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John GriebschPoplar Corner (Aerial Winter Landscape Photograph of Trees in a White Field)2005
2005
$2,200
£1,662.93
€1,911
CA$3,063.49
A$3,408
CHF 1,786.52
MX$41,644.97
NOK 22,749.08
SEK 21,415.11
DKK 14,264.88
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About the Item
Minimalist aerial landscape photograph of trees in a snowy white field
Archival digital print, Edition of 25 (#121)
Image size 23.5 x 29 inches with 2 inch border, made to order
Also available in the following sizes:
Image size 31 x 39 inches with 2 inch border $3200
Image size 38.5 x 48 inches with 2 inch border $4500
The aerial photographs of pilot and photographer John Griebsch capture natural and man-made landforms from a bird's-eye view and turn them into art. Employing his mature and professional sense of composition, gained from a photography career that began at the age of 12, Griebsch here photographs a barren orchard and popular trees in a snowy white field above Sodus, New York. The shadows from the trees cast a dramatic shadow against the white field while the brown colored paved road provides a striking contrast in composition. When seen from above, the aerial landscape photograph looks like a minimalist abstract canvas.
Artist statement:
My aerial photographs present a sense of selective design applied to an extremely small and specific area of the vast landscape over which I fly. I find the need to make geographical sense of the earth, as well as the need to make visual sense of a photograph.
I work with ambiguity of scale, the graphic quality of nature and with the hand of man upon the landscape. My images have an abstract and often painterly quality. They are at once factual and interpretive.
Familiar landscapes take on a fresh context when airborne. The images require the confluence of several factors. There is the subject – a minuscule segment of the landscape that has captured my interest due to its sense of pattern, order or disarray. There is the essential contribution of light. There is the position and altitude of the airplane, and there is a need to capture the stillness and composition of the moment while moving over the subject at more than seventy miles per hour.
My earliest aerial photographs were of ice and farmland, made close to home. The scope of the work opened up on solo flights across the continent in my vintage 1952 Cessna 170B. Those flights are made to find images of landscapes on a grander scale as well as unfamiliar opportunities to find images that take in a small detail.
In my most recent work I’ve discovered what might be regarded as historical or documentary themes – some of the images of factories and quarries present relics of the country’s industrial past, while my newer images of the landscape and agriculture denote changes in the scale of farming and open space.
The existing body of work, titled Aerias is comprised of more than two hundred images. Collections of my images have been placed in corporate and business settings and in private collections.
I started photographing when I was twelve years old. My father taught me to fly when I was fourteen years old. Before taking off on my first solo flight, he admonished me not to go out of sight of the airport. I was soon out of his view and yet from where I was, the airport was always in sight. Such are the perceptions of a photographer who is airborne.
More about the artist:
Resume John Griebsch is an aerial photographer and pilot whose aerial landscapes depict natural and man-made landforms. His images of the American landscape have been made from his vintage Cessna 170, in which he has logged more than 100,000 miles. At present there are 300 images in his series of work, titled, AERIAS. Representation Iris Gallery, Boston & Great Barrington, Massachusetts, Aspen, Colorado Carrie Haddad Photographs, Hudson, New York The Art Registry, Washington, DC Chicago Art Source, Chicago, Illinois June Bateman Fine Art, New York, New York Estro Photographics, New York, New York Susan Spiritus Gallery, Newport Beach, California Museum Shows & Juried Shows 64th Rochester Finger Lakes Exhibition, Memorial Art Gallery, Rochester, New York - 2013 Earth Through a Lens, (Award Winner), Palm Springs California- 2011 62nd Rochester Finger Lakes Exhibition, Memorial Art Gallery, Rochester, New York - 2009 59th Rochester Finger Lakes Exhibition, Memorial Art Gallery, Rochester, New York - 2003 International Photography Invitational, Fraser Gallery, Washington, DC. 2009
Solo and Two-person Gallery Shows
Carrie Haddad Gallery, Hudson, New York. Summer 2013
Iris Gallery, Boston. 2011- 2012
The Gallery at Bausch and Lomb World Headquarters, Rochester, New York. 2006
Lake Placid Center for the Arts, Lake Placid, New York. 2003
The Elizabeth Collection, Rochester, New York. 1995
The Little Theater Gallery, Rochester, New York. 1991
Group Gallery Shows
Outside Focus, The Drawing Room Gallery, Cos Cob, Connecticut 2014
Summer Show, Iris Gallery, Boston, Massachusetts. 2010
Snow White, Carrie Haddad Photographs, Hudson, New York. 2010 / 2011
Such Great Heights, Carrie Haddad Photographs, Hudson, New York. 2009
Sounding Out, Chicago Art Source, Chicago, Illinois. 2009
Art Registry, Chase Contemporary, Washington, DC. 2009
High Falls Art Gallery, Rochester, New York. 2000
The Link Gallery, Rochester, New York. 1999
Atrium Gallery, Rochester, New York. 1999
Corporate Collections
Bausch and Lomb, New York
Boylan Brown Code Vigdor & Wilson LLP, New York
Coldwell Banker Corporate Offices, New York
Darby & Darby PC, Washington state
Digene Corporation, Maryland
Energy Networks, New York
Gianniny Associates, New York
Linklaters US, New York
Kapstone Paper, Illinois
Konar Properties, New York
McArdle Ramerman, New York
Paychex, New York
Parkside Financial, Missouri
DLA Piper Rudnick Cary Gray, LLP, New Jersey
Reyes Holdings, Illinois
Sherman Hospital, Illinois
Strong Health, New York
Press Coverage /editorial
Adirondack Life Magazine, featured work, December 2015
Adirondack Life Magazine, feature and cover, December / January 2014
Rochester Magazine, featured work, 2014
Lenswork Extended, Featured Interview and Folio, December 2013
City Newspaper, August, 2013
Rochester Democrat and Chronicle, feature article. 2012
SxSE online and print magazine, featured portfolio. 2011 & 2012
Rochester Magazine, feature article. 2009
Lake Effect Magazine, featured work. 2007
Adirondack Life Magazine, feature story and cover. 2004
Mountain Lakes Public Broadcasting, Art Express television show, feature segment. 2004
Adjunct Faculty
Aerial Photographic Interpretation. Paul Smiths College. 2005
Introductory Photography, Rochester Institute of Technology. 2007
- Creator:John Griebsch (American)
- Creation Year:2005
- Dimensions:Height: 23.5 in (59.69 cm)Width: 29 in (73.66 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Hudson, NY
- Reference Number:1stDibs: LU2273784441
John Griebsch
John Griebsch is an aerial photographer and pilot whose aerial landscapes depict natural and man-made landforms. His images of the American landscape have been made from his vintage Cessna 170, in which he has logged more than 100,000 miles. At present there are 300 images in his series of work, titled, AERIAS.
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View AllApple Orchard & Shadows (Framed Archival Digital Aerial Landscape Photograph)
By John Griebsch
Located in Hudson, NY
Framed minimalist aerial landscape photograph
of apple trees and shadows against bright white snow
'Apple Orchard and Shadows Near Sodus, NY', 2011
Archival digital print, Edition of 25 (#153)
Image size 19.3 x 29 inches with 2 inch border
27.5 x 36.5 inches in black frame with 8-ply mat and non-glare glass
Also available in the following sizes (unframed):
Image 19.3 x 29 inches with 2 inch border $2000
Image size 31 x 39 inches with 2 inch border $3200
Image size 38.5 x 48 inches with 2 inch border $4500
Image size 40 x 60 inches with 2 inch border $6800
The aerial photographs of pilot and photographer John Griebsch capture natural and man-made land forms from a bird's-eye view and turn them into art. Employing his mature and professional sense of composition, gained from a photography career that began at the age of 12, Griebsch here photographs an apple orchard from above near Sodus, NY. The trees cast dramatic shadows on the bright white snow, creating beautiful contrast. When seen from above, the shadows and tree's stark black forms against the white snow can be likened to a minimalist abstract painting.
Artist statement:
My aerial photographs present a sense of selective design applied to an extremely small and specific area of the vast landscape over which I fly. I find the need to make geographical sense of the earth, as well as the need to make visual sense of a photograph.
I work with ambiguity of scale, the graphic quality of nature and with the hand of man upon the landscape. My images have an abstract and often painterly quality. They are at once factual and interpretive.
Familiar landscapes take on a fresh context when airborne. The images require the confluence of several factors. There is the subject – a minuscule segment of the landscape that has captured my interest due to its sense of pattern, order or disarray. There is the essential contribution of light. There is the position and altitude of the airplane, and there is a need to capture the stillness and composition of the moment while moving over the subject at more than seventy miles per hour.
My earliest aerial photographs were of ice and farmland, made close to home. The scope of the work opened up on solo flights across the continent in my vintage 1952 Cessna 170B. Those flights are made to find images of landscapes on a grander scale as well as unfamiliar opportunities to find images that take in a small detail.
In my most recent work I’ve discovered what might be regarded as historical or documentary themes – some of the images of factories and quarries present relics of the country’s industrial past, while my newer images of the landscape and agriculture denote changes in the scale of farming and open space.
The existing body of work, titled Aerias is comprised of more than two hundred images. Collections of my images have been placed in corporate and business settings and in private collections.
I started photographing when I was twelve years old. My father taught me to fly when I was fourteen years old. Before taking off on my first solo flight, he admonished me not to go out of sight of the airport. I was soon out of his view and yet from where I was, the airport was always in sight. Such are the perceptions of a photographer who is airborne.
More about the artist:
Resume John Griebsch is an aerial photographer and pilot whose aerial landscapes depict natural and man-made landforms. His images of the American landscape have been made from his vintage Cessna 170, in which he has logged more than 100,000 miles. At present there are 300 images in his series of work, titled, AERIAS. Representation Iris Gallery, Boston & Great Barrington, Massachusetts, Aspen, Colorado Carrie Haddad Photographs, Hudson, New York The Art Registry, Washington, DC Chicago Art Source, Chicago, Illinois June Bateman Fine Art, New York, New York Estro Photographics, New York, New York Susan Spiritus...
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Archival digital print, edition of 25 (#161)
Image size 19.3 x 29 inches with 2 inch border $2000
Image size 26 x 39 inches with 2 inch border $3200
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Trees in Rows (Black and White Archival Inkjet Print of a Birch Tree Forest)
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10 x 15 inches unframed
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Photographed in Maine, this black and white archival pigment print by Betsy Weis captures white birch trees in rows. The ordered arrangement evolves into an organic complexity as the trunks spread out into branches.
This photograph is available unframed. The image measures 10 x 15 inches.
16.5 x 21.5 inches framed $1250
Artist statement:
Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain.
I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...
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Archival digital print, Edition of 25 (#013)
Image size 23.5 x 29 inches with 2 inch border $2000
Image size 31 x 39 inches with 2 inch border $3200
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Category
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