Screen Landscape Photography

large scale original photograph of vintage TV set with iconic western movie in American wild west landscape Cowboy TV by Frank Schott 30 x 40...

Beautiful color photograph of Milford Sound by Andy Currie (England, B-1965). Andy was born in Edinburgh in 1965. After entering into the graphics industry at 16 as an apprentice cam...

Lake Wakatipu in the South Island of New Zealand by Andy Currie (England, B-1965). Andy was Born Edinburgh 1965. After entering into the graphics industry at 16 as an apprentice came...

large scale original photograph of vintage television set with iconic western movie in American Wild West landscape Cowboy TV by Frank Schott 30 x 40 inches (76 x 102cm) signed edi...

17.5x13.5x1
Stained Glass, Metal Print, Wood Frame
Mixed Media Art – Fine Art Photography Meets Fine Craft Mosaic-Stained Glass Frame My award-winning Photozaics blend the textures ...

Jung LEE (*1972, South Korea) You are in my heart, 2020 C-Type Print, Diasec Sheet 136 x 200 cm (53 1/2 x 66 7/8 in.) Frame 173,5 x 139,5 x 3,7 cm (68 1/4 x 54 7/8 x 1 1/2 in.) Editi...

Stefanie Schneider's Minis Village Motel Blue (The last Picture Show), 2005 Signed and signature brand on verso. Lambda digital Color Photographs based on the Polaroid. Sandwiched i...

The eruptive mouths of the Stromboli volcano against the starry background of the sky.

ABOUT THIS PIECE: French photographer Ludwig Favre recently visited New York City. His pictures of New York's iconic architecture carry the same romantic feel of a Parisian shooting ...

Jung LEE (*1972, South Korea) Why?#3, 2016 C-Type Print, Diasec Sheet 144 x 180 cm (56 3/4 x 70 7/8 in.) Frame 147,5 x 183,7 x 3,7 cm (58 1/8 x 72 3/8 x 1 1/2 in.) Edition of 5, plus...

Jung LEE (*1972, South Korea) I Want To Be Your Love, 2012 C-Type Print, Diasec 136 x 170 cm (53 1/2 x 66 7/8 in.) Edition of 5, plus 2 AP – Biography Jung Lee is a Korean artist ...

large scale original photograph of vintage television set with iconic western movie in American Wild West landscape Cowboy TV by Frank Schott ( framed ) 58 ...

HIROSHI SUGIMOTO (*1948, Japan) 267 Arcadia, Milan 1998 Gelatin silver print Image 119,4 x 149,2 cm (47 x 58 5/8 in.) Framed 152,4 x 182,2 x 7,6 cm (60 x 71 5/8 x 2 3/4 in.) Editi...

Inauguration of the Science Palace in Rome is a vintage photograph in black and white realized in the 1950s. Good conditions.

Hotel Chelsea, New York. Room 1018, 2011 Photographs from the photography book entitled Hotel Chelsea (publisher pointed leaf press 2013). C-print archival Size: 40 H x 60 W in. Edi...

Bad Sign (The Last Picture Show) - 2005, 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist...

Hotel Chelsea, New York. Room 524, 2011 Photographs from the photography book entitled Hotel Chelsea (publisher pointed leaf press 2013). C-print archival Size: 20 H x 30 W in. Edit...

From the Vanishing Vernacular series. Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and ...

Tropics Motor Hotel (Stranger than Paradise) 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory...

Please bear in mind that all prints are produced to order and lead times are between 15-20 days. TV3 is a stunning C-Type Print by contemporary photographer Samuel Hicks. It is avai...

From the Vanishing Vernacular series. Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and ...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

Village Motel - heated Pool (The Last Picture Show) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #1...

Archival pigment print 20 x 16 inches (Edition of 8) 29 x 24 inches (Edition of 8) This photograph is offered by ClampArt, located in New York City. During the 2012 football seas...

Silence Void (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 2116. Not mounted. Stefanie...

"The Yellow Brick Road" is 1 of a set of 4 digital prints whose titles were inspired by the iconic film The Wizard of Oz starring Judy Garland. The other three are titled: The Land o...

Hotel Chelsea, New York. Second Floor, North, 2011 Photographs from the photography book entitled Hotel Chelsea (publisher pointed leaf press 2013)....

Hotel Chelsea, New York. Room 507, 2011 Photographs from the photography book entitled Hotel Chelsea (publisher pointed leaf press 2013). C-print archival Size: 20 H x 30 W in. Edit...

Tobaccos is one of the best photo realized by the italian artist Carlo Caboni in 2020. Always passionate about landscapes and photography, the artist then devoted himself to landsca...

Hotel Chelsea, New York. Room 23, 2011 Photographs from the photography book entitled Hotel Chelsea (publisher pointed leaf press 2013). C-print archival Size:...

Selfie, Florence Italy. 2022 I love old photo booths. The real photo booths. Photo booths that take real photos that have to ...

Ticket Booth (29 Palms, CA) - 2010 Edition 1/5, 15x30cm. Analog C-Print, hand-printed by the artist, printed on Fuji Crystal Archive Paper, based on th...

'Bates Motel' part 2 (The Last Picture Show) - 2005, 38x36cm, Edition 2/5. Analog C-Print, hand-printed by the artist on Fuji crystal archive paper, matte finish, based on a Polar...

'Untitled' (Oilfields), 2004, 60x60cm, Edition 3/10, digital C-Print, based on an expired Polaroid, Certificate and Signature label, artist Inventory Nr. 1196.03, unmounted Last pho...

This listing is for an unframed print. Framing options are available. Peter Essick is inspired by the work of Walker Evans, Ray Metzker, Ansel Adams and David Hockney. Peter Essic...

The Alps chain chisels the horizon while a marvelous sea of ​​clouds, crossed by the lights of the city, comes alive above the Pays de Gex (from the Jura Mountains, Ain, France). Dec...

Masterprint with NFT and Certificate of Authenticity Archival photo print under acrylic glass. Edition of 3 Masterprint + NFT Dimensions: 2x 60x40 in. Depth: 1/8 in. About the Mas...

Natalia Poniatowska is a rising figure in contemporary photography, on the borderline between documentary photography and genre portraiture. Born in Silesia, an industrial region of ...

Jung LEE (*1972, South Korea) The End #2, 2020 C-Type Print, Diasec Sheet 160 x 200 cm (63 x 78 3/4 in.) Frame 167 x 206,9 x 3,5 cm (65 3/4 x 81 1/2 x 1 3/8 in.) Edition of 5, plus 2...

Print mounted on aluminium with plexiglas, framed. Edition of 15. Dimitri Bourriau is a French photographer, he has always been interested in history and architectural remains. He ...

Jung LEE (*1972, South Korea) Only God Knows, 2010 C-Type Print, Diasec 136 x 170 cm (53 1/2 x 66 7/8 in.) Edition of 5, plus 2 AP – Biography Jung Lee is a Korean artist born in ...

This listing is for an unframed print. Framing options are available. Peter Essick is inspired by the work of Walker Evans, Ray Metzker, Ansel Adams and David Hockney. Peter Essic...

Jung LEE (*1972, South Korea) You Will Never Know How Much I Love You, 2014 C-Type Print, Diasec 100 x 125 cm (39 3/8 x 49 1/4 in.) Edition of 5, plus 2 AP – Biography Jung Lee is...

I am a choreographer and photographer, born in Germany. I received my art education at the Palucca University of Dance in Dresden. In 2001 I moved to the USA were I transformed my ey...

The photographs date from 1987 to 2006, and were made in the deserts of central and southern Arizona. The originals are 16”x20” gelatin silver photographs printed from 4”x5” Polaroid...

Signed, numbered and dated on the front of the mount. Signed, dated and numbered and titled with artist’s copyright stamp on the back of the mount. We have over 2,000 works available...