Brick Landscape Photography

Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned industrial sites, and defunct storefr...

Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned indust...

Red Sign in Toronto of coffee shop. Original Photograph by Cindi Emond. Hand signed. Excellent condition.

Reportage from Albania - children of Tirana - Photograph is a color photograph realized in the Late 1980s. Good conditions. the landscape of Albania through the art of photography ...

View Of Rome is a vintage black and white photograph realized in the early 20th Century. Good conditions. A historical testimonial of the cityscape through the art of photography c...

Roman Houses is a vintage black and white photograph realized in the early 20th Century as reprint of an image of the late 19th century. Good conditions. A historical testimonial o...

Burritos, Tahoka, Texas by Peter Brown depicts a red brick building on a street corner, with "BURRITOS" painted in white above the white door. Edition of 25 Signed and numbered in black ink on print margin. Paper size: 20 x 24 in., Image size: 16 x 20 in. Series: Hometown Texas Available in additional sizes, limited to a single edition of 25 prints: 16 x 20 in. $2300 20 x 24 in. $2900 28 x 35 in. $4600 32 x 40 in. $5800 36 x 45 in. $6300 Peter Brown attended Stanford University (BA English, MFA Photography) and has taught in the art departments at Rice and at Stanford. He has exhibited and published his work widely. His photographic awards include the Dorothea Lange – Paul Taylor Prize (with Kent Haruf) from the Duke Center for Documentary Studies; an Alfred Eisenstaedt Award for a photo-essay published in DoubleTake; an Imogen Cunningham Award for his portfolio Seasons of Light; a graduate fellowship from the Carnegie Foundation; an Artist’s Fellowship from the National Endowment for the Arts; an Artist’s Grant from the Cultural Arts Council of Houston and a publication grant from the Graham Foundation. His book On the Plains won the Fred Whitehead Award from the Texas Institute of Letters. He presently is photographing the Llano Estacado of Texas and New Mexico under a grant from the Southwest Collection at Texas Tech University and the central high plains in a collaboration with the novelist Kent Haruf. His book with Haruf, West of Last Chance, will be published by W.W. Norton in January 2008. His photographs are in many public, private, university and corporate collections, including those of the Museum of Fine Arts and the Menil Collection in Houston, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, the Los Angles County Museum of Art and the J. Paul Getty Museum in Los Angeles, the Amon Carter Museum in Fort Worth, the Santa Barbara Museum of Art, the Stanford University Museum of Art, the Rice University Collection, The Humanities Research Center at the University of Texas Austin, the Sheldon Museum at the University of Nebraska, the Spencer Museum at the University of Kansas, the Snipe Museum at Notre Dame, and the University of Kentucky Museum of Art, among many others. His work has been exhibited in one man and group shows in museums and galleries in this country and abroad. Among others: The Museum of Modern Art in New York; The Museum of Fine Arts and the Contemporary Arts Museum in Houston; The San Francisco Museum of Modern Art; The Amon Carter Museum in Fort Worth and the Los Angeles County Museum of Art. His first book Seasons of Light, consisted of photographs of interior scenes with Brown’s short prose pieces, and was published with an afterword and poetry by Denise Levertov by Rice University Press in 1988. It was excerpted in American Photographer. His second, On The Plains, dealt with the open landscape and small towns of the western plains. Published with an introduction by Kathleen Norris by W.W. Norton, On the Plains was excerpted in DoubleTake, LIFE, The New Yorker, Aperture and Texas Monthly. His forthcoming book West of Last Chance, will be excerpted in Harpers, Texas Monthly and 5280. His work has also appeared in Dwell, House and Garden, Landscape Architecture, Duke, Stanford, Popular Photography, American Photographer, FotoMetro, Southwest Art, American Cowboy and other magazines - as well as on the covers of books by Annie Proulx, Jane Smiley...

Digital Photograph from Film Original ed. 3 of 9 HP Premium Satin Photo Paper with archival inks Born in Japan in 1940 and educated at The Art Center College of Design in California...

4 photographs from up and coming Michigan based photographer, Joseph Glaub. Depicting the Beaver Island Ferry, the commercial buildings of Birmingham an...

"Folded Glass" is a color photograph on Etching Rag archival paper. It's a signed Edition of 20, available in sizes 16x24, 11x17 and 8x12 inches. It is a striking composition, and typical of the artist there are only a few elements at play but they are powerfully at play. The hard line geometry of the glass solar panels in a larger zigzag pattern – notice the reflections too add rectilinear patterns that intersect the whole. Shooting on the streets of New York, looking up and looking for often-missed city/sky collisions, Bob Krasner...

As both a musician and photographer, Stacy Widelitz strives for the same level of emotional expression in his photographs as he does in his music. He began his career as a composer at the age of 19 and rose to prominence when he co-wrote “She’s Like the Wind” with Patrick Swayze for his 1987 blockbuster Dirty Dancing...

18"x24" limited edition historic photograph, edition 1/5. This photograph features one of the many attractions to come and go at Coney Island. Phillip Buehler is a New York based ph...

Signed, dated lower and numbered 2/15 lower right recto, unframed, printed later, other sizes available. Printed on Hahnemühle Fine Art paper Description: Quintessential image of ...

Edition of 25 Signed and numbered by Peter Brown Available in additional sizes, limited to a single edition of 25 prints: 16 x 20 in. $2300 20 x 24 in. $2900 28 x 35 in. $4600 32 x...

For Victoria Montoro Zamorano, the art of seeing consists not in actively looking for the striking or unusual, but in being ever open and receptive to see the world with new eyes. This unguarded, spontaneous approach gives her images a quality of abstract realism that turns undulating sand dunes into a woman’s prone body, and equally captures the emotional content of a crumbling façade or an old woman’s face. An avid world traveler. Cuban born Zamorano has a special sensibility for people and places off the beaten path. Having no preconceived notions of what a photograph should be, Zamorano’s instinctual approach has led her to the poignant remains of the Jewish synagogues...

Casa das Caldeiras, Sao Paulo, 2012 C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. The photographer is based in Florence, and is fascinated h...

In expressing his narrative of “The Western Abandon” Cody concentrates his focus on abandoned farms, crumbling homes, neglected churches, aging cemeteries, forgotten cars and other o...

Edition of 25 Signed, titled, dated and numbered in black ink on print verso by Peter Brown C-print Paper size: 20 x 24 in., Image size: 18 x 22 1/2 in. Available in additional size...

French photographic artist, Jean Philippe Kadzinski currently resides in New York, where he produces rhythmic depictions of the opportune city. Born in a small village in Lorraine, t...

Gary Hodson "Republic Hotel", 2017 Archival Pigment Print Year: 2019 Dimensions: 11" x 20" inches Unframed Gary Hodson’s subject matter remains diverse and includes humor, irony, co...

Angie Jennings "Bound" 4-Plate Photogravure Signed, inscribed and numbered Edition: 1 of 2 Image Size: 13.75 x 10 inches

Last Light There is solace in the night. I find it comforting when the sun finally slips away, taking with it the expectations and disappointments of the day. Darkness shrouds th...

Signed on front of the mount. Edition number and date on back of the mount. Edition of 50. May be available in various sizes. Prices subject to change.

Stepwell, India, 2002 - Steve McCurry (Colour Landscape Photography) Signed and affixed with photographer's edition label and numbered on reverse Digital c-type print 20 x 24 inches ...