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Thomas Ferderbar'Rock, Mirror Lake, Yosemite' Original Photograph by Thomas Ferderbar1958
1958
$5,800
£4,357.12
€5,024.47
CA$8,048.26
A$8,943.39
CHF 4,686.43
MX$109,674.72
NOK 59,772.69
SEK 56,231.95
DKK 37,500.51
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About the Item
"Rock, Mirror, Lake, Yosemite" is an original photograph created by Thomas Ferderbar. Ferderbar shows us a striking photo of a large rock sitting in a mirror still lake. The flow of nature takes the viewers eyes all around the image and back again with it's beautiful features. Ferderbar signed and dated the piece. This work is archivally framed with acid free foam board backing, museum glass, and a silver finished frame.
Art: 34.63" x 24.88"
Frame: 42.5" x 32.5"
Titled, dated, and signed by the artist
Interview With the Artist:
"I wanted to become a photographer at the age of 12, when my sister Grace gave me a Kodak Box Brownie camera for Christmas. (I still have that camera.) Since our family was quite poor, I built my first enlarger with an oatmeal box, while that same box camera was used as its lens. In 1947, just after graduation from high school, I had the opportunity to travel to California by car and house trailer with my uncle, aunt and mother, and in the process to shoot my first pictures along Route 66. Then, after graduation from college, a stint in the army followed by photography school, I opened an advertising photography studio in 1954. For over four decades my staff and I earned numerous local, regional and national awards for our achievements in photography, including several "best of show" honors.
In 1958 I studied with renowned landscape photographer Ansel Adams at his Yosemite National Park workshop. In 1980, while still operating my advertising photography studio, I began a serious photographic study of the decaying artifacts along our country's former Mother Road, Route 66. The former national highway route from Chicago, Illinois to Santa Monica, California was not a popular subject at the time, and so I filed away my transparencies, not knowing what I might ever do with them. However, as time passed Route 66 did become a topic of national interest, and upon my retirement in 1997, I once again returned to record the Mother Road's artifacts.
A number of my Yosemite series photographs are included in the Ansel and Virginia Adams collection at the Center for Creative Photography at the University of Arizona at Tucson, and several of my Route 66 photographs and other subjects have been acquired by the Milwaukee Art Museum. At this time I am preparing a book of my photographic experiences along Route 66, from 1947 to the present."
- Creator:Thomas Ferderbar (1929, American)
- Creation Year:1958
- Dimensions:Height: 42.5 in (107.95 cm)Width: 32.5 in (82.55 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Frame IncludedFraming Options Available
- Condition:
- Gallery Location:Milwaukee, WI
- Reference Number:Seller: 9859g1stDibs: LU605311117622
Thomas Ferderbar
"I wanted to become a photographer at the age of 12, when my sister Grace gave me a Kodak Box Brownie camera for Christmas. (I still have that camera.) Since our family was quite poor, I built my first enlarger with an oatmeal box, while that same box camera was used as its lens. In 1947, just after graduation from high school, I had the opportunity to travel to California by car and house trailer with my uncle, aunt and mother, and in the process to shoot my first pictures along Route 66. Then, after graduation from college, a stint in the army followed by photography school, I opened an advertising photography studio in 1954. For over four decades my staff and I earned numerous local, regional and national awards for our achievements in photography, including several "best of show" honors. In 1958 I studied with renowned landscape photographer Ansel Adams at his Yosemite National Park workshop. In 1980, while still operating my advertising photography studio, I began a serious photographic study of the decaying artifacts along our country's former Mother Road, Route 66. The former national highway route from Chicago, Illinois to Santa Monica, California was not a popular subject at the time, and so I filed away my transparencies, not knowing what I might ever do with them. However, as time passed Route 66 did become a topic of national interest, and upon my retirement in 1997, I once again returned to record the Mother Road's artifacts. A number of my Yosemite series photographs are included in the Ansel and Virginia Adams collection at the Center for Creative Photography at the University of Arizona at Tucson, and several of my Route 66 photographs and other subjects have been acquired by the Milwaukee Art Museum. At this time I am preparing a book of my photographic experiences along Route 66, from 1947 to the present."
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By Thomas Ferderbar
Located in Milwaukee, WI
"Rock, Mirror Lake, California (Yosemite)" is an original photograph by Thomas Ferderbar. The image is printed as an archival inkjet print on premium luster paper. The artist signed this piece in the lower right. This piece depicts a rock emerging from a smooth body of water that reflects the rock and forest behind it. Framed to conservation standards in a flat modern silver finish with a black inlaid accent. Glazed in Museum Glass.
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Rock, Mirror Lake, Yosemite
Located in Milwaukee, WI
Alternative sizes and media available:
16 x 16
16 x 20
16 x 24
20 x 20
20 x 30
28 x 28
28 x 35
30 x 45
40 x 40
40 x 50
40 x 60
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Category
1950s Landscape Photography
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Photographic Paper
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"El Capitan, Yosemite National Park CA, " Photograph signed by Tom Ferderbar
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"El Capitan (Yosemite National Park, CA)" is an original black and white archival pigment print. Using the original photograph taken in 1958. This is signed by the artist Thomas Ferderbar in the lower right and titled on the lower left using silver sharpie. It is a vast expanse landscape photograph.
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"Yosemite Falls Close Up" is an original black and white archival pigment print. Using the original photograph taken in 1958. This is signed by the artist Thomas Ferderbar in the lower right and titled on the lower left using silver sharpie. A view from down stream of Yosemite Fall, so that the viewer feels as if they are there comparing human size to the large waterfall. Boulders and trees frame the view making it all the more impressive.
Paper Size: 50" x 40"
Frame Size: 54" x 44"
Artist Statement:
"I wanted to become a photographer at the age of 12, when my sister Grace gave me a Kodak Box...
Category
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Paper: 50 x 40 in
Frame: 54 x 44 in
Interview with the Artist:
I wanted to become a photographer at the age of 12, when my sister Grace gave me a Kodak Box...
Category
1950s Photorealist Landscape Photography
Materials
Photographic Paper, Luster, Archival Ink, Digital
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