Dye Transfer Photography

Art Edition “Keith Haring” (No. 1–1,000). Hardcover volume in a slipcase, accompanied by a numbered, signed, and framed dye-sublimation ChromaLuxe aluminum print of Keith Haring, New...

This is an exclusive handprinted limited edition cyanotype diptych of foamy gorgeous clouds. Details: + Title: Floating Clouds Diptych + Year: 2023 + Edition Size: 20 + Stamped and ...

Vintage dye transfer print from the portfolio "Transformations" (Edition of 50) Signed and numbered, verso 30 x 24 inches, mount size 22 x 15 inches, image size This artwork is off...

Homage to Ali: Neil Leifer pays tribute to the legendary Muhammad Ali in an exclusive set of classic photographs. Each photograph is in an edition of 40 signed dye-sublimation prints...

Time to Save From: 12 Photographs: 1973-1983, Plate 8 of 12 Dye transfer photograph, 1979 Signed in ink Edition: 50, this example an Artist's Proof (7/10) Printer: Guy Stricherz Pu...

Artist: Annie Leibovitz Title: Keith Haring, 1986 Year: 1986-2023 Medium: Dye-sublimation Chroma Luxe aluminum print with floating frame Dimensions: 19 7/10 x 24 1/10 x 1 in (50 x 61...

This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature. P...

Art Edition “Patti Smith” (No. 1–275). Hardcover volume in a slipcase, accompanied by the portrait Patti Smith, New Orleans, 1978. For over 50 years, Annie Leibovitz has been creati...

"Kissing Booth, Fright Nights, West Palm Beach, 2017" is a Dye Sublimation Print on Aluminium. This print is available from an Edition of 10 + 2 Arti...

Franco Fontana (Italian, born 1933) Title: Los Angeles, California 1979 Edition 6/15 Medium: dye-transfer Dimensions: Frame 21.5 x 29.25. Sight 13 x 19.5 Provenance: Monique Goldstrom Gallery Franco Fontana (Italian, 1933) is an Italian photographer. He is best known for his Minimalist abstract colour landscapes. He was influenced by Minimalism and Abstract Expressionism. Franco Fontana was born in 1933 in Modena. He started taking photographs in the 1950s when he was working as a decorator in a furniture showroom. In 1961 he joined a local amateur club in Modena. The experience would be a turning point in his career, and Fontana went on to have his first solo exhibition in 1965 at the Società Fotografica Subalpina, Turin and at the Galleria della Sala di Cultura in Modena in 1968. Since then he has participated in more than 400 group and solo exhibitions including the exhibit Lines, Spheres and Glyphs at Robert Klein Gallery with works by photographers: Franco Fontana, Mario Giacomelli, Ernst Haas, Gyorgy Kepes and Aaron Siskind. Franco Fontana is considered one of the most relevant photographers of our time, In 1963 he exhibited his work at the Biennale of Color in Vienna, and in 1968 he held his first solo exhibition in Modena. Fontana often pares landscapes down to their essential elements, producing flat, geometric compositions reminiscent of the color field abstract expressionist paintings of Mark Rothko Ad Reinhardt and Barnett Newman, by underexposing his transparencies. Contrasting blue skies with green or yellow grass and the rigid lines of buildings with the softness of puffy clouds, he makes color and texture his primary subjects. He has also shot in Polaroid film, Cibachrome, C Print and chromogenic prints. His art has been acquired by some of the most important museums worldwide, including the Maison Européenne de la Photographie in Paris, MoMA in New York, Museum Ludwig in Cologne, Museum of Modern Art in Norman, Oklahoma, National Gallery in Beijing, Australian National Gallery in Melbourne, University of Texas in Austin, Stedelijk Museum in Amsterdam, Tokyo Metropolitan Museum, Israel Museum in Jerusalem, and Musée d’Art Moderne de la Ville in Paris. Fontana has photographed for advertising campaigns for brands such as Fiat, Volkswagen, Ferrovie dello Stato Italiane, Snam, Sony, Volvo, Versace, Canon, Kodak, Robe di Kappa, Swissair, and has been a magazine photographer for publications including Time, Life, Vogue (USA and France), Venerdì di Repubblica, Panorama, and with the Frankfurter Allgemeine Zeitung and The New York Times. Fontana's first book, Skyline, was published in 1978 in France by Contrejour and in Italy by Punto e Virgola with a text by Helmut Gernsheim. Fontana is the art director of the Toscana Foto Festival. He has received numerous awards, such as the 1989 Tokyo Photographer Society of Japan - The 150 Years of Photography - Photographer Award. Fontana is especially interested in the interplay of colours. His early innovations in colour photography in the 1960s were stylistically disruptive. According to art critic Giuliana Scimé, Fontana "destroyed all the structures, practices, and technical choices within the Italian tradition." Fontana uses 35mm cameras, and as noted by Iwan Zahar, deploys distant viewpoints with telephoto lenses to flatten contours in a landscape of crops and fields into bands of intense, saturated colour. This is an effect that Franco Lefèvre has described as 'dialectical landscapism'. Of his use of colour in his 2019 retrospective exhibition Sintesi ('Synthesis') at Fondazione Modena Arti Visive, curator Diana Baldon has observed; “His bold geometric compositions are characterised by shimmering colours, level perspectives and a geometric-formalist and minimal language, By adopting this approach during the 1960s, Fontana injected a new vitality into the field of creative colour photography for then multicolour was not in fashion in art photography., The way Fontana shoots, dematerializes the objects photographed, which loose three-dimensionality and realism to become part of an abstract drawing”. Aside from the rural landscape Fontana has applied his graphic sensibility to other subjects: city architecture, portraiture, fashion, still-life and the nude. He was included in the exhibition of the Helmut Newton Collection along with Brassaï, Diane Arbus, Franco Fontana, Horst P. Horst, Irving Penn, June Newton, Just Loomis, Man Ray, Mark Arbeit...

This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature. P...

Franco Fontana (Italian, born 1933) Title: Landscape 1987 Edition 6/15 Medium: dye-transfer Dimensions: Frame 21.5 x 27.5. Sight 12 x 20. Provenance: Monique Goldstrom Gallery Franco Fontana (Italian, 1933) is an Italian photographer. He is best known for his Minimalist abstract colour landscapes. He was influenced by Minimalism and Abstract Expressionism. Franco Fontana was born in 1933 in Modena. He started taking photographs in the 1950s when he was working as a decorator in a furniture showroom. In 1961 he joined a local amateur club in Modena. The experience would be a turning point in his career, and Fontana went on to have his first solo exhibition in 1965 at the Società Fotografica Subalpina, Turin and at the Galleria della Sala di Cultura in Modena in 1968. Since then he has participated in more than 400 group and solo exhibitions including the exhibit Lines, Spheres and Glyphs at Robert Klein Gallery with works by photographers: Franco Fontana, Mario Giacomelli, Ernst Haas, Gyorgy Kepes and Aaron Siskind. Franco Fontana is considered one of the most relevant photographers of our time, In 1963 he exhibited his work at the Biennale of Color in Vienna, and in 1968 he held his first solo exhibition in Modena. Fontana often pares landscapes down to their essential elements, producing flat, geometric compositions reminiscent of the color field abstract expressionist paintings of Mark Rothko Ad Reinhardt and Barnett Newman, by underexposing his transparencies. Contrasting blue skies with green or yellow grass and the rigid lines of buildings with the softness of puffy clouds, he makes color and texture his primary subjects. He has also shot in Polaroid film, Cibachrome, C Print and chromogenic prints. His art has been acquired by some of the most important museums worldwide, including the Maison Européenne de la Photographie in Paris, MoMA in New York, Museum Ludwig in Cologne, Museum of Modern Art in Norman, Oklahoma, National Gallery in Beijing, Australian National Gallery in Melbourne, University of Texas in Austin, Stedelijk Museum in Amsterdam, Tokyo Metropolitan Museum, Israel Museum in Jerusalem, and Musée d’Art Moderne de la Ville in Paris. Fontana has photographed for advertising campaigns for brands such as Fiat, Volkswagen, Ferrovie dello Stato Italiane, Snam, Sony, Volvo, Versace, Canon, Kodak, Robe di Kappa, Swissair, and has been a magazine photographer for publications including Time, Life, Vogue (USA and France), Venerdì di Repubblica, Panorama, and with the Frankfurter Allgemeine Zeitung and The New York Times. Fontana's first book, Skyline, was published in 1978 in France by Contrejour and in Italy by Punto e Virgola with a text by Helmut Gernsheim. Fontana is the art director of the Toscana Foto Festival. He has received numerous awards, such as the 1989 Tokyo Photographer Society of Japan - The 150 Years of Photography - Photographer Award. Fontana is especially interested in the interplay of colours. His early innovations in colour photography in the 1960s were stylistically disruptive. According to art critic Giuliana Scimé, Fontana "destroyed all the structures, practices, and technical choices within the Italian tradition." Fontana uses 35mm cameras, and as noted by Iwan Zahar, deploys distant viewpoints with telephoto lenses to flatten contours in a landscape of crops and fields into bands of intense, saturated colour. This is an effect that Franco Lefèvre has described as 'dialectical landscapism'. Of his use of colour in his 2019 retrospective exhibition Sintesi ('Synthesis') at Fondazione Modena Arti Visive, curator Diana Baldon has observed; “His bold geometric compositions are characterised by shimmering colours, level perspectives and a geometric-formalist and minimal language, By adopting this approach during the 1960s, Fontana injected a new vitality into the field of creative colour photography for then multicolour was not in fashion in art photography., The way Fontana shoots, dematerializes the objects photographed, which loose three-dimensionality and realism to become part of an abstract drawing”. Aside from the rural landscape Fontana has applied his graphic sensibility to other subjects: city architecture, portraiture, fashion, still-life and the nude. He was included in the exhibition of the Helmut Newton Collection along with Brassaï, Diane Arbus, Franco Fontana, Horst P. Horst, Irving Penn, June Newton, Just Loomis, Man Ray, Mark Arbeit...

Ali Invents the Double-Clutch Shuffle, LIFE magazine studio, December 1966: Muhammad Ali, poised for battle on the eve of his title defense against Ernie Terrell, demonstrates the do...

Phillips de Pury Collection of Alain Dominique Perrin Printed 1985, One from an edition of 21 dye transfer prints Signed Irving Penn Verso Literature: Szarkowki, Irving Penn Irving...

Lennon’s photographs serve as allegorical vehicles in this time of heightened awareness for our planet’s peril. In surveilling these ever-changing skies, 'Atmospheria' celebrates the...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 20 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...

Take your place ringside with the indubitable champion of boxing photography, Neil Leifer, as he pays tribute to the legendary Muhammad Ali in an ex...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 20 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...

Hand signed and titled in ink by the artist from edition of 50 (plus proofs). Color Photo printed at CVI Lab by master printer Guy Stricherz. Published by Prestige Art Ltd. From the color saturated 1980's. "A course in miracles"" The title, taken from the 1976 book on New Age spiritual guidance encourages speculation about each element in this still life. The amount of roses--three--is a significant number in many religions and mythologies. Besides Jesus and Albert Einstein, Flack included the silent mystic Hindu philanthropist Shree Krishnaji, also known as Baba. Flack used the detail of his face with the roses, hovering above the ocean, in her monumental painting, Baba. Following an illness, she turned to mysticism, framing Christian and Hindu images with Jewish ones in A Course of Miracles of 1983: On the “west” side, a photograph of Albert Einstein and a European Jewish candlestick...

27 x 44 in Edition of 9 EUR 3.500 35 x 57 in Edition of 9 EUR 5.500 48 x 71 in Edition of 9 EUR 7.100 Dye Sublimation on Aluminum 48 x 77 in Edition of 9 EUR 9.100 Dye Sublimation...

Providence XV consists of 5 individual panels. The images are archival dye sublimation prints which are heat-transferred to an aluminum substrate, backed with sintra, and channelled ...

27 x 44 in Edition of 9 EUR 3.500 35 x 57 in Edition of 9 EUR 5.500 48 x 71 in Edition of 9 EUR 7.100 Dye Sublimation on Aluminum 48 x 77 in Edition of 9 EUR 9.100 Dye Sublimation...

Phillips de Pury Collection of Alain Dominique Perrin Printed 1985, One from an edition of 21 dye transfer prints Signed Irving Penn Verso Literature: Szarkowki, Irving Penn Irving...

Edition of 10 Dye sublimated on aluminum Please inquire for additional sizes Born in San Francisco in 1966, Mark Stephen Kornbluth was raised in Montreal, then Cleveland. Since grad...

Lennon’s photographs serve as allegorical vehicles in this time of heightened awareness for our planet’s peril. In surveilling these ever-changing skies, 'Atmospheria' celebrates the...

'9.20.15_1:53:09' 2017 by Susan Wides. Dye sublimation aluminum, Ed. of 5, 60 x 40 in. / Frame: 60.75 x 41 in. This color photograph features ...

Series: Provocateur Dye Transfer Available Size & Edition Information: 18" x 18" Edition of 3 ONE LEFT There is something contagious about ideas, the more people you surrou...

Lennon’s photographs serve as allegorical vehicles in this time of heightened awareness for our planet’s peril.In surveilling these ever-changing skies, Atmospheria celebrates the be...

27 x 44 in Edition of 9 EUR 3.500 35 x 57 in Edition of 9 EUR 5.500 48 x 71 in Edition of 9 EUR 7.100 Dye Sublimation on Aluminum 48 x 77 in Edition of 9 EUR 9.100 Dye Sublimation...

Manolo Chretien, France Seastar, Lockheed T-33 Silverstar, Chino, USA, 2015 27 x 43 in Edition of 9 Dye Sublimation on Aluminum 35 x 57 in Edition of...

27 x 44 in Edition of 9 EUR 3.500 35 x 57 in Edition of 9 EUR 5.500 48 x 71 in Edition of 9 EUR 7.100 Dye Sublimation on Aluminum 48 x 77 in Edition of 9 EUR 9.100 Dye Sublimation...

"A Step Beyond" is part of Christopher Kennedy's "Trees Revered" series that uses his abstract PhotoLuminism technique combined with trees from the real world to create an otherworld...

“Transplanting Paddy, On the Outskirts of Srinagar, Kashmir, 1985” by Raghubir Singh (1942-1999) This exceptional image portrays two women in traditional attire working in waterlogg...

A series of the hidden beauty within Nantucket Island. Capturing the beauty of the island through photography. Edition of 7

"Lobster Girl. Fright Nights, West Palm Beach. 2017" is a Dye Sublimation Print on Aluminium. This print is available from an Edition of 10 + 2 Artis...

27 x 44 in Edition of 9 EUR 3.500 35 x 57 in Edition of 9 EUR 5.500 48 x 71 in Edition of 9 EUR 7.100 Dye Sublimation on Aluminum 48 x 77 in Edition of 9 EUR 9.100 Dye Sublimation...

"Ice Cream Stand. Stuart. 2015." is a Dye Sublimation Print on Aluminium. This print is available from an Edition of 10 + 2 Artist Proofs. Brown complete...

27 x 44 in Edition of 9 EUR 3.200 35 x 57 in Edition of 9 EUR 5.200 48 x 71 in Edition of 9 EUR 6.800 Dye Sublimation on Aluminum 48 x 77 in Edition of 9 EUR 8.800 Dye Sublimation...

27.5 x 27.5 in 70 x 70 cm Edition of 9 USD 6.000 40 x 40 in 100 x 100 cm Edition of 9 USD 8.000 51 x 51 in 130 x 130 cm Edition of 9 EUR 11.500 Dye Sublimation on Aluminum 48 x 77...

27 x 44 in Edition of 9 EUR 3.500 35 x 57 in Edition of 9 EUR 5.500 48 x 71 in Edition of 9 EUR 7.100 Dye Sublimation on Aluminum 48 x 77 in Edition of 9 EUR 9.100 Dye Sublimation...

DANIEL J. MARTINEZ (American, b. 1955) Portrait of Two Girls Dye-destruction, circa 1995 Paper: 20 x 19-1/2 inches (50.8 x 49.5 cm) Image: 19-3/4 x 19-1/4 inches (50.2 x 48.9 cm) Sta...

Julian Lennon's debut exhibition at the William Turner Gallery highlights the dama of nature's atmospheric forces, revealing his passion for the...

Edition 15, framed matt Chromaluxe Signed on a label and certificate Surfer driving Land Rover with a dog in the back. A man with x-ray vision, NICK VEASEY creates art that shows w...

"Anomalous" is a part of Christopher Kennedy's "Surrealism" series that uses his abstract PhotoLuminism technique combined in this case with a boat and a puffin from the real world t...

Edition of 10 Dye sublimated on aluminum Please inquire for additional sizes In 2020 when Broadway stages went dark, New York City’s theater buildings lit up the quiet nights in a s...

Hand signed and titled in ink by the artist from edition of 50 (plus proofs). Color Photo printed at CVI Lab by master printer Guy Stricherz. Published by Prestige Art Ltd. From the ...

"The Carousel. Palm Beach Zoo. West Palm Beach. 2015" is a Dye Sublimation Print on Aluminium. This print is available from an Edition of 10 + 2 Artist Pro...

A Course in Miracles Dye transfer photograph, 1978 From: 12 Photographs: 1973-1983, Plate 7 of 12 Signed in ink Edition: 50, this example an Artist's Proof (7/10) Printer: Guy Stri...

Hand signed and titled in ink by the artist from edition of 50 (plus proofs). Color Photo printed at CVI Lab by master printer Guy Stricherz. Published by Prestige Art Ltd. From the ...

Artist: Walter W. Nelson – American (1942- ) Title: Rose Orchid Bromeliad. From the Fleur portfolio Year: 1983 Medium: Dye transfer photograph Sight size: 16.5 x 11 inches. Sheet size: 21.25 x 16.5 inches Matted size: 26.75 x 21.25 inches Edition Size: 25 This one: 9/25 Signature: Reverse Condition: Very good Unframed In the 1980s, Walter Nelson...

Vintage dye transfer print from the portfolio "Transformations" (Edition of 50) Signed and numbered, verso 24 x 30 inches, mount size 15 x 22 inches, image size This artwork is off...

Fred and Eleanor Dye Sublimation archival print on aluminum 2015/2026 30” x 30” Edition 1/5 Other sizes are available. Please inquire. Tama Hochbaum was born in New York City, and ...

Hand signed and titled in ink by the artist from edition of 50 (plus proofs). Color Photo printed at CVI Lab by master printer Guy Stricherz. Published by Prestige Art Ltd. From the ...

Artist: Walter W. Nelson – American (1942- ) Title: Sweet Pea & Pincushion. From the Fleur portfolio Year: 1983 Medium: Dye transfer photograph Sight size: 16.25 x 11 inches. Sheet size: 21.25 x 16.5 inches Matted size: 26.75 x 21.25 inches Edition Size: 25. This one: 8/25 Signature: Reverse Condition: Very good Unframed In the 1980s, Walter Nelson...

Dye sublimation on aluminum (Edition of 8) Signed and numbered on label, verso This artwork is offered by ClampArt, located in New York City. David Bishop’s photography is strongly influenced by both baroque and contemporary art. His studies of 17th century Dutch still life...

Hand signed and titled in ink by the artist from edition of 50 (plus proofs). Color Photo printed at CVI Lab by master printer Guy Stricherz. Published by Prestige Art Ltd. From the ...

Hand signed and titled in ink by the artist from edition of 50 (plus proofs). Color Photo printed at CVI Lab by master printer Guy Stricherz. Published by Prestige Art Ltd. From the color saturated 1980's. "In My Life" featuring flowers, a lit candle, dice, an Oriental rug, music notes. a pocket watch and a small porcelain box...

Franco Fontana (Italian, born 1933) Title: Varsavia, (Warsaw, Poland streetscape with buildings) 1977 Medium: dye-transfer Dimensions: Frame 28.5 x 20.5. Sight 20 x 13. Provenance: Monique Goldstrom Gallery Franco Fontana (Italian, 1933) is an Italian photographer. He is best known for his Minimalist abstract colour landscapes. He was influenced by Minimalism and Abstract Expressionism. Franco Fontana was born in 1933 in Modena. He started taking photographs in the 1950s when he was working as a decorator in a furniture showroom. In 1961 he joined a local amateur club in Modena. The experience would be a turning point in his career, and Fontana went on to have his first solo exhibition in 1965 at the Società Fotografica Subalpina, Turin and at the Galleria della Sala di Cultura in Modena in 1968. Since then he has participated in more than 400 group and solo exhibitions including the exhibit Lines, Spheres and Glyphs at Robert Klein Gallery with works by photographers: Franco Fontana, Mario Giacomelli, Ernst Haas, Gyorgy Kepes and Aaron Siskind. Franco Fontana is considered one of the most relevant photographers of our time, In 1963 he exhibited his work at the Biennale of Color in Vienna, and in 1968 he held his first solo exhibition in Modena. Fontana often pares landscapes down to their essential elements, producing flat, geometric compositions reminiscent of the color field abstract expressionist paintings of Mark Rothko Ad Reinhardt and Barnett Newman, by underexposing his transparencies. Contrasting blue skies with green or yellow grass and the rigid lines of buildings with the softness of puffy clouds, he makes color and texture his primary subjects. He has also shot in Polaroid film. His art has been acquired by some of the most important museums worldwide, including the Maison Européenne de la Photographie in Paris, MoMA in New York, Museum Ludwig in Cologne, Museum of Modern Art in Norman, Oklahoma, National Gallery in Beijing, Australian National Gallery in Melbourne, University of Texas in Austin, Stedelijk Museum in Amsterdam, Tokyo Metropolitan Museum, Israel Museum in Jerusalem, and Musée d’Art Moderne de la Ville in Paris. Fontana has photographed for advertising campaigns for brands such as Fiat, Volkswagen, Ferrovie dello Stato Italiane, Snam, Sony, Volvo, Versace, Canon, Kodak, Robe di Kappa, Swissair, and has been a magazine photographer for publications including Time, Life, Vogue (USA and France), Venerdì di Repubblica, Panorama, and with the Frankfurter Allgemeine Zeitung and The New York Times. Fontana's first book, Skyline, was published in 1978 in France by Contrejour and in Italy by Punto e Virgola with a text by Helmut Gernsheim. Fontana is the art director of the Toscana Foto Festival. He has received numerous awards, such as the 1989 Tokyo Photographer Society of Japan - The 150 Years of Photography - Photographer Award. Fontana is especially interested in the interplay of colours. His early innovations in colour photography in the 1960s were stylistically disruptive. According to art critic Giuliana Scimé, Fontana "destroyed all the structures, practices, and technical choices within the Italian tradition." Fontana uses 35mm cameras, and as noted by Iwan Zahar, deploys distant viewpoints with telephoto lenses to flatten contours in a landscape of crops and fields into bands of intense, saturated colour. This is an effect that Franco Lefèvre has described as 'dialectical landscapism'. Of his use of colour in his 2019 retrospective exhibition Sintesi ('Synthesis') at Fondazione Modena Arti Visive, curator Diana Baldon has observed; “His bold geometric compositions are characterised by shimmering colours, level perspectives and a geometric-formalist and minimal language, By adopting this approach during the 1960s, Fontana injected a new vitality into the field of creative colour photography for then multicolour was not in fashion in art photography., The way Fontana shoots, dematerializes the objects photographed, which loose three-dimensionality and realism to become part of an abstract drawing”. Aside from the rural landscape Fontana has applied his graphic sensibility to other subjects: city architecture, portraiture, fashion, still-life and the nude. He was included in the exhibition of the Helmut Newton Collection along with Brassaï, Diane Arbus, Franco Fontana, Horst P. Horst, Irving Penn, June Newton, Just Loomis, Man Ray, Mark Arbeit...

"Inspiration" is a part of Christopher Kennedy's "Trees Revered" series that uses his abstract PhotoLuminism technique combined with trees from the real world to create an otherworld...

Homage to Ali: Neil Leifer pays tribute to the legendary Muhammad Ali in an exclusive set of classic photographs. The Mouth That Roared, Miami Beach, October 9, 1970: “It was imposs...