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Eliot Porter
Redbud in Bloom, Hidden Passage, Glen Canyon. April 10, 1963

1963

$1,800List Price

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Bluebonnets, Spicewood Springs, Texas
By Jim Bones
Located in Denton, TX
Edition of 30 Signed, titled, dated, and numbered Artist Copyright Stamp Texas Wildflower Portfolio 1979
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20th Century Post-Modern Color Photography

Materials

Dye Transfer

Northern Carmine Bee-Eater and Grevy's Zebra by Cheryl Medow, 2021
By Cheryl Medow
Located in Denton, TX
Northern Carmine Bee-Eater and Grevy's Zebra by Cheryl Medow is a 21 x 24 inch archival pigment print, available in an edition of 10. This photograph features a colorful bird perched on a branch, with three zebras in a grassy field in the background. The image size 16 x 20 inches, the paper size is 21 x 24 inches. This photograph is signed and numbered in pencil, and blind stamp on print margin by Cheryl Medow. This photograph is signed, titled, dated, and print type in pencil on print verso by Cheryl Medow. This photograph is available in multiple sizes: Paper size: 14 1/2 x 18 in., Image size: 10.4 x 13 in., Edition of 25, $1700 Paper size: 21 x 24 in., Image size: 16 x 20 in., Edition of 10, $2300 Paper size: 31 x 36 in., Image size: 24 x 30 in., Edition of 6, $2900 Santa Barbara art photographer Cheryl Medow creates images that entice the viewer to enter her world, both real and imagined. Cheryl Medow's background in the arts is diverse, but interconnected. Medow studied ceramics at the famed Chouinard Institute and received a BA in Art from UCLA, concentrating on life drawing with charcoal and pastels. Continuing her art education, she studied printmaking at Hand Graphics in Santa Fe, New Mexico. With a wealth of materials and techniques, Medow layers her photographs and weaves them together to create visual narratives. There have been numerous articles written about her work. Avian Alchemy by Becca Cudmore was published by Audubon News/Culture on June 5, 2015, Proof. National Geographic - An Altered Reality by Becky Harlan along with National Geographics Sunday Stills, Sunday, July 12, 2015 and an article in Inspire Adobe Photoshop For The Birds by Alyssa Coppelman in August. In 2016, Medow was included in the SLIDESHOW Night at the Annenberg Space for Photography in Century City, California. She received the Juror's Award at PhotoPlace Gallery in Middlebury Vermont for Great Blue Heron With Chicks Revisited and her print will be exhibited from March 23 through April 22 and White Ibis With Fish will be part of the Online Gallery Annex at PhotoPlace. Medow was a finalist in the 89th Annual International Competition at The Print Center in Philadelphia given the Olcott Family Award. She is also a finalist at the LensCulture Earth Awards 2015. In 2015, Medow's images were exhibited at The G2 Gallery in Venice, CA and at Flock: Birds On The Brink / Ganna Walksa Lotusland, curated by Nancy Gifford...
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2010s Contemporary Landscape Photography

Materials

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National Freshwater Fishing Hall of Fame, Hayward, Wisconsin, by David Graham
By David Graham
Located in Denton, TX
National Freshwater Fishing Hall of Fame, Hayward, Wisconsin by David Graham is a 20 x 24 in color print. This photograph depicts two giant fake fish displays, with a child standing ...
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21st Century and Contemporary Contemporary Color Photography

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Color

Through Darkness to Light: Photographs Along the Underground Railroad, Portfolio
By Jeanine Michna-Bales
Located in Denton, TX
Edition of 15 + 3 APs Signed, titled, dated and numbered. Portfolio box: 13 1/4 x 16 3/4 x 2 1/8 in. A limited edition portfolio was published by Jeanine Michna-Bales in the spring of 2018. The numbered books (1-15 + 3ap) along with twelve images selected by the artist are enclosed in a hand-crafted box. The images are interleaved with vellum sheets that have quotations from those who played an integral part in the Underground Railroad...
Category

2010s Contemporary Landscape Photography

Materials

Digital Pigment, Mixed Media

Follow the Drinking Gourd, Jefferson County, Indiana
By Jeanine Michna-Bales
Located in Denton, TX
Edition of 8 Signed, titled, dated and numbered. Michna-Bales’ work explores the relationships between what has occurred, or is occurring, in a society and how people react to those events. She meticulously researches each topic — considering different viewpoints, causes and effects, and political climates — and often incorporates found or archival text and audio into her projects. Whether exploring the darkened stations along the Underground Railroad, long-forgotten nuclear fallout...
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2010s Contemporary Landscape Photography

Materials

Digital Pigment

Eagle Hollow from Hunter’s Bottom. Just across the Ohio River, Indiana
By Jeanine Michna-Bales
Located in Denton, TX
Edition of 8 Signed, titled, dated and numbered. Digital c-print, 25 x 36 in. Through Darkness to Light: Photographs Along the Underground Railroad...
Category

2010s Contemporary Landscape Photography

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Digital Pigment

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Providence XV, (Polyptych)
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Providence XV consists of 5 individual panels. The images are archival dye sublimation prints which are heat-transferred to an aluminum substrate, backed with sintra, and channelled ...
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Leaving Ditch, Hamptons, NY, 2014
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. Shipping time depends on method of shipping. ABOUT: This photograph has previously been on exhibit at th...
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Desert Isle, Oahu, Hawaii, 2018 Dye Sublimation on Metal
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This listing is for the unframed photograph. It is available framed. Please inquire. As a photographer, Boaz defies a traditional approach to perspective and instead situates himself quite literally in the sky above. The resulting work is breathtaking and arresting. Each image captured by Boaz offers his audiences a rare composition of both nature and civilization in all their complexity. Originally a recording studio owner and music producer in New York City, Boaz became an avid aerial photographer almost entirely by accident after he won a “doors off” helicopter ride over Manhattan that opened his eyes to a new realm of experience. The oddity of what he saw sparked a deep fascination that led Boaz to return again and again to the cramped cockpits of such helicopters until he found in them a studio at 1000 feet above. Flying well away from the world below, Boaz holds an eye in the sky. With it, he surveys terrain and develops concepts in real time as colors and textures flood into sight during each ride. Working under the throbbing sounds of the propellers overhead, Boaz directs the pilot over radio and creates spontaneous images of calm amidst chaos. In speaking of his method, he explains, “I seek out sound in my photos; I look to find those symbiotic patterns and fast-changing colors that play together in rhythm, similar to the layers that make up a beat.” Through this unique process, Boaz discovers a synesthetic harmony in each photograph just as he would if he was visualizing music on a track. As a result, the 13 large-format dye sublimation prints of Hawaii, Israel, Arizona, California and Key West in this exhibition hold a lingering tranquility as they flow throughout the gallery. The exhibition’s invitational image “Desert Isle” shows the tides of an emerald green ocean washing over sunbeam yellow sands to form a vibrant ripple green that coalesces into an S-shaped coastline where distant row boats and sunbathers appear like ants. His visionary approach to expanding how audiences see the everyday is reminiscent of Andreas Gursky who did the same in Rhine II (1999) which captured the magnificence of the Rhine River with virtuoso ease. Gifted with a sight of the world top down, Boaz’s aerial photography evokes a cosmic awareness of humanity as a tiny dot in the universe which borders on the surreal. He credits his influences to be Joan Miro, Christopher Nolan, Andreas Gursky, Annie Leibowitz...
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