Viviana Zargón

Puente en colores 1

2017

Using photography as the starting point, Viviana Zargón constructs a pictorial universe of industrial imagination. In an exploration of abandoned empty spaces, Zargón portrays an exh...

Construcción, 2018 Digital photography printed on Hahnemuhle paper 19.69h x 29.88w in Edition 1/5 Using photography as the starting point, Viviana Zargón constructs a pictorial univ...

Puente en colores 1, 2018 Digital photography printed on Hahnemuhle paper 17.70h x 25.40w in Edition 1/5 Using photography as the starting point, Viviana Zargón constructs a pictori...

Scompte 2, 2017 Digital photography printed on Hahnemuhle paper 19.69h x 29.42w in Edition 2/5 Using photography as the starting point, Viviana Zargón constructs a pictorial universe of industrial imagination. In an exploration of abandoned empty spaces, Zargón portrays an exhaustion of hope as she incorporates traces of manufacturing artifacts from the Industrial era. Through the medium of photography and painting, Zargón creates a semantic configuration of reality as she reflects on the relationship between production, work, and social progress to greater understand the present. Vivana Zargon was born in Buenos Aires in 1958. She Studied at the University of Barcelona, School of Fine Arts and was awarded the annual scholarship from Government of Catalunya, Spain given to young artists. She has been the subject of several solo exhibitions including : Galería Ruth Benzacar (Buenos Aires, 1985); Galería Julia Lublin (Buenos Aires, 1993); Brazil Art Space (Houston, Texas, USA , 1995); Galleria Banchi Nuovi (Roma, Italia, 1996); Filo Espacio de Arte (Buenos Aires, 1997); Sicardi Sanders Gallery (Houston, Texas, USA, 1998); Centro Cultural Borges (Buenos Aires, 1998); Galería Arteconsult (Panamá, 2005, 2009, 2012); Museo Calderon Guardia (San Jose de Costa...

This is a beautiful contemporary photograph of the bridge over the River Kwai in Thailand. The photograph is processed in a way that the grain of the wood eventually becomes the "canvas" and backdrop for this image. It is processed directly on birch wood using archival inks and is then sealed with a durable semi-glossy lacquer. The image shows a person with a bright halo, crossing the bridge or in the center of the bridge about to cross a metaphorical bridge. This metaphor can be translated into many beautiful messages in life. HUGO G. URRUTIA + MK SEMOS Urrutia is an interdisciplinary artist, interested in the cross-pollination between art and architecture. A graduate and active member of the Architectural Association in the United Kingdom, Urrutia’s work creates a distinct spatiality located at the interstice of art and architecture. His work explores and uses the technology for design and fabrication, with a sensitive and conscious reminder of the creativity of human endeavor. Urrutia graduated from the Architectural Association in 2013, earning a Master of Architecture in the Design & Make programme. In 2000, he graduated from Texas Tech University, with a Bachelor of Architecture and Design and received the 2000 Outstanding Thesis Award. In 2004, he founded Decorazon Gallery in Dallas’ historic Bishop Arts District where he directed, curated and exhibited numerous art/architectural exhibitions for national and international artists. His personal artwork has been exhibited in the United States, United Kingdom, Thailand, Colombia, and Hong Kong. His participation in art and architectural competitions and public projects include; the AIA Cincinnati, where he received the Design Award for the 2000 National Urban Poetry I competition and the 2005 ARQUINE - International Architecture Competition in Mexico City. His art installations – The Mexican Tsunami, and Making a Killing – have both been featured at the Art Santa Fe 2010 Contemporary Art Fair, curated by Charlotte Jackson...

Plaza and Viaduct, 2019 by Ying Chen From the series "Lost In Transition". Archival pigment print Image size: 80 in. H x 60 in. W Edition of 5 + 1AP Unframed The artwork employs co...

Digitally altered abstract photograph.

Stéphane COUTURIER (*1957, France) Les Nouveaux Constructeurs, Sète – Pont Sadi-Carnot n°2, 2018 C-print, framed to artist's specification 140 x 99 cm (55 1/8 x 39 in.) Edition of 5;...