Plant Landscape Photography

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

"Untitled (Nr. 0003)" Landscape Photography 18" x 24" Edition of 20 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culminat...

Holidaymakers in sun loungers on the slopes at at Gstaad, Switzerland, March 1961. Slim Aarons Lounging in Gstaad Chromogenic Lambda print Printed Later Slim Aarons Estate Edition ...

Minimalist aerial landscape photograph of trees in a snowy white field Archival digital print, Edition of 25 (#121) Image size 23.5 x 29 inches with 2 inch border, made to order Also available in the following sizes: Image size 31 x 39 inches with 2 inch border $3200 Image size 38.5 x 48 inches with 2 inch border $4500 The aerial photographs of pilot and photographer John Griebsch capture natural and man-made landforms from a bird's-eye view and turn them into art. Employing his mature and professional sense of composition, gained from a photography career that began at the age of 12, Griebsch here photographs a barren orchard and popular trees in a snowy white field above Sodus, New York. The shadows from the trees cast a dramatic shadow against the white field while the brown colored paved road provides a striking contrast in composition. When seen from above, the aerial landscape photograph looks like a minimalist abstract canvas. Artist statement: My aerial photographs present a sense of selective design applied to an extremely small and specific area of the vast landscape over which I fly. I find the need to make geographical sense of the earth, as well as the need to make visual sense of a photograph. I work with ambiguity of scale, the graphic quality of nature and with the hand of man upon the landscape. My images have an abstract and often painterly quality. They are at once factual and interpretive. Familiar landscapes take on a fresh context when airborne. The images require the confluence of several factors. There is the subject – a minuscule segment of the landscape that has captured my interest due to its sense of pattern, order or disarray. There is the essential contribution of light. There is the position and altitude of the airplane, and there is a need to capture the stillness and composition of the moment while moving over the subject at more than seventy miles per hour. My earliest aerial photographs were of ice and farmland, made close to home. The scope of the work opened up on solo flights across the continent in my vintage 1952 Cessna 170B. Those flights are made to find images of landscapes on a grander scale as well as unfamiliar opportunities to find images that take in a small detail. In my most recent work I’ve discovered what might be regarded as historical or documentary themes – some of the images of factories and quarries present relics of the country’s industrial past, while my newer images of the landscape and agriculture denote changes in the scale of farming and open space. The existing body of work, titled Aerias is comprised of more than two hundred images. Collections of my images have been placed in corporate and business settings and in private collections. I started photographing when I was twelve years old. My father taught me to fly when I was fourteen years old. Before taking off on my first solo flight, he admonished me not to go out of sight of the airport. I was soon out of his view and yet from where I was, the airport was always in sight. Such are the perceptions of a photographer who is airborne. More about the artist: Resume John Griebsch is an aerial photographer and pilot whose aerial landscapes depict natural and man-made landforms. His images of the American landscape have been made from his vintage Cessna 170, in which he has logged more than 100,000 miles. At present there are 300 images in his series of work, titled, AERIAS. Representation Iris Gallery, Boston & Great Barrington, Massachusetts, Aspen, Colorado Carrie Haddad Photographs, Hudson, New York The Art Registry, Washington, DC Chicago Art Source, Chicago, Illinois June Bateman Fine Art, New York, New York Estro Photographics, New York, New York Susan Spiritus...

Discover this stunning photograph from Slim Aarons sought-after Palm Springs 'Poolside' series. 'Desert House Party' encapsulates the essence of vintage 1970s glamour, captured with vibrant color palette of bold yellow, crisp white, and vibrant turquoise, synonymous with the classic Palm Beach aesthetic. This coveted photograph, taken in 1970, presents an intimate glimpse into a poolside party at a desert house, a Palm Springs masterpiece by famed architect Richard Neutra for Edgar J. Kaufmann. This is not just a photograph, but an entry into the world of luxury, architecture, and the golden era of Palm Springs. Highlighted in the image are industrial designer Raymond Loewy, known for his unparalleled design philosophy, central and standing, and Nelda Linsk, elegantly dressed in a radiant yellow, an iconic cultural patron and the wife of prominent art dealer Joseph Linsk. Also captured in the frame is Helen Dzo Dzo, the former fashion model, gracefully adorned in white lace, adding a touch of timeless elegance to the vibrant gathering. The photograph artistically integrates the natural beauty of the Palm Springs landscape...

Meyerowitz first drew acclaim for his remarkable ability to capture subtlequalities of light with the 1978 publication of Cape Light, which went on to become a color photography classic, selling more than 130,000 copies. This evocative new collection of images and commentary invites readers to experience the essence of Tuscany; sunlight gilding fields of ripe wheat, darkness lowering under threatening summer skies, and townspeople riding their bicycles through the dappled streets. For those who appreciate the beauty of the Italian landscape and for lovers of photography everywhere,Tuscany is a personal and loving portrait of a truly unforgettable place.Joel Meyerowitz (born March 6, 1938) is a street photographer, and portrait and landscape photographer. He began photographing in color in 1962 and was an early advocate of the use of color during a time when there was significant resistance to the idea of color photography as serious art. In the early 1970s he taught the first color course at the Cooper Union in New York City where many of today's renowned color photographers studied with him. Inspired by seeing Robert Frank at work, Meyerowitz quit his job as an art director at an advertising agency and took to the streets of New York City with a 35mm camera and black-and-white film, alongside Garry Winogrand, Tony Ray...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prin...

Signed bottom right mount recto. Signed, titled, with edition number mount verso. Printed in 2000. Edition number 16 of 50. Sold Out in three sizes. Comes archivally overmatted to 22...

Jack and GeeGee Entz beneath the rose-canopied steps which lead to the entrance of the tennis courts at the Villa d'Este at Tivoli, near Rome, Italy, ...

Players in the Fairfield County Hunt Club's croquet tournament, Fairfield, New England. Slim Aarons Fairfield Croquet Chromogenic Lambda print Slim Aarons Estate Edition 40 x 60 inches $3950 30 x 40 inches $3350 20 x 30 inches $3000 Complimentary dealer shipping to your framer. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Please contact us for additional photographs from Slim Aarons * Internal: Vintage croquet...

2015 black and white archival inkjet print on watercolor paper 10 x 15 inches unframed 16.5 x 21.5 inches framed $1250 Photographed in Maine, this black and white archival pigment print by Betsy Weis captures white birch trees in rows. The ordered arrangement evolves into an organic complexity as the trunks spread out into branches. This photograph is available unframed. The image measures 10 x 15 inches. 16.5 x 21.5 inches framed $1250 Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...

archival inkjet print on watercolor paper 16 x 16 inches unframed 2018 Photographed in Maine, this color archival pigment print by Betsy Weis captures a grouping of trees at dusk. The serenity of the moon's gentle light against a deep blue evening sky illuminates the dark forest below. This photograph is available unframed. The image measures 16 x 16 inches. Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...

The Palm Beach Arts Festival Procession, Florida, 1964. Slim Aarons Palm Beach Arts Festival Chromogenic Lambda print Slim Aarons Estate Edition Complimen...

18"x24" limited edition historic photograph, edition 1/5. This photograph depicts a poorhouse where residents had to work, mostly by farming, to feed the colony’s residents as well a...

Pigment photographic paper - photography & fine art print © Jean Pierre De Neef Artwork sold in limited edition of 12 pieces in perfect condition - Composition from an assembly of 4...

Genre: Contemporary Subject: Landscape Medium: Photograph Surface: Aluminum Country: France Dimensions: 19 3/4" x 19 3/4" Dimensions w/Frame: 19 3/4" x 19 3/4" Landscape Beach photograph...

Brunch At Brennans 1960 c print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. circa 1960: Sunday brunch at Brennan's restaurant,...

Araquém Alcântara The Amazon Forest 1, Brazil, 2005 70 x 105 cm 27.5 x 41 inches Edition of 10 Also available: 100 x 150cm 40 x 60 inches Edition of 10 ...

Palm - Signed limited edition archival pigment print - Edition of 8 Photography : 2012 Bichromate print : 2012 Pigment print : 2020 Sunny photograph of a dry palm trunk against ...

El Venero, the Moorish villa of Hector and Chico de Ayala in Marbella, Spain, 1971. El Venero 1971 C print Estate signature stamped and hand numbered editio...

Traditional C-Print, edition 1/10

British rock star Mick Jagger holidays on the island of Mustique in the Grenadines, February 1989. Jagger on Holiday Slim Aarons Estate Edition 1989 Printe...

Players in the Fairfield County Hunt Club's croquet tournament, Fairfield, New England. 40 x 60 inches $3950 30 x 40 inches $3350 20 x 30 inches $3000 Complimentary dealer shippi...

The Forests of the Amazon is a black and white vintage photo, realized in mid-20th century. Good conditions and aged. It belongs to a historical and nostalgic album including histo...

Leah Oates employs a double and sometimes triple exposure, which creates halos of light, dappled, misty surfaces and gauzy effects in muted greens and blues. Her work questions the n...

Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice...

Sally Gall has spent her career exploring the intricacies of the natural world in delicate black-and-white photos of dew on spider webs, reflections on water, formal gardens, insects...

Leonard Dalsemer and his family at their villa in Lyford Cay, New Providence Island, April 1974. 40 x 60 inches $3950 30 x 40 inches $3350 20 x 30 inche...

This black and white photograph shows a woman standing between two large trees in a rural landscape with a flock of birds flying overhead. A grey, overcast sky looms over the field t...

USA Trianon, 1960 Chromogenic lambda print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. A group of young women enjoying the ...

Tracitional C-Print, edition 1/10

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 25 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...

Jack and GeeGee Entz beneath the rose-canopied steps which lead to the entrance of the tennis courts at the Villa d'Este at Tivoli, near Rome, Italy, ...

Traditional C-Print, edition 1/10

Katie Hallam Leap Frog Digital Photograph Stunning image of giant Lilly Pads at the Royal Botanical Gardens in Edinburgh. The pixels drag and create...

AS FAR AS A VIEW, is part of a series of works that consider the decorative and escapist role of the landscape in the home. When seeking beauty in the world to distract us, delight us, and bring us into our own world, we seek something that stirs within us a memory or a dream. Traditionally, tapestries are a storytelling media as well as décor. This particular work is constructed from commercially printed tapestries acquired from a Chinese supplier during the pandemic. These tell a story of arrested, yet ample, desire. On one side of the piece we see a sunrise from a beach with palm trees. Gently folded over to the right is a second tapestry. In this the artist has chose to expose the desaturated backside which obscures slightly the third tapestry landscape of beach scene around midday. It brings to mind the passage of time much like time lapse photography...

Chromogenic print

Slim Aarons Dining in the Bahamas, 1957 C print Estate stamped and numbered edition of 150 with certificate of authenticity A waiter carrying a tray of food walks past a woman walk...

Araquém Alcântara Peacock, Brazil, 2014 70 x 105 cm 27.5 x 41 inches Edition of 10 100 x 150cm 40 x 60 inches Edition of 10 120 x 180 cm 47 x 71 inches Edition of 10 Archival Pig...

These iconic Monterey pines can be found all up and down the coast of northern California from San Francisco to Carmel and beyond. These are the woods in the hills of Oakland, across...

Edition of 10. Fujicolour / DMEL: professional photo paper (from Kodak).

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson David H. Gibson ...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson David H. Gibson ...

An original Pigment inkjet print by American contemporary photographer Biff Henrich. IN CURRENT SHOW The Corridors Gallery at Hotel Henry Fall Show (no title) from The Structure of Things Part 1, 2017 Pigment Inkjet Print 40 × 60 in; 101.6 × 152.4 cm Installed in the West Wing Guest Room Corridor are works from Biff Henrich’s series The Structure of Things (Part 1). All of the photographic images presented were taken by the artist at night under moonlight, sometimes in near complete darkness. In many ways, the camera equipment was the first to “see” what is actually a nocturnal image, not fully visible to Henrich until he was back in the studio. There is a palpable quiet and haunting stillness in these images as well as a surreal quality thanks to the quality of light, reminiscent of Magritte’s “Empire of...

Daniel Mansur In Paradisum #8, 2018 47 x 71 inches 120 x 180cm Also available in: 40 x 60 inches 100 x 150cm 60 x 88.5 inches 150 x 225 cm Edition of 6 copies overall Archiva...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson David H. Gibso...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” David H. Gibson is a lifelong...

Michael Williams, Untitled Landscape 5, Colored Photograph on Paper, 22 x 32, 2010 - Colors: Blue, White, Gold, Brown

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” David H. Gibson is a lifelong ph...

Chateau Lafite Rothschild, Study 12, Bordeaux, France by Michael Kenna presents a lush, seemingly oversized tree dominating the landscape. Structures in...

Old days Photo - In the Nature is a black and white vintage photo, realized in the early 20th century. Good conditions and aged. It belongs to a historical and Nostalgic album incl...

Old days Photo - Church is a black and white vintage photo, realized in the early 20th century. Good conditions and aged. It belongs to a historical and Nostalgic album including h...

Signed and numbered on label, verso 11 x 17 inches // (Edition of 25 + 5 APs) 22 x 34 inches // (Edition of 20 + 4 APs)

Signed and numbered on label, verso 11 x 17 inches // (Edition of 25 + 5 APs) 22 x 34 inches // (Edition of 20 + 4 APs)

Signed and numbered on label, verso 11 x 17 inches // (Edition of 25 + 5 APs) 22 x 34 inches // (Edition of 20 + 4 APs)

Edition of 25 Signed and numbered in black ink on print margin. Paper size: 18 x 22 in., Image size: 13 1/2 x 20 in. Series: Hometown Texas *Images and video show print in size 18 x...

Nick Vedros Road to Paradise Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1990s Size: 8x15in Edition: 15 Signed, dated and numbered by ha...

Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned indust...

Taormina 1975 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Caption: A swimming pool in Taormina, Sicily, 1975. Slim Aarons,...