Dinesh Boaz

Supersonic - Framed

Shot from a helicopter. Mounted on plexiglass. Floats in white frame. About the Artist Dinesh Boaz creates a dynamic juxtaposition between the natural landscape and our involv...

Shot from a helicopter. Mounted on plexiglass. Floats in white frame. About the Artist Dinesh Boaz creates a dynamic juxtaposition between the natural landscape and our involv...

Shot from a helicopter. Mounted on plexiglass. Floats in white frame. About the Artist Dinesh Boaz creates a dynamic juxtaposition between the natural landscape and our involv...

Shot from a helicopter. Premium pigment print mounted to Sintra. Floats in white wood frame. About the Artist Dinesh Boaz creates a dynamic juxtaposition between the natural ...

Surreal Photography in the Sky - Mitchell Funk brings the compositional precision of studio photography to street photography. Unlike most street p...

24"x30" will photograph, signed and editioned on reverse. (edition of 5) This photograph is from a series entitled, “(UN)THINKABLE,” the culmination of 25 years of Phillip Buehler’s work photographing remnants of the Cold War throughout the United States and Europe. Buehler has visited NATO airbases, Cape Canaveral, the Airplane Graveyard, missile bunkers and silos (even within New York City’s borders) among many other sites that are historic, and yet hidden, forbidden, and forgotten. Photographs from this series will be featured in a solo exhibition this September at the Front Room Gallery. For anyone growing up during the Cold War the sense of dread of the world’s annihilation was all to concrete. It was evidenced in films like “Dr. Strangelove” and “The Day After.” Everyone knew the U.S. had enough nuclear weapons to destroy the world 5 times over, and assumed something similar about the Russians. For those not old enough to remember this built in fear, don’t worry (worry) it is reawakening. We don’t need another Cuban Missile Crisis to push us to the brink, the renewed tension with the Russians, and now North Korea’s recent entry in the nuclear weapons club is more than enough to unnerve anyone who is watching these conflicts unfold. Phillip Buehler is watching closely. Through this comprehensive series Buehler’s photos show many aspects of this non-war war. In Buehler’s aerial photographs from a military airplane storage yard in Arizona the repetition of the same model of bomber aircraft are so abstractly pattern-based that the overall effect beginnings to feel like a Middle Eastern...

Digital C-print (Edition of 10) Signed, dated, and numbered, verso 30 x 35.5 inches, sheet 22 x 27 inches, image This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Joshua Lutz is an American artist working with large-format photography and video. Lutz began photographing the Meadowlands ten years ago as a a documentary study of the 32-square-miles of marshy wilderness that sits between New Jersey and New York (while ostensibly searching for the remains of Jimmy Hoffa). Over the years, however, this project evolved into a compelling artistic exploration, revealing the soul of this liminal space. Lutz was given his first solo exhibition at Gitterman Gallery during the summer of 2004. In 2008, “Meadowlands,” was published as Lutz's first book, with powerHouse Books. In essayist Robert Sullivan’s introduction to the monograph, he describes the Meadowlands as “. . .that giant swath of swamp and space that separates New Jersey from New York City, or, put another way, from New York City and the rest of the United States of America.” “The New Yorker” wrote: “Joshua Lutz takes the New Topographics...

Boneyard 006 is a limited-edition photograph by contemporary artist Bernhard Lang. This photograph is sold unframed as a print only. It is available in 3 dimensions: *90 × 68 cm (3...