Vanessa Marsh

Landscape #36

2018

I make the images by first creating drawings on clear mylar. These drawings are then laid on top of light sensitive paper in the darkroom and then the paper is exposed to light. For ...

"I make the images by first creating drawings on clear mylar. These drawings are then laid on top of light sensitive paper in the darkroom and then the paper is exposed to light. For images with layered landscapes, multiple drawings are placed on the paper which is then exposed at intervals and a drawing removed at the end of each interval. The stars are created by exposing the paper to light through a mask with small holes poked into it. The darkroom aspect of the process creates a photogram negative, which I then scan and invert into a positive image digitally. The final images are pigment prints on archival rag paper." -- Vanessa Marsh Vanessa Marsh was born in Seattle, Washington, and currently works in Oakland, California. Marsh first became interested in Photography when her mother gave her a Nikon E series camera in 9th grade. She earned her MFA in 2004 from California College of the Arts. Marsh has exhibited widely including the Contemporary Jewish Museum in San Francisco, Dolby Chadwick Gallery...

I make the images by first creating drawings on clear mylar. These drawings are then laid on top of light sensitive paper in the darkroom and then the paper is exposed to light. For ...

Sometimes there is a hazy, almost tropical light that falls over the Bay Area. The moisture in the air falls on the landscape and makes it appear as a series of two-dimensional plane...

Gold-toned gelatin silver print with 8-ply over-mat and mounted to archival, 4-ply Crescent Natural White mat board Signed and numbered, recto 26 x 30 inches, overall mat size 20 x ...

Afar #4 Digital photography printed on Hahnemuhle paper 16.50h x 21.50w in Edition 4/5 + A.P. Lujan Candria is a multidisciplinary artist who uses a wide array of media, such as pai...

Holly King’s photographs draw from memories of landscapes, and reference film, art and literature. Her images are cinematic and striking, seemingly rea...

Leah Oates employs a double and sometimes triple exposure, which creates halos of light, dappled, misty surfaces and gauzy effects in muted greens and blues. Her work questions the n...