C Print Landscape Photography
to
153
1,252
970
535
706
1,650
Overall Width
to
Overall Height
to
1,320
3,795
1
6
135
332
186
117
425
3,799
898
41
20
18
16
3
2
2,990
1,188
928
1,529
1,320
1,313
603
522
512
460
459
409
409
343
338
319
314
303
298
298
267
253
219
8,085
7,313
6,089
5,816
5,118
1,570
844
579
267
216
518
1,472
3,736
1,339
Medium: C Print
North Star Trail (The Girl behind the White Picket Fence) - Polaroid, Color
Located in Morongo Valley, CA
Lone Star Trail (The Girl behind the White Picket Fence) - 2013 -
20x24cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Signature label and certificate.
Artist Inventory No. 13840.
Not mounted.
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres...
Category
2010s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
The Kiss (Sidewinder) - 21st Century, Polaroid, Landscape
Located in Morongo Valley, CA
The Kiss (Sidewinder) - 2005
40x48cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Signature label and Certificate.
Artist Inventory N...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Palazzo Pitti, Sala Bianca, Firenze
Located in New York, NY
Palazzo Pitti, Sala Bianca, Firenze, 2008
Chromogenic print
180 x 1225 cm
Edition of 5
Italian, b. 1954, Florence, Italy, based in Florence, Italy
Mass...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
C Print
Wonder Valley (Till Death Do Us Part) - Contemporary, Polaroid
Located in Morongo Valley, CA
Wonder Valley (Till Death Do Us Part) - 2005
40x48cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Certificate and Signature label.
Art...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Guests At Villa Nirvana
By Slim Aarons
Located in Los Angeles, CA
Guests at the Villa Nirvana, owned by Oscar Obregon, in Las Brisas, Acapulco, Mexico, 1978.
Complimentary dealer shipping to your framer, worldwide.
Undercurrent Projects is proud ...
Category
1970s Realist C Print Landscape Photography
Materials
C Print
Hotel Chelsea, New York. Second Floor, North
Located in Miami Beach, FL
Hotel Chelsea, New York. Second Floor, North
Photographs from the photography book entitled Hotel Chelsea (publisher pointed leaf press 2013).
C-print archival
Size: 26.6 in H x 40 i...
Category
2010s Contemporary C Print Landscape Photography
Materials
C Print
Hotel Chelsea, New York. Room 822
Located in Miami Beach, FL
Hotel Chelsea, New York. Room 822, 2011
Photographs from the photography book entitled Hotel Chelsea (publisher pointed leaf press 2013).
C-print archival
Size: 40 H x 60 W in.
Edit...
Category
2010s Contemporary C Print Landscape Photography
Materials
C Print
Hotel Chelsea, New York. Eighth Floor, South
Located in Miami Beach, FL
Hotel Chelsea, New York. Eighth Floor, South, 2011
Photographs from the photography book entitled Hotel Chelsea (publisher pointed leaf press 2013).
C-print archival
Size: 40 H x 60 ...
Category
2010s Contemporary C Print Landscape Photography
Materials
C Print
Into Eternity (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
Into Eternity (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 893.
Signature label and Certificate.
Not mounted.
For sale is a piece from the Wastelands series.
Reality with the Tequila:
Stefanie Schneider’s Fertile Wasteland
by James Scarborough
“How much more than enough
for you for I for both of us darling?”
(E. E. Cummings)
Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence.
Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined.
Until she met him, she had not been inclined.
It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon.
They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up.
That’s when the shooting started…
Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila.
Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty.
She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world.
Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy.
That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Leaving Town (Sidewinder) - based on a Polaroid
Located in Morongo Valley, CA
Leaving Town (Sidewinder) - 2005
20x20cm,
Edition of 10, plus 2 Artist Proofs,
Archival C-Print, based on a Polaroid.
Certificate and Signature label.
Artist Inventory No. 345...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Dreamscene on Salt Lake (29 Palms, CA) - Polaroid, Figurative, Landscape, Desert
Located in Morongo Valley, CA
Dreamscene on Salt Lake - 2007
from the 29 Palms, CA project
20x24cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist Inventory #968...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Valley Vista (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
Valley Vista (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 864.
Signature label and Certificate.
Not mounted.
For sale is a piece from the Wastelands series.
Reality with the Tequila:
Stefanie Schneider’s Fertile Wasteland
by James Scarborough
“How much more than enough
for you for I for both of us darling?”
(E. E. Cummings)
Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence.
Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined.
Until she met him, she had not been inclined.
It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon.
They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up.
That’s when the shooting started…
Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila.
Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty.
She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world.
Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy.
That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Rodeo Grounds (Till Death du us Part)
Located in Morongo Valley, CA
Rodeo Grounds (Till Death do us Part) - 2010
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Certificate and Signature label.
Arti...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Sudden Urge (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
Sudden Urge (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 809.
Signature label and Certificate.
Not mounted.
For sale is a piece from the Wastelands series.
Reality with the Tequila:
Stefanie Schneider’s Fertile Wasteland
by James Scarborough
“How much more than enough
for you for I for both of us darling?”
(E. E. Cummings)
Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence.
Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined.
Until she met him, she had not been inclined.
It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon.
They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up.
That’s when the shooting started…
Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila.
Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty.
She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world.
Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy.
That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
The Kiss (Sidewinder) - 21st Century, Polaroid, Landscape
Located in Morongo Valley, CA
The Kiss (Sidewinder) - 2005
20x24cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Signature label and Certificate.
Artist Inventory N...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Baltic Ice II, Paernu 001 by Bernhard Lang - Aerial photography, winter, boat
Located in Paris, FR
Baltic Ice II, Paernu 001 is a limited-edition photograph by German contemporary artist Bernhard Lang.
This photograph is sold unframed as a print only. It is available in 4 dimens...
Category
2010s Contemporary C Print Landscape Photography
Materials
C Print
Enchanted (Dream Scene on Salt Lake), triptych
Located in Morongo Valley, CA
Enchanted (Dream Scene on Salt Lake), triptych, from the 29 Palms, CA Project - 2009
Edition of 10 plus 2 Artist Proofs.
38x37cm, 38x117cm (installed).
3 Archival C-Prints, based ...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Riggs Library I, Washington DC
Located in Los Angeles, CA
Riggs Library
Washington DC
57 x 50 inches
ed. of 10
$6,000
68 x 60 inches
ed. of 7
$9,000
79.8 x 70 inches
ed. of 5
$11,000
signed and numbered on label, verso
Paper is trimmed...
Category
2010s Conceptual C Print Landscape Photography
Materials
C Print, Lambda
Slim Aarons Official Estate Print - Portofino 1985 - Oversize
By Slim Aarons
Located in London, GB
Slim Aarons Estate Print - Portofino - Oversize
1985, The most exclusive fishing village in Italy, Portofino, on Italy’s Ligurian coast.
Slim Aarons Chromogenic C print
Printed L...
Category
1980s Modern C Print Landscape Photography
Materials
C Print, Color
Wind Swept (Wastelands) - diptych - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
Wind Swept (Wastelands) - diptych - 2003
20x20cm each,
Edition of 10 plus 2 Artist Proofs.
2 Archival C-Prints, based on the two original Polaroids.
Artist inventory Number 698. ...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Brilliant Shadow (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
Brilliant Shadow (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 22720.
Signature labe...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Showboat (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
Showboat (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 22875.
Signature label and Ce...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Romina's Wedding Day (29 Palms, CA)
Located in Morongo Valley, CA
Romina's Wedding Day (from the 29 Palms, CA Project) - 2009
20x24cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Signature label and Ce...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Metal
Silver Bullet (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
Silver Bullet (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 23475.
Signature label and Certificate.
Not mounted.
For sale is a piece from the Wastelands series.
Reality with the Tequila:
Stefanie Schneider’s Fertile Wasteland
by James Scarborough
“How much more than enough
for you for I for both of us darling?”
(E. E. Cummings)
Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence.
Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined.
Until she met him, she had not been inclined.
It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon.
They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up.
That’s when the shooting started…
Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila.
Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty.
She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world.
Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy.
That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
It's Going to Be OK (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
It's Going to Be OK (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 23890.
Signature l...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Jack's (Sidewinder), analog, 100x98cm
Located in Morongo Valley, CA
Jack's (Sidewinder) 2005
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Artist Inventory 3099.
Not mounted.
Stefanie Schneider lives a...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Santa Monica Pier (Stranger than Paradise) - Analog, Polaroid
Located in Morongo Valley, CA
Santa Monica Pier (Stranger than Paradise) - 1997
20x25cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 104.
Sign...
Category
1990s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Slim Aarons Estate Print - Motorcycling Lord 1990
By Slim Aarons
Located in London, GB
Slim Aarons Estate Print - Motorcycling Lord
Lord Hesketh, Minister of State at the Department of Trade and Industry, by the lake in the grounds of his family estate Easton Neston...
Category
1990s Modern C Print Landscape Photography
Materials
C Print, Color
Blooded (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
Blooded (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 22991.
Signature label and Cer...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
On The Run (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
On The Run (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 23024.
Signature label and ...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Last Chance (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
Last Chance (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 24104.
Signature label and...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
House up in the Mountains (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
House up in the Mountains (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 1235.
Signat...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Hidden Valley (Wastelands)
Located in Morongo Valley, CA
Hidden Valley (Wastelands) - 2003
20x20cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 1992.
Signature label a...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Blue Day (Wastelands)
Located in Morongo Valley, CA
Blue Day (Wastelands) - 2003
38x37cm,
Edition 2/5.
Analog C-Print, hand-printed by the artist, based on the original Polaroid.
Artist inventory Number 837.
Signature label and c...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Blue Day (Wastelands)
Located in Morongo Valley, CA
Blue Day (Wastelands) - 2003
20x20cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 837.
Signature label and cer...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Baltic Ice, Peipsi Jaerv 014 by Bernhard Lang - Aerial photography, winter, blue
Located in Paris, FR
Baltic Ice, Peipsi Jaerv 014 is a limited-edition photograph by German contemporary artist Bernhard Lang.
This photograph is sold unframed as a print only. It is available in 4 dim...
Category
2010s Contemporary C Print Landscape Photography
Materials
C Print
Hotel Chelsea, New York. Second Floor, North
Located in Miami Beach, FL
Hotel Chelsea, New York. Second Floor, North, 2011
Photographs from the photography book entitled Hotel Chelsea (publisher pointed leaf press 2013)....
Category
2010s Contemporary C Print Landscape Photography
Materials
C Print
Secret Garden (Zuma Beach)
Located in Morongo Valley, CA
Secret Garden (Zuma Beach) - 1999
20x25cm,
Edition of 10 plus 2 Artists Proofs.
Archival C-Print, based on the Polaroid.
Signature Label and Certificate.
Artist Inventory #212.
Not...
Category
1990s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Lifeguard (Zuma Beach)
Located in Morongo Valley, CA
Lifeguard (Zuma Beach) - 1999
20x25cm,
Edition of 10 plus 2 Artists Proofs.
Archival C-Print, based on the Polaroid.
Signature Label and Certificate.
Artist Inventory #499.
Not mou...
Category
1990s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
'Guests At Villa Nirvana' 1978 Slim Aarons Limited Estate Edition
By Slim Aarons
Located in London, GB
'Guests At Villa Nirvana' 1978 Slim Aarons Limited Estate Edition
Guests at the Villa Nirvana, owned by Oscar Obregon, in Las Brisas, Acapulco, Mexico, 1978.
Produced from the or...
Category
1970s Modern C Print Landscape Photography
Materials
C Print
"Saint Jean de Luz" by Didier Fournet, 51 x 51 in, 2023
Located in Paris, France
Didier Fournet is a contemporary "painter" thanks to photography: he chose pixels instead of brushes and reveals the beauty of the world by turning landscapes into vibrations.
Self-...
Category
2010s Contemporary C Print Landscape Photography
Materials
C Print, Other Medium
Sunset (Zuma Beach)
Located in Morongo Valley, CA
Sunset (Zuma Beach) - 1999
20x25cm,
Edition of 10 plus 2 Artists Proofs.
Archival C-Print, based on the Polaroid.
Signature Label and Certificate.
Artist Inventory # 119.
Not mount...
Category
1990s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Seagulls (Zuma Beach)
Located in Morongo Valley, CA
Seagulls (Zuma Beach) - 1999
20x25cm,
Edition of 10 plus 2 Artists Proofs.
Archival C-Print, based on the Polaroid.
Signature Label and Certificate.
Artist Inventory # 107.
Not mou...
Category
1990s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Baltic Ice, Kloogaranna 021 by Bernhard Lang - Aerial photography, winter, shore
Located in Paris, FR
Baltic Ice, Kloogaranna 021 is a limited-edition photograph by German contemporary artist Bernhard Lang.
This photograph is sold unframed as a print only. It is available in 4 dime...
Category
2010s Contemporary C Print Landscape Photography
Materials
C Print
Baltic Ice, Peipsi Jaerv 015 by Bernhard Lang - Aerial photography, winter, blue
Located in Paris, FR
Baltic Ice, Peipsi Jaerv 015 is a limited-edition photograph by German contemporary artist Bernhard Lang.
This photograph is sold unframed as a print only. It is available in 5 dim...
Category
2010s Contemporary C Print Landscape Photography
Materials
C Print
Hotel Chelsea, New York. Room 532
Located in Miami Beach, FL
Hotel Chelsea, New York. Room 532, 2011
Photographs from the photography book entitled Hotel Chelsea (publisher pointed leaf press 2013).
C-print archival
Size: 20 H x 30 W in.
Edit...
Category
2010s Contemporary C Print Landscape Photography
Materials
C Print
Ferguson Racing Streamliner (Rear Three Quarters), Bonneville Salt Flats
Located in Cambridge, GB
Ferguson Racing Streamliner, in the iconic home of speed, Bonneville Salt Flats. Bonneville has been the setting of many land speed attempts and records, the unique landscape creates...
Category
21st Century and Contemporary Contemporary C Print Landscape Photography
Materials
Photographic Paper, C Print, Color, Silver Gelatin
Racing Streamliner Bonneville Pair Framed American Landscape Photographs
Located in Cambridge, GB
Richard Heeps photography captured in the iconic home of speed, Bonneville Salt Flats.
This listing is for 2 x Richard Heeps artworks.
1. Ferguson Racing Streamliner
2. LSR Streamli...
Category
21st Century and Contemporary Contemporary C Print Landscape Photography
Materials
Photographic Paper, C Print, Color, Silver Gelatin
Ferguson Racing Streamliner, Bonneville, Utah - Car in Landscape Color Photo
Located in Cambridge, GB
Ferguson Racing Streamliner, captured in the iconic home of speed, Bonneville Salt Flats. Just as the mountains contrast with the flatness, Richard Heeps captured this racing car at ...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Photographic Paper, C Print, Color, Silver Gelatin
'Verbier Vacation' 1964 Slim Aarons Limited Estate Edition
By Slim Aarons
Located in London, GB
'Verbier Vacation' 1964 Slim Aarons Limited Estate Edition
Holiday-makers take the sun on a mountain top in Verbier, 1964.
Produced from the original transparency
Certificate of a...
Category
1960s Modern C Print Landscape Photography
Materials
C Print
Outback (29 Palms, CA)
Located in Morongo Valley, CA
Outback (29 Palms, CA) - 1999,
50x49cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid. Certificate and Signature label.
Artist Inventory...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Hotel Chelsea, New York. Room 617
Located in Miami Beach, FL
Hotel Chelsea, New York. Room 617, 2011
Photographs from the photography book entitled Hotel Chelsea (publisher pointed leaf press 2013).
C-print archival
Size: 40 H x 60 W in.
Edit...
Category
2010s Contemporary C Print Landscape Photography
Materials
C Print
Carwash (29 Palms, CA) - 21st Century, Polaroid, Contemporary, Landscape
Located in Morongo Valley, CA
Carwash (29 Palms, CA) - 1997
50x49cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print based on the Polaroid.
Signature label and certificate.
Artist Inventory 9848.
Not ...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Hotel Chelsea, New York. Fifth Floor, South
Located in Miami Beach, FL
Hotel Chelsea, New York. Fifth Floor, South, 2011
Photographs from the photography book entitled Hotel Chelsea (publisher pointed leaf press 2013).
C-print archival
Size: 26.6 in H x...
Category
2010s Contemporary C Print Landscape Photography
Materials
C Print
Hotel Chelsea, New York. Room 607
Located in Miami Beach, FL
Hotel Chelsea, New York. Room 607, 2011
Photographs from the photography book entitled Hotel Chelsea (publisher pointed leaf press 2013).
C-print archival
Size: 26.6 in H x 40 in W
E...
Category
2010s Contemporary C Print Landscape Photography
Materials
C Print
Hotel Chelsea, New York. Room 617
Located in Miami Beach, FL
Hotel Chelsea, New York. Room 617, 2011
Photographs from the photography book entitled Hotel Chelsea (publisher pointed leaf press 2013).
C-print archival
Size: 20 H x 30 W in.
Edit...
Category
2010s Contemporary C Print Landscape Photography
Materials
C Print
Slim Aarons Official Estate Print - Satin Seduction 1955 - Oversize
By Slim Aarons
Located in London, GB
Satin Seduction
Film star Diana Dors in blonde bombshell pose on a satin covered bed.
Slim Aarons Chromogenic C print
Printed Later
Slim Aarons Estate ...
Category
1950s Modern C Print Landscape Photography
Materials
C Print, Color
Sun Down (The Last Picture Show)
Located in Morongo Valley, CA
Sun Down (The Last Picture Show) - 2005,
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid. Certificate and Signature label.
Artist...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
C Print landscape photography for sale on 1stDibs.
Find a wide variety of authentic C Print landscape photography available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape photography created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, green, orange and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Stefanie Schneider, Massimo Listri, Kirsten Thys van den Audenaerde, and Richard Heeps. Frequently made by artists working in the Contemporary, Modern, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large C Print landscape photography, so small editions measuring 0.4 inches across are also available
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