Archival Ink Photography
Color: Black
Medium: Archival Ink
Whispers of Imouto
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...
Category
2010s Photorealist Archival Ink Photography
Materials
Photographic Film, Archival Ink, Archival Paper, Photographic Paper, Pho...
Protector of Odin
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...
Category
2010s Contemporary Archival Ink Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Photogram, Archival Pi...
The Flower & The Willow
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...
Category
2010s Contemporary Archival Ink Photography
Materials
Photographic Film, Archival Ink, Archival Paper, Photographic Paper, Pho...
Kiss of my Kettlingr
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...
Category
2010s Contemporary Archival Ink Photography
Materials
Archival Pigment, Photographic Film, Archival Ink, Archival Paper, Photo...
Phantom Moss, limited edition photograph, signed and numbered
Located in Sante Fe, NM
Phantom Moss, limited edition photograph, signed and numbered
This photograph is part of Carter's series Ghost Light.
Keith Carter’s work explores time, place, and vernacular cult...
Category
2010s Archival Ink Photography
Materials
Archival Ink
Oak Mott Study #7, limited edition photograph, signed and numbered
Located in Sante Fe, NM
Oak Mott Study #7, limited edition photograph, signed and numbered
Keith Carter’s work explores time, place, and vernacular culture. Described as a “Poet of the Ordinary” by the Lo...
Category
2010s Archival Ink Photography
Materials
Archival Ink
Hanging Moss, limited edition photograph, signed and numbered
Located in Sante Fe, NM
Hanging Moss, limited edition photograph, signed and numbered
Keith Carter’s work explores time, place, and vernacular culture. Described as a “Poet of the Ordinary” by the Los Ang...
Category
2010s Archival Ink Photography
Materials
Archival Ink
Ghostlight, limited edition photograph, signed and numbered
Located in Sante Fe, NM
Ghostlight, limited edition photograph, signed and numbered
Keith Carter’s work explores time, place, and vernacular culture. Described as a “Poet of the Ordinary” by the Los Angel...
Category
2010s Archival Ink Photography
Materials
Archival Ink
Crossing, limited edition photograph, signed and numbered
Located in Sante Fe, NM
Crossing, limited edition photograph, signed and numbered
Keith Carter’s work explores time, place, and vernacular culture. Described as a “Poet of the Ordinary” by the Los Angeles...
Category
2010s Archival Ink Photography
Materials
Archival Ink
Camellia Flowers, limited edition photograph, signed and numbered
Located in Sante Fe, NM
Camellia Flowers, limited edition photograph, signed and numbered
Keith Carter’s work explores time, place, and vernacular culture. Described as a “Poet of the Ordinary” by the Los...
Category
2010s Archival Ink Photography
Materials
Archival Ink
Swirls, color photograph, limited edition, signed and numbered
Located in Sante Fe, NM
Swirls, color photograph, limited edition, signed and numbered
Keith Carter’s work explores time, place, and vernacular culture. Described as a “Poet of the Ordinary” by the Los An...
Category
2010s Archival Ink Photography
Materials
Archival Ink
Sunken Weathervane, color photograph, signed and numbered, limited edition
Located in Sante Fe, NM
Sunken Weathervane, color photograph, signed and numbered, limited edition
Keith Carter’s work explores time, place, and vernacular culture. Described as a “Poet of the Ordinary” b...
Category
2010s Archival Ink Photography
Materials
Archival Ink
Egret and Crane, color photograph, signed and numbered, limited edition
Located in Sante Fe, NM
Egret and Crane, color photograph, signed and numbered, limited edition.
Keith Carter’s work explores time, place, and vernacular culture. Described as a “Poet of the Ordinary” by t...
Category
2010s Archival Ink Photography
Materials
Archival Ink
LE JARDIN
By Reka Nyari
Located in New York, NY
Print is also available in a Medium size : 40'' x 56'' and is priced at : $14,000. It is a black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...
Category
2010s Contemporary Archival Ink Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Blac...
DANDELION
By Reka Nyari
Located in New York, NY
Print is also available in a Large size: 63'' x 50'' and is priced at: $16,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...
Category
2010s Contemporary Archival Ink Photography
Materials
Plexiglass, Digital Pigment, Archival Pigment, Black and White, Pigment,...
PATRONNE
By Reka Nyari
Located in New York, NY
Print is also available in Medium size: 50'' x 40'' and is priced at $13,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...
Category
2010s Contemporary Archival Ink Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Paper...
FLEURS SAUVAGES
By Reka Nyari
Located in New York, NY
Print is also available in a small size : 50'' x 40'' and is priced at : $13,000. Each work is a one of a kind, unique piece that is hand punctured. The work also comes with a black floating frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...
Category
2010s Contemporary Archival Ink Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Adhes...
EFFECT PAPILLON
By Reka Nyari
Located in New York, NY
Print is framed and total size is 50 x 40. The work is framed in a a black floating frame with conservation acrylic.
Print is also available in a large size : 63'' x 50'' and is priced at : $16,000 Each work is a one of a kind, unique piece that is hand punctured. The work also comes with a black floating frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...
Category
2010s Contemporary Archival Ink Photography
Materials
Digital, Pigment, Archival Pigment, Digital Pigment, Archival Ink, Archi...
L'ARTISTE
By Reka Nyari
Located in New York, NY
Print is also available in a large size : 50'' x 40'' and is priced at : $13,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic Photography...
Category
2010s Contemporary Archival Ink Photography
Materials
Digital Pigment, Archival Pigment, Digital, Plexiglass, Archival Ink, Ar...
PHANTASMA
By Reka Nyari
Located in New York, NY
Print is also available in a large size : 56'' x 74'' and is priced at : $19,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic Photography...
Category
2010s Contemporary Archival Ink Photography
Materials
Archival Ink, Plexiglass, Archival Paper, Digital, Photographic Paper, A...
LUNE DE SANG
By Reka Nyari
Located in New York, NY
Print is also available in a large size : 63'' x 50'' and is priced at : $16,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic Photography...
Category
2010s Contemporary Archival Ink Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Plexiglass, Black and ...
ROUTES
By Reka Nyari
Located in New York, NY
Print is also available in a small size : 50'' x 40'' and is priced at : $13,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in ...
Category
2010s Contemporary Archival Ink Photography
Materials
Digital, Pigment, Archival Pigment, Digital Pigment, Archival Ink, Archi...
BELOVED
By Reka Nyari
Located in New York, NY
Print is also available in a large size : 63'' x 50'' and is priced at : $16,000 Each work is a one of a kind, unique piece that is hand punctured. The work also comes with a black f...
Category
2010s Contemporary Archival Ink Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Plexi...
SORCIER
By Reka Nyari
Located in New York, NY
A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame.
Print is also available in large size: 63'' x 50'' and i...
Category
2010s Contemporary Archival Ink Photography
Materials
Photographic Paper, Black and White, Plexiglass, Pigment, Digital, Pigme...
1241
By Bob Tabor
Located in New York, NY
Photograph is available in 3 sizes
52 x 96" (Edition of 1 [8 total])
33 x 60" (Edition of 1 [8 total])
38 x 72" (Edition of 1 [8 total])
Bob Tabor is a well-established, New York ...
Category
2010s Contemporary Archival Ink Photography
Materials
Plexiglass, Archival Ink, ABS, Archival Pigment, Photographic Paper
Chaos
By Johnny Naked
Located in Santa Monica, CA
Archival ink-jet print on matte paper
Category
21st Century and Contemporary Contemporary Archival Ink Photography
Materials
Archival Ink
Free Coffee (color)
By Gary Hodson
Located in Kansas City, MO
Artist : Gary Hodson
Title : Free Coffee (color)
Materials : Archival Pigment Print
Date : 2016
Dimensions : 11 x 17 in.
Gary Hodson’s subject matter remains diverse and includes...
Category
2010s Contemporary Archival Ink Photography
Materials
Photographic Paper, Archival Ink, Digital, Archival Pigment
Do Not Go Quietly Into the Night (color)
By Gary Hodson
Located in Kansas City, MO
Artist : Gary Hodson
Title : Do Not Go Quietly Into the Night (color)
Materials : Archival Pigment Print
Date : 2018
Dimensions : 13 x 19 in.
Gary Hodson’s subject matter remains ...
Category
2010s Contemporary Archival Ink Photography
Materials
Photographic Paper, Archival Ink, Digital, Archival Pigment
Do Not Go Quietly Into the Night (B&W)
By Gary Hodson
Located in Kansas City, MO
Artist : Gary Hodson
Title : Do Not Go Quietly Into the Night (B&W)
Materials : Archival Pigment Print
Date : 2018
Dimensions : 13 x 19 in.
Gary Hodson’s subject matter remains di...
Category
2010s Conceptual Archival Ink Photography
Materials
Photographic Paper, Archival Ink, Digital, Archival Pigment
Frank Sinatra Driving Home
Located in Chicago, IL
Driving Home – Frank Sinatra circa 1950 driving his Cadillac. Hollywood, CA.
Giclee 300gsm smooth archival rag paper and archival ink
Each fine print is numbered and embossed with ...
Category
21st Century and Contemporary Contemporary Archival Ink Photography
Materials
Rag Paper, Archival Ink, Giclée
Landscape #36
Located in Sante Fe, NM
I make the images by first creating drawings on clear mylar. These drawings are then laid on top of light sensitive paper in the darkroom and then the paper is exposed to light. For ...
Category
2010s Contemporary Archival Ink Photography
Materials
Archival Ink
Frank Sinatra - Contemplating the Session
Located in Chicago, IL
November 1, 1956. Recording at Capitol Studio A. "Close to You" is the eleventh studio album by Frank Sinatra, accompanied by the Hollywood String Quartet. The album was recorded ove...
Category
21st Century and Contemporary Contemporary Archival Ink Photography
Materials
Rag Paper, Archival Ink, Archival Pigment
Frank Sinatra - Nice N' Easy Does It
By Sid Avery
Located in Chicago, IL
Late 1950's early 60's - Nice N' Easy cover. All the songs, with the notable exception of the title song, are sung as ballads and were arranged and conducted by Nelson Riddle. The al...
Category
21st Century and Contemporary Contemporary Archival Ink Photography
Materials
Rag Paper, Archival Ink, Archival Pigment
Frank Sinatra - Lookin' Good Tonight Las Vegas
By David Sutton
Located in Chicago, IL
Frank Sinatra performs live at The Sands Hotel, Las Vegas, NV. Taken during the Share Benefit Concert in 1960.
Frank Sinatra Enterprises
Archival digital print. Printed on 100% Co...
Category
21st Century and Contemporary Contemporary Archival Ink Photography
Materials
Rag Paper, Archival Ink, Archival Pigment
Frank Sinatra - A Man Alone
By John Bryson
Located in Chicago, IL
The cover shot of A Man Alone, 1969. This was recorded between March 19-21 in a Hollywood studio by American singer Frank Sinatra, arranged by Don Costa. In ...
Category
21st Century and Contemporary Contemporary Archival Ink Photography
Materials
Rag Paper, Archival Ink, Archival Pigment
Frank Sinatra - Cutting the rug
By Ken Veeder
Located in Chicago, IL
1955 Capitol. Released in April 1955. "In the Wee Small Hours" is the 9th studio album by Frank Sinatra. "In the Wee Small Hours" has been called one of the first concept albums. The...
Category
21st Century and Contemporary Contemporary Archival Ink Photography
Materials
Rag Paper, Archival Ink, Archival Pigment
Frank Sinatra - Reading the funnies
Located in Chicago, IL
Frank Sinatra at home in Hoboken New Jersey. Circa 1939. Relaxing in bed reading the cartoons from the newspaper. Photo taken by Nancy Sinatra Senior.
G...
Category
1930s Contemporary Archival Ink Photography
Materials
Rag Paper, Archival Ink, Giclée
Frank Sinatra - I like the way this is sounding Dean!
By Ken Veeder
Located in Chicago, IL
Frank Sinatra listens to playback as he conducts for Dean Martin’s album ‘Sleep Warm’ at Capitol Records Studio A. Circa 1958 (October 13-15, 1958)
Capitol Photo Archives.
Archiv...
Category
21st Century and Contemporary Contemporary Archival Ink Photography
Materials
Archival Pigment, Rag Paper, Archival Ink
Frank Sinatra Heading Home
Located in Chicago, IL
Heading Home – Frank Sinatra circa 1953 getting into his Cadillac. Hollywood, CA.
Giclee 300gsm smooth archival rag paper and archival ink
Each fine print is numbered and embossed ...
Category
21st Century and Contemporary Contemporary Archival Ink Photography
Materials
Rag Paper, Archival Ink, Giclée
Frank Sinatra - Live at The Sands
Located in Chicago, IL
Live at The Sands – Frank Sinatra circa mid 1950s. Performing at the Copa Room, Sands Hotel. Las Vegas, NV.
Giclee 300gsm smooth archival rag paper and archival ink
Each fine print...
Category
21st Century and Contemporary Contemporary Archival Ink Photography
Materials
Rag Paper, Archival Ink, Giclée
Frank Sinatra - Study for a Bronze Bust
Located in Chicago, IL
Bronze Bust – Frank Sinatra posing at the studio of famous Sculptor Jo Davidson. Circa 1946. Note the famous bust of Franklin Delano Roosevelt...
Category
21st Century and Contemporary Contemporary Archival Ink Photography
Materials
Rag Paper, Archival Ink, Giclée
Frank Sinatra - Shoot Me Shooting You
Located in Chicago, IL
Shoot me shooting you – Frank Sinatra at home in Toluca Lake, CA. Circa mid-1940s. Sinatra always had a camera and was often experimenting with them, here Nancy Sinatra Senior catche...
Category
21st Century and Contemporary Contemporary Archival Ink Photography
Materials
Rag Paper, Archival Ink, Giclée
Frank Sinatra - Taking Notes
Located in Chicago, IL
Taking notes – Frank Sinatra circa 1940. Hoboken, NJ. Taken by a family member.
Giclee 300gsm smooth archival rag paper and archival ink
Each fine print is numbered and embossed wi...
Category
21st Century and Contemporary Contemporary Archival Ink Photography
Materials
Rag Paper, Archival Ink, Giclée
Frank Sinatra - Live from the Rustic Cabin
Located in Chicago, IL
Live from the Rustic Cabin – Frank Sinatra circa 1938. Performing at the Rustic Cabin. Likely taken in rehearsals or during a live performance. Photo by Nancy Sinatra...
Category
21st Century and Contemporary Contemporary Archival Ink Photography
Materials
Rag Paper, Archival Ink, Giclée
Frank Sinatra - Me and My Shadow
Located in Chicago, IL
Portrait of Frank Sinatra circa 1939. Taken at their apartment on Garden St, Hoboken, NJ. Photo by Nancy Sinatra Senior. This striking photo is one of the family’s favorites. This is...
Category
1930s Contemporary Archival Ink Photography
Materials
Rag Paper, Archival Ink, Giclée
Frank Sinatra - Looking out
Located in Chicago, IL
Frank Sinatra in his early years. Circa 1940. Hoboken, NJ. Taken by a family member.
Giclee 300gsm smooth archival rag paper and archival ink
Each fine print is numbered and emboss...
Category
21st Century and Contemporary Contemporary Archival Ink Photography
Materials
Rag Paper, Archival Ink, Giclée
Elena Madonna 2
By Jack Perno
Located in Chicago, IL
Archival Pigment Print
Edition of 25
Print size: 19 H x 6.5 W inches
Frame size: 26 H x 13 W inches
This piece is a digital reproduction of an original 8 x 10" polaroid that was m...
Category
Early 2000s Contemporary Archival Ink Photography
Materials
Polaroid, Archival Pigment, Archival Paper, Archival Ink
Paris Scene 01
Located in Vienna, AT
Andreas H. Bitesnich is seen as one of the greatest photographers of our time. Especially in the area of nude photography, he counts among the best in the world. Bitesnich captures m...
Category
21st Century and Contemporary Archival Ink Photography
Materials
Archival Ink
The Birds, Paris
Located in Vienna, AT
Andreas H. Bitesnich is seen as one of the greatest photographers of our time. Especially in the area of nude photography, he counts among the best in the world. Bitesnich captures m...
Category
21st Century and Contemporary Archival Ink Photography
Materials
Archival Ink
Nine Taxis
Located in Vienna, AT
Bitesnich’s works capture moments of unbelievable beauty and depth, even when depicting poverty. His pictures allow the viewer a glimpse of the Indian soul, between traditional and m...
Category
21st Century and Contemporary Archival Ink Photography
Materials
Archival Ink
Archival Ink photography for sale on 1stDibs.
Find a wide variety of authentic Archival Ink photography available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add photography created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, red, yellow and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Lisa A. Frank, Chad Kleitsch, Tom Blachford, and Larsen Sotelo. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Archival Ink photography, so small editions measuring 0.63 inches across are also available Prices for photography made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $22 and tops out at $185,000, while the average work can sell for $2,150.
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