263.14
CA$420.25
A$470.34
CHF 245.59
MX$5,738.14
NOK 3,117.44
SEK 2,958.26
DKK 1,965.04
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About the Item
Scotch thistles bloom in the foreground while from the fog emerge towering Monterey pines behind them. These are the woods across the bay from San Francisco in early summer when thistles bloom. The pines and redwoods never loose their leaves and look the same all year. No matter the season, they look magical emerging from the fog on mornings like this one.
This is a handmade contact photo using the antique cyanotype process from the 1800s. All of my hand-printed cyanotype photographs are “contact photos”, which means that the large negative is exactly the same size as the paper that the photo is printed on because the negative is laid directly on top of the paper while it is being exposed.
The paper is a heavy 100% cotton watercolor paper. Slight variations of shades of blue exist from print to print as each sheet of paper was hand-painted with photo chemicals in the dark and printed in natural sunlight with variations in the weather and intensity of light causing some prints to be darker than others.
Also available in smaller size 12 x 16 inches. All are on hand-stained paper printed by hand outdoors using natural sunlight for exposure with giant photo negatives under glass and rinsed.
This is one of the 10 prints that were made.
Unframed.
- Creator:Christine So (1970, American)
- Creation Year:2023
- Dimensions:Height: 18 in (45.72 cm)Width: 24 in (60.96 cm)
- More Editions & Sizes:12 x 16", edition of 10Price: $18018 x 24", edition of 10Price: $300
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Oakland, CA
- Reference Number:1stDibs: LU2737214886222
Christine So is an American printmaker, photographer and painter living in the hills across the bay from her hometown, San Francisco. She is best known for her blue and white cyanotype photographs of forests shrouded in fog. The Foggy Woods series is ever-growing as the artist continually hikes these hills which are often foggy at dawn. She explores radically different ways to use this antique photographic medium with and without out a camera. At times her blue prints look like screen prints. At others like abstract watercolors. Besides printing photographs from negatives, botanicals using entire branches, altering the chemical recipe to obtain novel colors, and creating abstract cyanotypes of deliberate patterns, she also paints images using the light-sensitive solution and prints a pattern within them. These last works she calls “cyanotype paintings”. The multiple-day process depends on being able to see while painting in a dark room so as to not expose the light-sensitive painted silhouette before it’s time. She named her series of botanical paintings which have a fine blue and white pattern “Delft Garden” after the Dutch painted porcelain. Clients include: Timothée Chalamet, Starbucks, Mayo Clinic (Jacksonville), Jumaira Resort, Lux Habitat Sotheby’s International (Dubai), Wyndham Worldmark Hotels, Kimpton Hotel Monaco (Salt Lake City) , Mazars Accounting, Limelight Hotel Mammoth (California), MD Anderson Hospital (Houston), Oncology Center, Houston Methodist Hospital.
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