Conceptual Landscape Photography

Edition of 5 Signed and numbered in pencil, and blind stamp on print margin Signed, titled, dated, and print type in pencil on print verso. Paper size: 42 x 34 1/2 in., Image: 40 x 3...

Genre: Contemporary Subject: Landscape Medium: Photograph Country: France 16 X 22.5 without frame Animalia, Insect Butterfly Photograph Élisabe...

He refers to the history of art, particularly to pop culture and the social circumstances of its local environment as well as its universal confrontation. Humor and irony with a crit...

" Wherever You Look You See The Chrysler Building: Third Avenue and 38th St." was photographed looking uptown from the rooftop of a building on Third Avenue and 38th St. In the for...

Abstract Nature shot. In a canyon. Black and white. About the artist: Mital Patel is an internationally recognized nature and wildlife photographer who focuses on capturing bea...

In 1971, Central Park was a hub for Vietnam War Protests. In this work, Mitchell Funk captures a packed protest scene with emphasis on the graphic nature of the banners and flags. Th...

Trinity Site, 2019 by George McLeod Limited Edition, Framed Fine Art Print #blue #white #human figure in the landscape #white sand dunes #smoke #surreal #NewMexico More info about t...

The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall. "Birdy Dream," a photograph by Anne Valverde, captures the ethereal beauty of a mist-enshrouded forest, with the word 'dream' crafted in neon lights, seamlessly integrated into the landscape. Valverde's artistry is evident in her ability to blend the artificial glow of neon with the organic forms of nature, creating a harmonious tableau that whispers of the unseen and the imagined. The forest scene is alive with varying textures of foliage, dominated by the large fronds of ferns that fan out across the frame. The mist rolls through the trees like a gentle tide, blurring lines and softening the world to a palette of muted greens and grays. In this dreamscape, the neon 'dream' is both a literal and figurative illumination—a call to the magic that lies in the heart of the wild. The neon text, positioned amongst the forest floor, is like a secret waiting to be discovered, a reminder that even in the dense and tangled growth, there is space for dreams to take root and flourish. The soft light from the sign pierces the fog, symbolizing clarity and hope amidst uncertainty. Valverde's "Birdy Dream" is a tribute to the quiet strength of nature and the power of dreams to persist in even the most unlikely places. It's a visual poem that invites contemplation, asking the observer to consider the myriad of dreams that live hidden beneath the canopy, in the soul of the forest, and within us all. Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography. Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words. Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world. Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...

The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall. The photograph titled "You Are Here" by Anne Valverde exhibits a minimalistic seascape where the vastness of the sea meets the expansive sky. The crisp horizon line divides the image into two broad swaths of muted color, imparting a sense of calm and infinity. The foreground is a textured white that looks almost like a continuation of the sea's surface, adding depth and grounding the photograph in a tangible reality. Against this serene backdrop, the phrase "You Are Here" is superimposed in a style reminiscent of neon signage. The contrast of the modern, human-made font with the natural setting plays on the idea of place and presence. It serves both as a marker of physical location and a philosophical statement about being present in the moment, offering a dual commentary on geography and consciousness. The artwork’s essence lies in its call for contemplation. In a world often dominated by haste and distraction, Valverde’s work is a gentle prompt to acknowledge and savor the present. The text acts as an anchor, pulling the viewer back from wherever their mind might wander, back to the 'here' that is not just a point in space, but a moment in time. The composition and the inclusion of the text work together to evoke a reflection on solitude and connectivity. In the absence of any human figures or traces of civilization other than the text, the image suggests isolation, yet the words imply a connection to the viewer. It is this paradox that enriches the photograph, encouraging a deeper engagement with the layers of meaning behind the simplicity of the captured scene. Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography. Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words. Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world. Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...

Archival Ink. Photograph. Waves. Produced by Dye Sublimation - which means archival inks infused into aluminum. Ltd Ed of 10. The art can be inside or outside with no visible lo...

This trailblazing in-camera multiple exposures of New York buildings with the moon was done in 1972. It's not just an image that pushes the boundaries of visual imagery but it is a t...

Robert Funk’s photographs of elaborate landscaping redefine what Street Art is. Landscaping art aesthetically is the opposite of the generally accepted meaning of Graffiti Street Art...

Late light strikes two metal souvenirs placed on a ledge and set against the midtown skyline. Shot with a 20mm lens with maximum depth of field to rende...

Landscape photography by fine art and documentary photographer Holly Gordon. Holly Gordon is one of the many treasures that Long Island has to offer, co...

This large format, color-photograph belongs to Jay Mark Johnson's wave series - the images from which depict the rhythmic cycling and recycling of oceanfront waves as recorded on remote coastlines around the world--in Hawaii, Florida, California, the Caribbean, Great Britain, Australia and South Africa. These artworks belong to the artist’s ongoing inquiry into the possibilities for timeline photography. For this decades-long project Johnson employs an unconventional camera system to produce seamless delineated renderings of familiar events as they occur over time. The results present an altered view of our surroundings. Artworks from Johnson’s timeline series have been exhibited extensively throughout the U.S. and Europe. They can be found in the permanent collections of the Bundestag (German Parliament) in Berlin, the Zentrum für Kunst und Medientechnologie at Karlsruhe, the Frederick R. Weisman Art Foundation, the Phoenix Art Museum, the Langen Foundation, Hombroich, Germany, the Peter Klein...

Conceptual Photographer Mitchell Funk created a Sci-Fi image 2 years before the iconic Close Encounters of a Third Kind was released in 1977. Funk's work is really two images combine...

A two-inch plastic toy figure of a suited man is placed on top of an extended firetruck ladder. The toy truck and man are placed on the roof of a Brooklyn Heights building and positioned directly in front of the lower Manhattan skyline. At the time, it was the very center of of world commerce. The two-inch toy man raises above the tallest and most important buildings , including the recently finished World Trade Center Twin Towers. Clearly, this man is above it all and this photo is more than child's play. The work is signed, numbered 2/15, dated and titled lr. printed later, unframed, Printed on Hahnemühle Fine Art paper Robert Funk is a pioneer of toy, doll, miniature, plastic thingies and staged photography. He also photographs his own paintings. Most of his work is done on location. He does not use photoshop to strip in images. He doesn’t take photographs he creates photographs and has works dating from 1973. He was widely published in the 1970's and early 1980's. As an undergrad in painting, he studied with first-generation abstract expressionist Robert Richenburg...

Artist : David K. Pugh Title : Residential Beauty Series No.5 Illinois Materials : Archival Pigment Print Date : 2019 David has been a photographer for 10 years. After having photo...

Artist : David K. Pugh Title : Residential Beauty Series No.3 Grimes, Iowa Materials : Archival Pigment Print Date : 2019 David has been a photographer for 10 years. After having p...

Artist : David K. Pugh Title : Pattern Series No.6 Materials : Archival Pigment Print Date : 2019 David has been a photographer for 10 years. After having photographed a magnolia t...

Artist : David K. Pugh Title : Residential Beauty Series No.8 Kansas City, MO Materials : Archival Pigment Print Date : 2019 David has been a photographer for 10 years. After havin...

This large format, color-photograph belongs to Jay Mark Johnson's wave series - the images from which depict the rhythmic cycling and recycling of oceanfront waves as recorded on remote coastlines around the world--in Hawaii, Florida, California, the Caribbean, Great Britain, Australia and South Africa. These artworks belong to the artist’s ongoing inquiry into the possibilities for timeline photography. For this decades-long project Johnson employs an unconventional camera system to produce seamless delineated renderings of familiar events as they occur over time. The results present an altered view of our surroundings. Artworks from Johnson’s timeline series have been exhibited extensively throughout the U.S. and Europe. They can be found in the permanent collections of the Bundestag (German Parliament) in Berlin, the Zentrum für Kunst und Medientechnologie at Karlsruhe, the Frederick R. Weisman Art Foundation, the Phoenix Art Museum, the Langen Foundation, Hombroich, Germany, the Peter Klein...