Reed Landscape Photography

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” David H. Gibson is a lifelong ph...

River Bottom Near Santa Elena, Big Bend by Jack Ridley is a black and white archival pigment print. The image size is 16 x 20 inches and the paper size is 20 x 24 inches. This photograph features a detailed grassy landscape with foothills in the background. This photograph is signed and titled in pencil on print margin by the artist. The negative date and print date are written in pencil on print verso, as well as the artist stamp in black ink. "At least twice a year, Ridley ventures to Big Bend with his 8 x...

Edition of 10

Riders from the Pebble Beach Equestrian Center wend their way through the Californian sand dunes and pampas grass, November 1976. Estate stamped and han...

Framed Print: 17" x 21" x 1.25" Edition 4/25 "Lake Sunapee, NH" is a contemporary pigment print by Southern California artist Edward Alfano. This work features a stunning lakeside l...

"Huntington Gardens XII," is a black and white infrared photograph by Edward Alfano. This is a part of his ongoing series of Huntington Gardens, a botan...

The work is available as Silver gelatin print, by the artist, made in the darkroom, from the original 35 mm black and white negative and in a total edition of 25. Available in 4 siz...

Mohan L. Mazumder - Untitled - 24 x 36 inches (unframed size) Archival Print on Hahnemuhles Photo Rag Bright White museum quality paper - 310 gsm Edition of 4 + 1 AP. This work is t...

Mohan L. Mazumder - Untitled - 11 x 11 inches (unframed size). Archival Print on Hahnemuhles Photo Rag Bright White museum quality paper - 310 gsm Edition of 4 + 1 AP Style : Mohan ...

Mohan L. Mazumder - Untitled - 24 x 36 inches (unframed size) Archival Print on Hahnemuhles Photo Rag Bright White museum quality paper - 310 gsm Edition of 4 + 1 AP. This work is t...

Mohan L. Mazumder - Untitled - 24 x 36 inches (unframed size). Archival Print on Hahnemuhles Photo Rag Bright White museum quality paper - 310 gsm Edition of 4 + 1 AP Style : Mohan ...

Each photograph is hand printed on Canson Baryta Paper and is signed and editioned by the artist. Framing options are available. Sarah Hadley's narrative work focuses on memory, place and the subconscious. She received degrees from Georgetown University and the Corcoran College of Art. Sarah Hadley was named one of the “jeunes talents” by Le Monde in 2014. She has had solo exhibitions at the Griffin Museum of Photography, the Loyola Museum of Art, Richard Levy Gallery...

17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...

A Scots pine emerges from the darkness like a cloud forming in a black sky. Looming like a cloud over the delicate remains of its young siblings lost to a forest fire... It is only ...

Archival photo print under acrylic glass. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his ...

30"x40" photograph of created landscape of paper. from the series: "The Hundred- Acre Wood" signed on reverse edition of 5. This photograph depicts the artist's vision of the American landscape, created in paper and then photographed to create this atmospheric image. The limited edition photograph captures a feel of Western United States farming, with a quality of light from the Hudson Valley. A union of artistic vision from West Coast to East Coast, Ken Ragsdale is a master of material construction, light and photographic composition. The installation landscape scene created by Ken Ragsdale exisits only to be photographed. With each scene, the artist meticulously cuts paper and folds each component to be captured by his lens. This photograph of cut paper constructions depicts a bus ride through a forest scene from the artists memory. The hues of ambient amber, green, red and blue are created through lighting the staged scene created in white paper Ken Ragsdale’s process begins with rough sketches of places and things from his past that are relevant to current themes he is considering. This series focuses on a time period of 1974-78, in the regions of Northern Idaho, to Eastern Oregon and the areas between. As his working drawings solidify the dimensions of the objects which represent his memories from that era, Ragsdale considers the landscape, terrain and weather, filtered through his personal memories and experiences. 

Once the composition and components are determined as to capture the aura of a memory, schematic drawings are documented and prepared for hand assembly. Laboriously the schematics are cut out, folded and tabbed to create their final 3-dimensional formats. As each object is placed and the structures oriented, Ragsdale modifies the scenes to perfectly frame each scenario for the final photograph. From simple sheets of white Bristol Vellum, the atmosphere and lighting brings each image to life and allows for a reminiscent view of a wistful past. Pacific Northwest native Kenneth Ragsdale’s work, derived from personal memories, involves a mixture of drawing, painting, sculpture, paper-craft, theatre...

30"x40" available unframed edition 1 of 5 Ragsdale’s process begins with rough sketches of places and things from his past that are relevant to current themes he is considering. Th...

Measures 8 x 10 inches and is Unframed. Also available: 5 x 7 inches.

This unique object features a wet plate collodion print framed in a handmade wooden frame lined with gold leaf. Frame measures 12 by 9 inches. Cecilia Montalvo & Charlie McCullers a...

"Reflection 1" Color Nature Photography by Shooting Star Designs Archival pigment print on museum fine art paper Edition of 7 Includes certificate of authenticity. Signed and number...

"Pond" Color Nature Photography by Alexandra Steedman Archival pigment print on museum fine art paper Edition of 7 Includes certificate of authenticity. Signed and numbered by artis...

Araquém Alcântara Formoso River, Goias, Brazil, 2008 70 x 105 cm 27.5 x 41 inches Edition of 10 100 x 150cm 40 x 60 inches Edition of 10 120 x 180 cm 47 x 71 inches Edition of 10 ...

Lost in Abstraction 2, China, 2017 20 x 20 inches Edition of 7 40x40 inches Edition of 5 60x60 inches Edition of 3 Ask us for framing options.

Signature: Signed, dated lower , numbered right 2 /15, Unframed, Other sizes available.printed later, Printed on Hahnemühle Fine Art paper Mitchell Funk is a pioneer of " Color P...

chromogenic print mounted on aluminum with UV ultra non-glare plexiglass
 editions of 10 available in: 
16 x 16 in. $4,000 
20 x 20 in. $5,000
 24 x 24 in. $6,000
 30 x 30 in. $8,000...

All prints are limited edition. Available in two sizes. High-end framing on request. All prints are done and signed by the artist. The collector receives an additional certificate of authenticity from the gallery. Throughout the last four decades Albert Watson has made a name for himself as one of the world’s most successful fashion and advertising photographers creating more than 100 Vogue covers over the years. From the iconic Hitchcock series to extravagant shoots for Iris van Herpen, the British star photographer is one of the founding fathers of fine art photography. Mick Jagger, Kate Moss, Naomi Campbell, or David Bowie – Watson has captured the Who’s Who. No matter the genre, landscape, portraiture...

Available in three sizes, all in an edition of six Type A Image: 23 1/2" x 108 5/8” (60 x 276 cm) Paper: 30 5/8” x 115 5/8” (78 x 294 cm) Type B Image: 17 5/8” x 81 3...

Edition of 10

Signed on front of the mount. Edition number and date on back of the mount. Edition of 50. May be available in various sizes. Prices subject to change.