Edward Bateman

Bryce No. 26

2021

For those of us who live in the West, mountains are more than just landmarks; they dene a sense of home. We have memories associated with our mountains; those we grew up surrounded b...

For those of us who live in the West, mountains are more than just landmarks; they dene a sense of home. We have memories associated with our mountains; those we grew up surrounded by; remembering the rst time we saw one, and the people we visited them with. This gave us all a larger sense of where we locate home. During our recent pandemic, home shrunk to the walls that surrounded us. Real experiences became mediated through computers and the Internet – but something felt lost: a living connection with things bigger than ourselves. But we kept our memories – waiting to be triggered by a photograph or reminder of the mountains that could bring back that sense of the sublime. Mountains and nature have long been places of peace and refuge. There are few emotions about places for which adequate single words exist. At the beginning of the eighteenth century, the word sublime arose to describe the feelings that the natural world can evoke in us. At home, on my kitchen table, I have been trying to capture something of that sublime in bits of plastic. Using geographical data from the Internet, I used my 3D printer to make the memories of those mountains tangible. With a small fog machine, I create atmospheres and clouds. Sunlight through a window illuminates some, while others were lit with a variety of sources including ber optic lights used for microscopy. For me, these images evoke the place I call home; and remind me that it is our memories that make a place special. At Home in the West was created as a companion to Yosemite: Seeking Sublime, which premiered at photo-eye Gallery in November 2020. In December of that year, work from that series was invited to the Art of Staying at Home; Artists in the Time of Corona exhibition at the Bibliotheca Alexandrina in Egypt, where I was the only U.S. artist from eight countries included. Additional works from that series will soon be exhibited at the Krakow Triennial in Poland and at the Earth Photo...

Saucer Over Northern Plains, limited edition, signed, archival pigment ink The adrenaline of seeing Mother Nature during some of her finest moments will be ingrained in me forever. It is a humbling experience - and I feel fortunate to have witnessed her power and grandeur over the past 12 years. My experiences are hard to describe in words During this last trip (July 2021) we traveled over 6400 miles in 10 days crossing through 10 different states - all in my quest/passion to photograph these storm systems. But this time the events of the last year made me more aware, opened my eyes wider, and had a different effect on me. The effects of Climate Change have become obvious. The current patterns are changing and they are accelerating faster than anyone realized or predicted. Just over the past decade, the characteristics of the Jet Stream and the Gulf Stream have changed. Pandemics, droughts, devastating heatwaves, wildfires, massive floods, and rising oceans are accelerating. As I sit here in my house in Lone Pine, CA in 103-degree heat I can hardly see the outlines of Lone Pine Peak and Mount Whitney...

For those of us who live in the West, mountains are more than just landmarks; they dene a sense of home. We have memories associated with our mountains; those we grew up surrounded by; remembering the rst time we saw one, and the people we visited them with. This gave us all a larger sense of where we locate home. During our recent pandemic, home shrunk to the walls that surrounded us. Real experiences became mediated through computers and the Internet – but something felt lost: a living connection with things bigger than ourselves. But we kept our memories – waiting to be triggered by a photograph or reminder of the mountains that could bring back that sense of the sublime. Mountains and nature have long been places of peace and refuge. There are few emotions about places for which adequate single words exist. At the beginning of the eighteenth century, the word sublime arose to describe the feelings that the natural world can evoke in us. At home, on my kitchen table, I have been trying to capture something of that sublime in bits of plastic. Using geographical data from the Internet, I used my 3D printer to make the memories of those mountains tangible. With a small fog machine, I create atmospheres and clouds. Sunlight through a window illuminates some, while others were lit with a variety of sources including ber optic lights used for microscopy. For me, these images evoke the place I call home; and remind me that it is our memories that make a place special. At Home in the West was created as a companion to Yosemite: Seeking Sublime, which premiered at photo-eye Gallery in November 2020. In December of that year, work from that series was invited to the Art of Staying at Home; Artists in the Time of Corona exhibition at the Bibliotheca Alexandrina in Egypt, where I was the only U.S. artist from eight countries included. Additional works from that series will soon be exhibited at the Krakow Triennial in Poland and at the Earth Photo...

Alessandro Puccinelli Mare #3, 2005 Seascape - From the Mare series - Framed 20 x 20 inches Edition of 15 32 x 32 inches Edition of 10 40 x 40 inches Edition of 5 Archival Pigme...

Alessandro Puccinelli Mare #251, 2011 Seascape - From the Mare series - Framed 20 x 20 inches Edition of 15 32 x 32 inches Edition of 10 40 x 40 inches Edition of 5 Archival Pig...

'Pink Moon, Black Thorn (I)' Master Edition (Unique artwork, 1 of 1). Archival photograph. Hand signed and numbered. Unframed. _________________ Heady sap of spring Pink with the bl...

'Sombras Doradas (2)' Limited edition archival photograph. Unframed, hand signed and numbered _________________ Shadows painted on the finca wall: low December sun, golden, luminous, casting soft silhouettes through the aperture of the Eucalyptus leaves. Sophia's poetic photographs are an exploration of the balance in all things: in the sensual interplay of light and shadow; in wild raw energy and serene stillness; in the enduring and the effervescent. They are a contemplation of the awareness that everything in existence is temporary, they speak of the ephemeral nature of all things. Moments, feelings, experiences cherished and appreciated in their impermanence, for that is where the beauty comes from. 'I work with time, and the immeasurable spaces of experience within... tangible traces, evidence left behind, records; process in action, stilled'. 40 x 60 inches Limited edition of 25 Archival Print on Hahnemühle Photo Rag® paper, one of the most beautiful and high quality art papers available. The luxurious matt finish provides a reflection free image that is rich in detail, depth and tone. Hand signed, titled and numbered to the lower right corner on an approximately 1 inch white border. Each print comes with a Certificate of Authenticity featuring a signature and edition number. Other sizes available, please contact * Please note that images of the artwork in situ and framed are an indication of how the piece can look, and in the context of other artworks. The artwork is being sold unframed. Framing options are available, please contact. Discounted pricing for multiple artwork purchases, please contact for further information. ________________________________ About The Artist Sophia Milligan...