Archival Pigment Photography

Nassau Speed Week 1963 by Slim Aarons Slim Aarons Limited Estate Edition Competitors in an assortment of vehicles at the 1963 Nassau Speed Week. unframed c type print printed 202...

Adolfo De Velasco 1988 by Slim Aarons Slim Aarons Limited Estate Edition Adolfo de Velasco relaxes on a verandah in Marrakech, April 1988 unframed c type print printed 2023 16 x ...

Giacomo Montegazza 1983 by Slim Aarons Slim Aarons Limited Estate Edition Giacomo and Stefania Montegazza welcome guests arriving by boat at their villa, La Cassinella, on Lake Co...

Abaco Holiday 1986 by Slim Aarons Slim Aarons Limited Estate Edition College student Jan Woods relaxes in a hammock at the Abaco Inn on Elbow Cay, one of ...

'Hotel du Cap Eden-Roc' 1976 Slim Aarons Limited Estate Edition Guests by the pool at the Hotel du Cap Eden-Roc, Antibes, France, August 1976. 60 x 40" inches / 152 x 101 cm paper ...

Hotel De Paris In Monaco 1977 by Slim Aarons Slim Aarons Limited Estate Edition The entrance to the Hotel de Paris in Monte Carlo, Monaco, June 1977 unframed c type print printed...

Poolside Chic 1970 by Slim Aarons Slim Aarons Limited Estate Edition Guests by the pool at Nelda Linsk’s desert house in Palm Springs, California, January 1970. The house was designed by Richard Neutra for Edgar J. Kaufmann. Nelda Linsk, wife of art dealer Joseph Linsk, is wearing yellow on the left, Helen Dzo Dzo is at centre in a white crochet outfit...

Pool By The Sea 1985 by Slim Aarons Slim Aarons Limited Estate Edition A swimming pool and lounge deck over the sea at Angra Dos Reis, Brazil, 1985. unframed c type print printe...

Snowmass Village 1968 by Slim Aarons Slim Aarons Limited Estate Edition Women in colourful hats at an apres ski party in Snowmass Village, in Pitkin County, Colorado, in March 196...

Bettina Graziani 1964 by Slim Aarons Slim Aarons Limited Estate Edition Bettina Graziani relaxes in a hammock on the Costa Smeralda, Sardinia, 1964. unframed c type print printed...

Princess Caroline Of Monaco 1981 by Slim Aarons Slim Aarons Limited Estate Edition Princess Caroline of Monaco in the winter-garden room...

Scotti’s Yacht 1981 by Slim Aarons Slim Aarons Limited Estate Edition Guests on board Italian Count Hannibal Scotti’s yacht, ‘Scotland Cay’, Monte Carlo harbour, Monaco, August 19...

Marbella House Party 1967 by Slim Aarons Slim Aarons Limited Estate Edition Guests at a party at the home of Sebastiano Bergese in Marbella, Spain, 1967. unframed c type print pr...

Cabot Family 1960 by Slim Aarons Slim Aarons Limited Estate Edition Mrs Henry Cabot Jnr with her children (left to right) Henry Bromfield Cabot III, Camilla Foote Cabot and Andrew Hull...

Racquet Club Pool 1968 by Slim Aarons Slim Aarons Limited Estate Edition Guests in the pool at the Villa Vera Racquet Club, Acapulco, Mexico, 1968. un...

Brunch At Brennans 1960 by Slim Aarons Slim Aarons Limited Estate Edition 1960. Sunday brunch at Brennan’s restaurant, New Orleans. A Wonderful Time – Slim Aarons unframed c typ...

Elvis Adoration (1956) (Photo By Phillip Harrington) May 27, 1956 Fans Reacting to Elvis Presley Performing at the University of Dayton Fieldhouse. Additional Infomation: Unframed Paper Size: 20 x 16'' Printed Later Paper: Silver Gelatin Fibre Print Limited edition to 25 only About the Image: Elvis Aaron Presley, also known simply as Elvis, was an American singer, musician and actor. He is regarded as one of the most significant cultural icons of the 20th century and is often referred to as the "King of Rock and Roll" or simply "the King". NOTE OTHER SIZES OF THIS IMAGE AVAILABLE 10 x 12'' 12 x 16'' FRAMING AVAILABLE ON REQUEST About the Artist: Phillip A. Harrington was born in 1920 and grew up in Holland, Michigan. He developed an interest in photography at an early age, joining the high school camera club at 16. At the age of 19, Harrington moved to New York City to study at the Clarence. H. White school of photography, a prestigious institution with graduates such as Margaret Bourke-White, Dorothea Lange, Laura Gilpin, and Ralph Steiner. Harrington studied under Clarence White, Jr., who described Harrington as being among the school’s best students. Elvis, Elvis Presley, Elvis Presley, LEADING MEN, Phillip Harrington Retro Vintage Black and white Photography...

Elvis Adoration (1956) (Photo By Phillip Harrington) May 27, 1956 Elvis Presley spends some time on the piano while waiting for a show to start at the University of Dayton Fieldhouse. Additional Information: Unframed Paper Size: 20x30'' Printed Later About the Image: Elvis Aaron Presley, also known simply as Elvis, was an American singer, musician and actor. He is regarded as one of the most significant cultural icons of the 20th century and is often referred to as the "King of Rock and Roll" or simply "the King". NOTE OTHER SIZES OF THIS IMAGE AVAILABLE 10 x 12'' 12 x 16'' 16 x 20'' 20 x 24'' 20 x 30'' FRAMING AVAILABLE ON REQUEST About the Artist: Phillip A. Harrington was born in 1920 and grew up in Holland, Michigan. He developed an interest in photography at an early age, joining the high school camera club at 16. At the age of 19, Harrington moved to New York City to study at the Clarence. H. White school of photography, a prestigious institution with graduates such as Margaret Bourke-White, Dorothea Lange, Laura Gilpin, and Ralph Steiner. Harrington studied under Clarence White, Jr., who described Harrington as being among the school’s best students. Elvis, Elvis Presley, Elvis Presley2, LEADING MEN, Phillip Harrington Retro Vintage Black and white Photography...

'New York Glitter' by Stuart Möller A building in Manhattan, New York City, New York, 2014. A beautiful image of a high rise building in the iconic city of New York, that appears ...

Fine Art Print, photographed in the US., Limited edition.

Pink Debbie Harry - Limited Edition Mick Rock Estate Print Debbie Harry in pink, 1978 (photo Mick Rock). All prints are numbered by the Estate. Edition size varies according to pr...

Viscountess Isabelle 1981 by Slim Aarons Slim Aarons Limited Estate Edition The Viscountess Isabelle on board a yacht in the harbour at Monte Carlo, 1981. unframed c type print ...

Jean Serpieri (1961) Limited Estate Stamped - Giant (Photo by Slim Aarons) Madame Jean Serpieri sits in the ballroom of the Tour La Reine near Athens, wearing a gown that belonged...

Arts Festival 1964 by Slim Aarons Slim Aarons Limited Estate Edition The Palm Beach Arts Festival Procession, Florida, 1964. unframed c type pr...

Man walking - Limited edition pigment print - Limited Editions of 5 France, 2003 Signed + numbered by artist with certificate of authenticity. Free delivery Archival pigment pri...

Ewok Kenner toy from "Return of the Jedi" -1983 These iconic figures have become more then just iconic collectable toys. They encapsulate an era instantly transporting the viewer to ...

Chalet Costi Skiers outside the Chalet Costi in Zermatt, 1968. Slim Aarons Archival Pigment Print. Printed 2024. Slim Aarons Estate Edition. Produced utilising the only original t...

Lyford Cay Fire Service 1966 by Slim Aarons Slim Aarons Limited Estate Edition The fire service in Lyford Cay, on New Providence Island in the Bahamas, April 1966 unframed c type...

Positano Beach 1979 by Slim Aarons Slim Aarons Limited Estate Edition Elevated view looking down on sunbathers and parasols on the beach at La Scogliera beach in Positano, Italy, ...

Lake Tahoe Trip 1959 by Slim Aarons Slim Aarons Limited Estate Edition Young women canoeing on the Nevada side of Lake Tahoe, 1959. unframed c type print printed 2023 16×16 inche...

Spot The Ball 1960 by Slim Aarons Slim Aarons Limited Estate Edition 1960. A polo match at the Myopia Hunt Club, Hamilton, Massachusetts. The club was s...

' Yellow Leaf ' Oversize Archival Pigment Print - Signed Limited Edition Fine Art photograph of a single leaf floating on water with palm trees reflected on the surface. by Stuart Möller. Beautiful mint condition Limited Edition Archival Pigment Print on Hahnemühle Photo art paper. Measuring a Large Oversize 40 x 30 inches / 101 x 76 cm Edge Prints...

Paris Market Shoppers from the Paris In Colour Series 1956-61 By Peter Cornelius Giant Oversize 60 x 40 inches / 152 x 101 cm paper size Printed 2022 Arc...

Underwater Drink 1972 by Slim Aarons Slim Aarons Limited Estate Edition A woman drinking from a coconut underwater in the pool at Las Brisas Hotel in Acapulco, Mexico, February 1...

Mexico Fishing Boats (1952) Limited Estate Stamped - Grande XL (Photo By Slim Aarons) Fishing nets and boats on the shore in Mexico, 1952. Additional Information: Unframed Pap...

The Perfect Piste 1960 Two downhill skiers on powder snow, Zermatt, Switzerland, 1960. by Toni Frissell 30 x 20" inches / 76 x 51 cm paper size Archival pigment print unframe...

'Sea Drive' 1967 Slim Aarons Limited Estate Edition 1967. Film producer Kevin McClory takes his wife Bobo Sigrist and their family for a drive in an ‘Amphicar’ across the harbour at ...

'Poolside Pairs' 1970 Slim Aarons Limited Estate Edition Print Former fashion model Helen Dzo Dzo Kaptur (in white lace) and Nelda Linsk (in yellow), wife of art dealer Joseph Lins...

David Bowie, Aladdin Eyes Open, 1973 by Brian Duffy. This photograph was taken during the photo shoot for the album cover for Aladdin Sane, January 1973, London. This is an exquisite FRAMED* Archival Pigment print. *Note delivery includes secure art crating & shipping. Framed in black wood with glass and matt Stamped by The Duffy Archive, UK. Supplied with certificate of authenticity. Gorgeous print measuring 115 x 115 x 3 cm (framed). The image area is 95 x 95 cm. Produced utilising the original contact sheet. We ship regularly using Fedex Express services and ship to all international locations. About these images : “It wasn’t until we saw the contact sheets the next day I remember thinking, God this is spectacular. You just knew you had cracked it, boy, did you know it.” Celia Philo DAVID BOWIE: FIVE SESSIONS PHOTOGRAPHS BY DUFFY Brian Duffy photographed David Bowie over five sessions between August 1972 and April 1980, and made the iconic Aladdin Sane album cover image. January 1973–Session two–Aladdin Sane. It has been called ‘The Mona Lisa of Pop’. Who could have imagined that the moment he clicked the shutter on the Hasselblad in early 1973 that one of those images would become known as a cultural icon? – Chris Duffy Some background to the shoot. The background stories to the Aladdin Sane shoot are told in rich detail in the book Bowie Duffy – Five Sessions. In particular it is a delight to read Duffy’s (a self confessed Marxist anarchist) analysis and compare that with the measured tone of Tony Defries. If you don’t have a copy of the book, here’s a flavour of their respective views – which amount to much the same thing – just expressed in different ways. First up, Tony Defries: “I was looking for an iconic cover image and artwork that would help me to persuade RCA that Bowie was sufficiently important to warrant megastar treatment and funding in order to propel him to exactly that status. Engaging a master, world-class photographer to shoot the project /brand and to design the artwork was the best way to send that message. Brian had the ability to make the mundane image interesting and the interesting image fascinating.” Then Duffy: “Tony wanted to make the most expensive cover he could possibly get a record company to pay for, because he realised that if it cost fifty quid, well, so what – but if it cost £5,000 the record company were now having to pay attention. He said “Can you make it expensive?“and I said “No problem old love.” I proposed– One: A Dye-transfer. A genius method of being able to spend the most amount of money to get a reproduction from a colour transparency onto a piece of paper. Two: Get the plates made, where? Switzerland. Then employ me to design it and create it – even better and more wasteful.” The Aladdin Sane session was a real team effort. The location was Duffy’s studio at 151a King Henry’s Road in Primrose Hill, London, which had been the setting for the Ziggy Stardust session the previous August. Duffy had agreed with Tony Defries that his design agency, Duffy Design Concepts, which he ran with Celia Philo, would design the sleeve. Present in Primrose Hill on that January day in 1973 were Duffy, David Bowie, Celia Philo, Tony Defries, French make-up artist Pierre Laroche, and Duffy’s studio manager Francis Newman, who also acted as his assistant that day. Follow-up work on the detailed airbrushing required to create the final artwork was carried out by Philip Castle. What about that lightning bolt flash and the liquid pool? The idea for the lightning bolt came from David Bowie. The realisation of that lighting bolt into the form that appeared on the sleeve was down to Duffy. Its source is believed to be a rice cooker that was in Duffy’s studio – and which had a small logo with a red and blue flash. Francis Newman remembers, “Pierre stared to apply this tiny little flash on his face and when Duffy saw that he said, “No, not like that, like this” and literally drew it right across his face and said to Pierre, “Now, fill that in.”” The red colour was lipstick. Adding the pool of liquid to the collarbone was Duffy’s idea, and this was brilliantly airbrushed in as part of the post-production work by Philip Castle. David Bowie explained the background to Rolling Stone magazine, that it was a “Lightning bolt. An electric kind of thing. Instead of, like, the flame of a lamp, I thought he would probably be cracked by lightning. Sort of an obvious-type thing, as he was sort of an electric boy. But the teardrop was Brian Duffy’s. He put that on afterward, just popped it in there. I thought it was rather sweet.” DAVID BOWIE David Robert Jones (8 January 1947 – 10 January 2016), known professionally as David Bowie (/ˈboʊi/ BOH-ee),[2] was an English singer-songwriter and actor. He was a leading figure in the music industry and is considered one of the most influential musicians of the 20th century, acclaimed by critics and musicians, particularly for his innovative work during the 1970s. His career was marked by reinvention and visual presentation, with his music and stagecraft having a significant impact on popular music. During his lifetime, his record sales, estimated at 140 million albums worldwide, made him one of the world's best-selling music artists. In the UK, he was awarded ten platinum album certifications, eleven gold and eight silver, and released eleven number-one albums. In the US, he received five platinum and nine gold certifications. He was inducted into the Rock and Roll Hall of Fame in 1996. Born in Brixton, South London, Bowie developed an interest in music as a child, eventually studying art, music and design before embarking on a professional career as a musician in 1963. "Space Oddity" became his first top-five entry on the UK Singles Chart after its release in July 1969. After a period of experimentation, he re-emerged in 1972 during the glam rock era with his flamboyant and androgynous alter ego Ziggy Stardust. The character was spearheaded by the success of his single "Starman" and album The Rise and Fall of Ziggy Stardust and the Spiders from Mars, which won him widespread popularity. In 1975, Bowie's style shifted radically towards a sound he characterised as "plastic soul", initially alienating many of his UK devotees but garnering him his first major US crossover success with the number-one single "Fame" and the album Young Americans. In 1976, Bowie starred in the cult film The Man Who Fell to Earth, directed by Nicolas Roeg, and released Station to Station. The following year, he further confounded musical expectations with the electronic-inflected album Low (1977), the first of three collaborations with Brian Eno that came to be known as the "Berlin Trilogy". "Heroes" (1977) and Lodger (1979) followed; each album reached the UK top five and received lasting critical praise. After uneven commercial success in the late 1970s, Bowie had UK number ones with the 1980 single "Ashes to Ashes", its parent album Scary Monsters (and Super Creeps), and "Under Pressure", a 1981 collaboration with Queen. He reached his commercial peak in 1983 with Let's Dance; the album's title track topped both UK and US charts. Throughout the 1990s and 2000s, Bowie continued to experiment with musical styles, including industrial and jungle. He also continued acting; his roles included Major Jack Celliers in Merry Christmas, Mr. Lawrence (1983), Jareth the Goblin King in Labyrinth (1986), Pontius Pilate in The Last Temptation of Christ (1988), and Nikola Tesla...

This is a pop art photo print of the original Luke Skywalker toy from Kenner. "The Toys" by LA based Pop Artists DESTRO. This is the first release in t...

"The VHS" by pop Artist Destro. We all remember those iconic nights at the video store. Pop artist DESTRO once again encapsulates one of our favorite past times in a fine art con...

David Bowie (photo Mick Rock) - signed limited edition print David Bowie backstage, 1973. (photo Mick Rock) paper size : 24x20 inches / 51 x 61 cm Stamped and numbered by the Est...

La Colonne from the Paris In Colour Series 1956-61 By Peter Cornelius Oversize 30 x 20 inches / 76 x 51 cm paper size Printed 2022 Archival pigment print ...

Slim Aarons Estate Print - Snowmass Village Two fashionably attired women stand in the foreground of a snowy landscape with a helicopter on the slope...

Friends board a riva boat in Monte Carlo, Monaco, 1975. Very large print measuring 60 x 40" inches / ca 152 x 101.6 cm paper size. Estate Stamped...

Distinguished Palm Beach Golfers 1959 Alfred Vanderbilt (background second from right), Sam Snead (golf cart driver) & George Plimpton (centre) playing Golf in Palm Beach. Samuel J...

R2D2 from the original Kenner release of the Star Wars toys in May of 1977 This is pre release is the first release in the much anticipated series "The Toys" These iconic figures hav...

Zermatt Skiing Skiers in Zermatt, Switzerland, March 1968. Gorgeous print measuring 72 x 48" inches / ca 182.8 x 121.9 cm’s paper size. Estate Stamped Collection Edition to 150 ...

Parisian Flea Market from the Paris In Colour Series 1956-61 By Peter Cornelius Giant oversize 60 x 40 inches / 152 x 101 cm paper size Printed 2022 Archival pigment print Framing...

Seine Scene from the Paris In Colour Series 1956-61 By Peter Cornelius 40 x 60 inches / 101 x 152 cm paper size Printed 2022 Archival pigment print Framing and size options available - Please enquire About: Peter Cornelius (1913–1970) was a German photographer and photojournalist. The goal he set himself was to capture: “the right colours at the right moment”. He was never concerned with a pure, apparently “right” picture of “reality”. After World War II, he began his career with reportage, landscape and sailing photography...

Bowie Backstage - Limited Edition Mick Rock Estate Print David Bowie, working on make up, backstage, 1973 (photo Mick Rock). All prints are numbered by the Estate. Edition size va...

Palm Beach (1955) - Limited Estate Stamped (Photo By Slim Aarons) The pool at the Colony Hotel in Palm Beach, Florida, USA, 1955. Additional Information: Unframed Paper Size:...

Palm Beach Pastels (1959) Limited Estate Stamped (Photo By Slim Aarons) Socialite Alice Topping relaxing by a swimming pool in Palm Beach, Florida, ...

"TRIPLE ELVIS BY ANDY WARHOL" is a photomosaic artwork by Destro. Destro has created large prints which are made up of many hundreds of smaller images. Archival photographic paper ...

Top Hat Epsom Derby England 1995 by Homer Sykes oversize 60x40 inches / 152 x 101 cm paper size signed limited edition print edition of 5 only this size printed 2022 Certificate of authenticity provided Homer Sykes Sykes's father, Homer Warwick Sykes, was a Canadian-born American of English extraction who worked for the China National Aviation Corporation in Shanghai; his mother, Helen Grimmitt, was Canadian-born and raised in Hong Kong. The couple were married in August 1947, but in June 1948, in an early stage of his wife's pregnancy, Homer was killed in an accident at Lunghua airfield. Helen returned to her family home in Vancouver, and the son was born three weeks later, in 1949.[1][2] When the boy's mother remarried in 1954, the family moved to England.[3] Homer was a keen photographer as a teenager, with a darkroom both at home and at boarding school. In 1968 he started a three-year course at the London College of Printing (LCP),[1][3] while sharing a house in St John's Wood.[4] In the summer vacation during his first year, he went to New York, and was impressed by the work of current photographers – Cartier-Bresson, Davidson, Friedlander, Frank, Uzzle and Winogrand – that he saw at the Museum of Modern Art.[3] Solo exhibitions "Traditional British Calendar Customs", Arnolfini Gallery (Bristol), 1977;[14] Side Gallery (Newcastle), 31 August – 25 September 1977.[15] "Shanghai Odyssey", Open Eye Gallery (Liverpool), 24 May – 20 June 2003.[14][16] Festival of Photography and Contemporary Art (Biella), 2005.[14] "On the Road Again", Hereford Town Hall (Hereford Photography Festival), 2002.[17] "Green Man and Friends, photographs from the 1970s", WPS (Hastings), 2009.[18] "England 1970–1980", Maison de la photographie Robert Doisneau (Gentilly, Paris), 27 June – 12 October 2014.[10][11][19][20] "My Britain 1970–1980", Les Douches la Galerie, Paris. 5 September – 31 October 2015.[21][22][23] "Once a Year – Homer Sykes", Lucy Bell Gallery, St Leonards-on-Sea, May–June 2021[24] Other exhibitions "Personal Views 1850–1970", British Council touring exhibition, 1970.[3] "Traditional Country Customs" (with work by Benjamin Stone), ICA (London), 1971.[3][14] "Young British Photographers", Museum of Modern Art (Oxford), 1971.[14] Exhibition of photographs by Stone and Sykes of festivals, customs and pageants, Southampton and Birmingham, 1973.[7] "Reportage Fotografen", Museum des 20. Jahrhunderts (Vienna), 1978.[14] "Il Regno Unito si diverte". British Council, Milan, 1981. With Chris Steele-Perkins and Patrick Ward.[25] "The Other Britain", National Theatre (London), and touring in Britain, 1982.[26] "A British Eye on the World", Museum of Modern Art (Rio de Janeiro), 1986.[14] "Viva, une agence photographique", Jeu de Paume (Paris), 2007.[27][28] "How We Are: Photographing Britain." Tate Britain (London), 2007.[29][30] "No Such Thing as Society: Photography in Britain 1968–1987", Aberystwyth Arts Centre; Tullie House (Carlisle); Ujazdów Castle (Warsaw).[31] "Unpopular culture." De La Warr Pavilion (Bexhill), 2008.[32] "The Other Britain Revisited: Photographs from New Society", Victoria and Albert Museum, 2010.[26] "Goodbye London: Radical art and politics in the seventies", Neue Gesellschaft für Bildende Kunst (Berlin), 26 June – 15 August 2010. With Stuart Brisley, Victor Burgin, David Hall, Margaret Harrison, Derek Jarman...

New York model, Jean Adams and friend share a drink on the beach at Acapulco, 1952 Gorgeous print measuring 30 x 30" inches / ca 76.2 x 76.2cm’s paper size. Estate Stamped Colle...

' Seascape I ' Signed Limited Edition Oversize print by Stuart Möller limited edition to 10 only this size - signed A view of the sea during a rainstorm. Gorgeous archival pig...

Frida and Diego with Gas Mask is a limited edition black and white portrait of Mexican painters Frida Kahlo and Diego Rivera. The couple embraces each other while Frida holds a gas m...