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Mitchell Funk
Old West with Dramatic Dark Blue Sky

1975

$5,500
£4,182.51
€4,824.32
CA$7,704.49
A$8,622.85
CHF 4,502.47
MX$105,199.28
NOK 57,153
SEK 54,234.68
DKK 36,025.74
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About the Item

Piercing white light breaks through the clouds to illuminate an abandoned gas station in Arizona. Signed and dated on lower right, numbered on verso, 2/15 Printed later, other size available, unframed, Printed on Hahnemühle Fine Art paper

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Vintage Las Vegas Motel Sign - Mid Century Sky Ranch Motel
By Mitchell Funk
Located in Miami, FL
A perfect day with penetrating light and a deep cobalt-blue sky was the ideal context for Mitchell Funk to photograph the punchy primary colors of a mid-century Las Vegas hotel sign....
Category

Early 2000s Contemporary Landscape Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

Saturated Blue Sky Small Town, Early Color Photography
By Mitchell Funk
Located in Miami, FL
Like William Eggleston, Mitchell Funk is an early trailblazer of color photography with unexpected images created in the late 1960s and early 1970s. This image shows a close-up of a ...
Category

1970s American Realist Color Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

Cheyenne Dinner
By Mitchell Funk
Located in Miami, FL
Signed and dated on lower right, numbered on verso, 3/15 Printed later, other size available, unframed
Category

Photorealist Landscape Photography

Materials

Photographic Paper

Golden Dessert Road to Infinity in the American West
By Mitchell Funk
Located in Miami, FL
An endless road is pictured in a timeless landscape. As the road winds through the vast expanse of the American West, the grandeur of the surrounding landscape minimizes a solitary c...
Category

1980s Contemporary Landscape Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

Modern Photography Cover, Surreal Landscape
By Mitchell Funk
Located in Miami, FL
Historically , newsstand magazines have used a standard set of practices when it came to choosing their cover image. Their goal was to use a image that people could instantly relate to. The idea being, if an image pops off the page it will attract more attention and then generate more newsstand sales. For editors, choosing a cover was first a marketing decision and then an aesthetic one. That is why most magazine covers and (that includes art magazines) pretty much looked the same. They used familiar images, mostly of celebrities, beauty people or news items of that would beckon and aggressively reach out to the prospect. In this Modern Photography Cover of August 1983, they chose a radical departure. Their cover image that was the opposite of the norm. Mitchell Funk’s Graphic Surreal Landscape...
Category

1980s Surrealist Landscape Photography

Materials

Photographic Paper

Modern Photography Cover, Surreal Landscape
By Mitchell Funk
Located in Miami, FL
Historically , newsstand magazines have used a standard set of practices when it came to choosing their cover image. Their goal was to use an image that people could instantly relate to. The idea being, if an image pops off the page it will attract more attention and then generate more newsstand sales. For editors, choosing a cover was first a marketing decision and then an aesthetic one. That is why most magazine covers and (that includes art magazines) pretty much looked the same. They used familiar images, mostly of celebrities, beauty people or news items of that would beckon and aggressively reach out to the prospect. In this Modern Photography Cover of August 1983, they chose a radical departure. They used an image that was the opposite of the norm. Mitchell Funk’s Graphic Surreal Landscape breaks the rules of formula magazine cover art...
Category

1980s Surrealist Landscape Photography

Materials

Photographic Paper

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