Plastic Photography

Located in New York, NY

After receiving his first camera at the age of 8 years old, self-taught photographer Antoine Rose developed an eye for the medium through his travels and time spent taking photos of ...

Category

2010s Contemporary Plastic Photography

Materials

Photographic Paper, Pigment, Digital Pigment, Plexiglass, Archival Paper...

Antoine Rose
Private Property, 2013

LE JARDIN

Located in New York, NY

Print is also available in a Medium size : 40'' x 56'' and is priced at : $14,000. It is a black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame. The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”. “Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story. Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”. This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works. In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.” As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”. ———————————————————————————————————————————— Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...

Category

2010s Contemporary Plastic Photography

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Blac...

Reka Nyari
LE JARDIN, 2021

DANDELION

Located in New York, NY

Print is also available in a Large size: 63'' x 50'' and is priced at: $16,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame. The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”. “Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story. Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”. This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works. In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.” As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”. ———————————————————————————————————————————— Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...

Category

2010s Contemporary Plastic Photography

Materials

Plexiglass, Digital Pigment, Archival Pigment, Black and White, Pigment,...

Reka Nyari
DANDELION, 2021

VENATION

Located in New York, NY

Print is also available in a large size: 63'' x 50'' and is priced at: $16,000 Each work is a one-of-a-kind, unique piece that is hand punctured. The work also comes with a black floating frame. The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”. “Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story. Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”. This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works. In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.” As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”. ———————————————————————————————————————————— Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...

Category

2010s Contemporary Plastic Photography

Materials

Plexiglass, Archival Paper, Black and White, Digital, Pigment, Pigment, ...

Reka Nyari
VENATION, 2021

Daylight

Located in New York, NY

Assemblage photography with buildings in New York City and mounted with plexiglass, 36 x 70 in. Custom sizes are available within the edition. French photographic artist, Jean Phil...

Category

2010s Assemblage Plastic Photography

Materials

Photographic Paper, Plexiglass, Acrylic Polymer, Pigment, Archival Pigme...

Jean-Philippe Kadzinski
Daylight, 2020

L'ARTISTE

Located in New York, NY

Print is also available in a large size : 50'' x 40'' and is priced at : $13,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame. The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”. “Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story. Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”. This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works. In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.” As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”. ———————————————————————————————————————————— Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic Photography...

Category

2010s Contemporary Plastic Photography

Materials

Digital Pigment, Archival Pigment, Digital, Plexiglass, Archival Ink, Ar...

Reka Nyari
L'ARTISTE, 2021

Pool Night

Located in Miami, FL

Signed and numbered limited edition 1 of 6 + 3 AP. Sides are a dark wood espresso color for an elegant finish on the edges. About Anne Valverde: Parisian photographer fascinated by urban spaces and graphism of landscapes. She notably tries to make dream about people by photographs of idyllic decors. In her job, she links calligraphy and light, her two main passions. After digital processing, high-resolution prints are exclusively developed on silver paper. The purpose of her photos: be imaginative springboards, "windows with views". Since 2016, she has been working on the DREAM ART project: a neon set-up she photographs through many countries, a writing made of light on desert landscapes. Through the medium of neon, she revives the essence of the word "photograph", which means "writing with light" in Greek. In 2017, the DREAM ART project grew with new destinations such as Le Cap...

Category

2010s Contemporary Plastic Photography

Materials

Plexiglass, Wood, Photographic Paper

Anne Valverde
Pool Night , 2021

PHANTASMA

Located in New York, NY

Print is also available in a large size : 56'' x 74'' and is priced at : $19,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame. The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”. “Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story. Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”. This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works. In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.” As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”. ———————————————————————————————————————————— Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic Photography...

Category

2010s Contemporary Plastic Photography

Materials

Archival Ink, Plexiglass, Archival Paper, Digital, Photographic Paper, A...

Reka Nyari
PHANTASMA, 2021

LUNE DE SANG

Located in New York, NY

Print is also available in a large size : 63'' x 50'' and is priced at : $16,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame. The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”. “Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story. Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”. This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works. In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.” As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”. ———————————————————————————————————————————— Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic Photography...

Category

2010s Contemporary Plastic Photography

Materials

Archival Ink, Archival Paper, Photographic Paper, Plexiglass, Black and ...

Reka Nyari
LUNE DE SANG, 2021

ROUTES

Located in New York, NY

Print is also available in a small size : 50'' x 40'' and is priced at : $13,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in ...

Category

2010s Contemporary Plastic Photography

Materials

Digital, Pigment, Archival Pigment, Digital Pigment, Archival Ink, Archi...

Reka Nyari
ROUTES, 2021

BELOVED

Located in New York, NY

Print is also available in a large size : 63'' x 50'' and is priced at : $16,000 Each work is a one of a kind, unique piece that is hand punctured. The work also comes with a black f...

Category

2010s Contemporary Plastic Photography

Materials

Archival Ink, Archival Paper, Photographic Paper, Black and White, Plexi...

Reka Nyari
BELOVED, 2021

SORCIER

Located in New York, NY

A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame. Print is also available in large size: 63'' x 50'' and i...

Category

2010s Contemporary Plastic Photography

Materials

Photographic Paper, Black and White, Plexiglass, Pigment, Digital, Pigme...

Reka Nyari
SORCIER, 2021

Shower Portrait - Pink by Carole A. Feuerman

By Carole Feuerman

Located in Miami, FL

Medium: Silkscreen on canvas covered with with diamond dust Edition 8 of 10. White frame Carole A. Feuerman (born 1945) is an American sculptor and author working in Hyperrealism. She is one of the three major artists credited with starting the movement in the late 1970s. She is the only woman to sculpt in this style. Her career is highlighted by iconic figurative works of swimmers and dancers. She has been included in exhibitions at the Smithsonian Institution’s National Portrait Gallery; the State Hermitage Museum in St. Petersburg, Russia; the Venice Biennale; and Palazzo Strozzi Palace in Florence, Italy, among others. Growing up in New York, Feuerman was deterred from being an artist. She attended Hofstra University, Temple University, and graduated from the school of Visual Arts in New York City to begin her career as an illustrator. During the early 1970s she went by the artist’s name Carole Jean, illustrating for The New York Times and creating album covers for Alice Cooper and the Rolling Stones. In 1981, Feuerman was chosen by a jury at the Heckscher Museum in Long Island where she exhibited. After this she was invited to participate in the ‘Learning through the Arts Program’ at the Guggenheim Museum. Feuerman received the Charles D. Murphy Sculpture Award in 1981. In 1982 she received the Amelia Peabody Award for sculpture. In 2016, she received Best in Show Award for her sculpture ‘Mona Lisa’ by the Huan Tai Museum. The sculpture was acquired for their permanent collection. Feuerman has also been awarded the Medici Prize by the City of Florence, First Prize at the Beijing Biennale, and the Austrian Biennale, and in 2008 she received First Prize in the Olympic Fine Art exhibition in Beijing. The piece was acquired by the Olympic Museum. She has taught, lectured, and given workshops at the Metropolitan Museum of Art and the Solomon Guggenheim Museum. In 2011, she founded the Carole A. Feuerman Sculpture Foundation. Her artworks are owned by eighteen museums, as well as in the collections of the City of Peekskill, New York, the City of Sunnyvale California, President and Senator Hillary Rodham Clinton, the Frederick R. Weisman Art Foundation, Dr. Henry Kissinger, the Mikhail Gorbachev Art Foundation, Mr. Steven A. Cohen, Alexandre Grendene Bartelle, and the Malcolm Forbes Magazine Collection...

Category

2010s Contemporary Plastic Photography

Materials

Canvas, Plexiglass

Carole Feuerman
Shower Portrait - Pink by Carole A. Feuerman

Tea Time

Located in New York, NY

By hanging out of a helicopter hovering 300 feet in the air, Antoine Rose uniquely captures the Hamptons from a sharp 90 degree angle. This piece is a snapshot of shared beach activities that features colorful accessories and gorgeous blue-green water as it crashes on the shore. Antoine Rose’s love for the sea led him to become official photographer of the Kitesurfing World Cup in 2002 for several consecutive years. Rose admits, “Shooting from helicopters, all doors removed, 300 feet above earth at 20 knots and getting images that can be printed as large as 120 inches is quite a challenge. What’s difficult is to mix all the tasks in real time: guiding the pilot, having the right lens, being sure the camera settings are setup properly, concentrating on the light, the subject, the framing, discussing with the tower control to get clearance…” Rose continued to travel around the globe from South Africa to Istanbul, converting ordinary scenes into magnificent pieces of art – whether they be the shorelines of Miami and Hampton Beach “Up in the Air” or the mountaintops of Switzerland “Jeux D’Hiver”. In Rose’s most recent collection “Dawn to Dusk,” illuminated cityscapes of the Manhattan skyline are captured beneath darkness. Thus, oblige viewers to a closer look, distinguishing the artist’s pictorial subject from its aerial veneer; brilliant skyscrapers manifest embellished microchips against an unlit backdrop. keywords: beach, human, bird-eye view, sky, new york city, interior design, decoration, city view, snow, ski, up in the air, helicopter, blue, white, brown, yellow, colorful, vacation. Aerial photography...

Category

2010s Contemporary Plastic Photography

Materials

Plexiglass, Acrylic Polymer, Photographic Paper, Color, Archival Pigment...

Antoine Rose
Tea Time, 2016

Hello

Located in New York, NY

This assemblage is a beautiful collection of photos of many bright white buildings and their unique windows, fire escapes, etc. which add dimension and, in some, color to the piece. ...

Category

2010s Contemporary Plastic Photography

Materials

Plexiglass, Photographic Paper, Archival Ink, Archival Paper, Archival P...

Jean-Philippe Kadzinski
Hello, 2020

7316

By Bob Tabor

Located in New York, NY

Photograph is available in 3 sizes 33 x 60" (Edition of 1 [8 total]) 52 x 96" (Edition of 1 [8 total]) 38 x 60" (Edition of 1 [8 total]) Bob Tabor is a well-established, New York ...

Category

2010s Contemporary Plastic Photography

Materials

Plexiglass, Photographic Film, Photographic Paper

Bob Tabor
7316, 2017

Casino Royale

Located in New York, NY

By hanging out of a helicopter hovering 300 feet in the air, Antoine Rose uniquely captures the Hamptons from a sharp 90-degree angle. This piece is a snapshot of shared beach activities that features colorful accessories and gorgeous blue-green water as it crashes on the shore. Antoine Rose’s love for the sea led him to become official photographer of the Kitesurfing World Cup in 2002 for several consecutive years. Rose admits, “Shooting from helicopters, all doors removed, 300 feet above earth at 20 knots and getting images that can be printed as large as 120 inches is quite a challenge. What’s difficult is to mix all the tasks in real time: guiding the pilot, having the right lens, being sure the camera settings are setup properly, concentrating on the light, the subject, the framing, discussing with the tower control to get clearance…” Rose continued to travel around the globe from South Africa to Istanbul, converting ordinary scenes into magnificent pieces of art – whether they be the shorelines of Miami and Hampton Beach “Up in the Air” or the mountaintops of Switzerland “Jeux D’Hiver”. In Rose’s most recent collection “Dawn to Dusk,” illuminated cityscapes of the Manhattan skyline are captured beneath darkness. Thus, oblige viewers to a closer look, distinguishing the artist’s pictorial subject from its aerial veneer, brilliant skyscrapers manifest embellished microchips against an unlit backdrop. keywords: beach, human, bird-eye view, sky, new york city, interior design, decoration, city view, snow, ski, up in the air, helicopter, blue, white, brown, yellow, colorful, vacation. Aerial photography...

Category

2010s Contemporary Plastic Photography

Materials

Plexiglass, Acrylic Polymer, Archival Paper, Photographic Paper, Color, ...

Antoine Rose
Casino Royale, 2016

Innocence

Located in New York, NY

Vibrachrome print on aluminum Available in 3 different sizes: 58 x 46" ( edition of 7 ) - $ 13,000 50 x 40" ( edition of 7 ) - $ 10,000 42 x 33 " ( edition of 10 ) - $8,000 as an ...

Category

2010s Contemporary Plastic Photography

Materials

Color, Plexiglass, Photographic Paper

Drew Tal
Innocence, 2017

1372

By Bob Tabor

Located in New York, NY

Photograph is available in 3 sizes 52 x 96" (Edition of 1 [8 total]) 33 x 60" (Edition of 1 [8 total]) 38 x 72" (Edition of 1 [8 total]) Bob Tabor is a well-established, New York ...

Category

2010s Contemporary Plastic Photography

Materials

Archival Paper, Archival Pigment, Photographic Paper, Plexiglass

Bob Tabor
1372, 2017

1241

By Bob Tabor

Located in New York, NY

Photograph is available in 3 sizes 52 x 96" (Edition of 1 [8 total]) 33 x 60" (Edition of 1 [8 total]) 38 x 72" (Edition of 1 [8 total]) Bob Tabor is a well-established, New York ...

Category

2010s Contemporary Plastic Photography

Materials

Plexiglass, Archival Ink, ABS, Archival Pigment, Photographic Paper

Bob Tabor
1241, 2017

Facebook of Tao

Located in New York, NY

A dye sublimation color print on aluminum size 40x33 This Portrait photography is also available in 2 other sizes: 30x24"( 76 cm x 61 cm) : $8,000 50x43", (127 cm x 109 cm): $ 16,000...

Category

2010s Contemporary Plastic Photography

Materials

Plexiglass, Photographic Paper, Color

Drew Tal
Facebook of Tao, 2017

Black Tuesday

Located in New York, NY

By hanging out of a helicopter hovering 300 feet in the air, Antoine Rose uniquely captures the Hamptons from a sharp 90 degree angle. This piece is a snapshot of shared beach activities that features colorful accessories and gorgeous blue-green water as it crashes on the shore. Antoine Rose’s love for the sea led him to become official photographer of the Kitesurfing World Cup in 2002 for several consecutive years. Rose admits, “Shooting from helicopters, all doors removed, 300 feet above earth at 20 knots and getting images that can be printed as large as 120 inches is quite a challenge. What’s difficult is to mix all the tasks in real time: guiding the pilot, having the right lens, being sure the camera settings are setup properly, concentrating on the light, the subject, the framing, discussing with the tower control to get clearance…” Rose continued to travel around the globe from South Africa to Istanbul, converting ordinary scenes into magnificent pieces of art – whether they be the shorelines of Miami and Hampton Beach “Up in the Air” or the mountaintops of Switzerland “Jeux D’Hiver”. In Rose’s most recent collection “Dawn to Dusk,” illuminated cityscapes of the Manhattan skyline are captured beneath darkness. Thus, oblige viewers to a closer look, distinguishing the artist’s pictorial subject from its aerial veneer; brilliant skyscrapers manifest embellished microchips against an unlit backdrop. keywords: beach, human, bird-eye view, sky, new york city, interior design, decoration, city view, snow, ski, up in the air, helicopter, blue, white, brown, yellow, colorful, vacation. Aerial photography...

Category

2010s Contemporary Plastic Photography

Materials

Plexiglass, Acrylic Polymer, Archival Paper, Photographic Paper, Color, ...

Antoine Rose
Black Tuesday , 2017

Just the Three of Us

Located in New York, NY

By hanging out of a helicopter hovering 300 feet in the air, Antoine Rose uniquely captures the Hamptons from a sharp 90 degree angle. This piece is a snapshot of shared beach activities that features colorful accessories and gorgeous blue-green water as it crashes on the shore. Antoine Rose’s love for the sea led him to become official photographer of the Kitesurfing World Cup in 2002 for several consecutive years. Rose admits, “Shooting from helicopters, all doors removed, 300 feet above earth at 20 knots and getting images that can be printed as large as 120 inches is quite a challenge. What’s difficult is to mix all the tasks in real time: guiding the pilot, having the right lens, being sure the camera settings are setup properly, concentrating on the light, the subject, the framing, discussing with the tower control to get clearance…” Rose continued to travel around the globe from South Africa to Istanbul, converting ordinary scenes into magnificent pieces of art – whether they be the shorelines of Miami and Hampton Beach “Up in the Air” or the mountaintops of Switzerland “Jeux D’Hiver”. In Rose’s most recent collection “Dawn to Dusk,” illuminated cityscapes of the Manhattan skyline are captured beneath darkness. Thus, oblige viewers to a closer look, distinguishing the artist’s pictorial subject from its aerial veneer; brilliant skyscrapers manifest embellished microchips against an unlit backdrop. keywords: beach, human, bird-eye view, sky, new york city, interior design, decoration, city view, snow, ski, up in the air, helicopter, blue, white, brown, yellow, colorful, vacation. Aerial photography...

Category

2010s Contemporary Plastic Photography

Materials

Plexiglass, Acrylic Polymer, Archival Paper, Photographic Paper, Color, ...

Antoine Rose
Just the Three of Us , 2015

Regret

Located in New York, NY

Portrait photography Drew Tal's work combines photography with digital media to render highly stylized and realistic figurative imagery. Focusing on faces and dramatic close-up po...

Category

2010s Contemporary Plastic Photography

Materials

Varnish, Plexiglass, Photographic Paper, Black and White

Drew Tal
Regret , 2013

Silence

Located in New York, NY

Portrait photography Drew Tal's work combines photography with digital media to render highly stylized and realistic figurative imagery. Focusing on faces and dramatic close-up po...

Category

Early 2000s Contemporary Plastic Photography

Materials

Plexiglass, Photographic Paper, Color

Drew Tal
Silence, 2005

Shade of Blues

Located in New York, NY

By hanging out of a helicopter hovering 300 feet in the air, Antoine Rose uniquely captures the Hamptons from a sharp 90 degree angle. This piece is a snapshot of shared beach activities that features colorful accessories and gorgeous blue-green water as it crashes on the shore. Antoine Rose’s love for the sea led him to become official photographer of the Kitesurfing World Cup in 2002 for several consecutive years. Rose admits, “Shooting from helicopters, all doors removed, 300 feet above earth at 20 knots and getting images that can be printed as large as 120 inches is quite a challenge. What’s difficult is to mix all the tasks in real time: guiding the pilot, having the right lens, being sure the camera settings are setup properly, concentrating on the light, the subject, the framing, discussing with the tower control to get clearance…” Rose continued to travel around the globe from South Africa to Istanbul, converting ordinary scenes into magnificent pieces of art – whether they be the shorelines of Miami and Hampton Beach “Up in the Air” or the mountaintops of Switzerland “Jeux D’Hiver”. In Rose’s most recent collection “Dawn to Dusk,” illuminated cityscapes of the Manhattan skyline are captured beneath darkness. Thus, oblige viewers to a closer look, distinguishing the artist’s pictorial subject from its aerial veneer; brilliant skyscrapers manifest embellished microchips against an unlit backdrop. keywords: beach, human, bird-eye view, sky, new york city, interior design, decoration, city view, snow, ski, up in the air, helicopter, blue, white, brown, yellow, colorful, vacation. Aerial photography...

Category

2010s Contemporary Plastic Photography

Materials

Acrylic Polymer, Plexiglass, Archival Paper, Photographic Paper, Digital...

Antoine Rose
Shade of Blues , 2017

Mae Ling

Located in New York, NY

Portrait photography Drew Tal's work combines photography with digital media to render highly stylized and realistic figurative imagery. Focusing on faces and dramatic close-up po...

Category

2010s Contemporary Plastic Photography

Materials

Plexiglass, Photographic Paper, Color

Drew Tal
Mae Ling, 2017

La Madrague

Located in New York, NY

By hanging out of a helicopter hovering 300 feet in the air, Antoine Rose uniquely captures the Hamptons from a sharp 90 degree angle. This piece is a snapshot of shared beach activities that features colorful accessories and gorgeous blue-green water as it crashes on the shore. Antoine Rose’s love for the sea led him to become official photographer of the Kitesurfing World Cup in 2002 for several consecutive years. Rose admits, “Shooting from helicopters, all doors removed, 300 feet above earth at 20 knots and getting images that can be printed as large as 120 inches is quite a challenge. What’s difficult is to mix all the tasks in real time: guiding the pilot, having the right lens, being sure the camera settings are setup properly, concentrating on the light, the subject, the framing, discussing with the tower control to get clearance…” Rose continued to travel around the globe from South Africa to Istanbul, converting ordinary scenes into magnificent pieces of art – whether they be the shorelines of Miami and Hampton Beach “Up in the Air” or the mountaintops of Switzerland “Jeux D’Hiver”. In Rose’s most recent collection “Dawn to Dusk,” illuminated cityscapes of the Manhattan skyline are captured beneath darkness. Thus, oblige viewers to a closer look, distinguishing the artist’s pictorial subject from its aerial veneer; brilliant skyscrapers manifest embellished microchips against an unlit backdrop. keywords: beach, human, bird-eye view, sky, new york city, interior design, decoration, city view, snow, ski, up in the air, helicopter, blue, white, brown, yellow, colorful, vacation. Aerial photography...

Category

2010s Contemporary Plastic Photography

Materials

Plexiglass, Acrylic Polymer, Archival Paper, Color, Digital, Pigment, Ar...

Antoine Rose
La Madrague, 2016

Summer Breeze

Located in New York, NY

By hanging out of a helicopter hovering 300 feet in the air, Antoine Rose uniquely captures the Hamptons from a sharp 90 degree angle. This piece is a snapshot of shared beach activities that features colorful accessories and gorgeous blue-green water as it crashes on the shore. Antoine Rose’s love for the sea led him to become official photographer of the Kitesurfing World Cup in 2002 for several consecutive years. Rose admits, “Shooting from helicopters, all doors removed, 300 feet above earth at 20 knots and getting images that can be printed as large as 120 inches is quite a challenge. What’s difficult is to mix all the tasks in real time: guiding the pilot, having the right lens, being sure the camera settings are setup properly, concentrating on the light, the subject, the framing, discussing with the tower control to get clearance…” Rose continued to travel around the globe from South Africa to Istanbul, converting ordinary scenes into magnificent pieces of art – whether they be the shorelines of Miami and Hampton Beach “Up in the Air” or the mountaintops of Switzerland “Jeux D’Hiver”. In Rose’s most recent collection “Dawn to Dusk,” illuminated cityscapes of the Manhattan skyline are captured beneath darkness. Thus, oblige viewers to a closer look, distinguishing the artist’s pictorial subject from its aerial veneer; brilliant skyscrapers manifest embellished microchips against an unlit backdrop. keywords: beach, human, bird-eye view, sky, new york city, interior design, decoration, city view, snow, ski, up in the air, helicopter, blue, white, brown, yellow, colorful, vacation. Aerial photography...

Category

2010s Contemporary Plastic Photography

Materials

Plexiglass, Acrylic Polymer, Archival Paper, Photographic Paper, Digital...

Antoine Rose
Summer Breeze , 2016

Rock BN (Lightbox)

Located in Boca Raton, FL

This is the lightbox format that is backlit with its own internal light source. Plugs into a standard electrical outlet. Edition of 5 + 2 AP Aft...

Category

21st Century and Contemporary Contemporary Plastic Photography

Materials

Plexiglass, Photographic Paper

Max-Steven Grossman
Rock BN (Lightbox), 2018

Business

Located in Boca Raton, FL

Edition of 5 + 2AP After graduating from the University of Philadelphia with an engineering degree, Grossman soon discovered his passion for photography. In 2000, he graduated from...

Category

21st Century and Contemporary Contemporary Plastic Photography

Materials

Plexiglass, Photographic Paper

Max-Steven Grossman
Business, 2016

Rock VWB

Located in Boca Raton, FL

After graduating from the University of Philadelphia with an engineering degree, Grossman soon discovered his passion for photography. In 2000, he graduated from NYU and the Interna...

Category

21st Century and Contemporary Contemporary Plastic Photography

Materials

Plexiglass, Photographic Paper

Max-Steven Grossman
Rock VWB, 2018

Rock Fashion 2V

Located in Boca Raton, FL

After graduating from the University of Philadelphia with an engineering degree, Grossman soon discovered his passion for photography. In 2000, he graduated from NYU and the Interna...

Category

21st Century and Contemporary Contemporary Plastic Photography

Materials

Plexiglass, Photographic Paper

Max-Steven Grossman
Rock Fashion 2V, 2016

Scallop Dress

Located in Atlanta, GA

X-ray photography printed on C-Type and mounted on Diasec Signed by Artist Edition of 15 Nick Veasey, born 1962, is a British artist that uses radiation emitting x-ray technology to ...

Category

2010s Contemporary Plastic Photography

Materials

Plexiglass, Photographic Film, Mixed Media, Digital Pigment

Nick Veasey
Scallop Dress, 2012

Examination of Easy Listener

Located in Atlanta, GA

X-ray photography printed on C-Type and mounted on Diasec Signed by Artist Edition of 15 Nick Veasey, born 1962, is a British artist that uses radiation emitting x-ray technology to ...

Category

2010s Contemporary Plastic Photography

Materials

Plexiglass, Photographic Film, Mixed Media, Digital Pigment

Nick Veasey
Examination of Easy Listener, 2020

Christian Louboutin

Located in Atlanta, GA

X-ray photography printed on C-Type and mounted on Diasec Signed by Artist Edition of 25 Nick Veasey, born 1962, is a British artist that uses radiation emitting x-ray technology to ...

Category

2010s Contemporary Plastic Photography

Materials

Plexiglass, Photographic Film, Mixed Media, Digital Pigment

Nick Veasey
Christian Louboutin, 2015

VW Camper Family

Located in Atlanta, GA

X-ray photography printed on C-Type and mounted on Diasec Signed by Artist Edition of 25 Nick Veasey, born 1962, is a British artist that uses radiation emitting x-ray technology to ...

Category

2010s Contemporary Plastic Photography

Materials

Plexiglass, Photographic Film, Mixed Media, Digital Pigment

Nick Veasey
VW Camper Family, 2019

Snowboarder

Located in Atlanta, GA

X-ray photography printed on C-Type and mounted on Diasec Signed by Artist Edition of 25 Nick Veasey, born 1962, is a British artist that uses radiation emitting x-ray technology to ...

Category

2010s Contemporary Plastic Photography

Materials

Plexiglass, Photographic Film, Mixed Media, Digital Pigment

Nick Veasey
Snowboarder, 2018

Porche 911 Targa-1

Located in Atlanta, GA

X-ray photography printed on C-Type and mounted on Diasec Signed by Artist Edition of 25 Nick Veasey, born 1962, is a British artist that uses radiation emitting x-ray technology to ...

Category

2010s Contemporary Plastic Photography

Materials

Plexiglass, Photographic Film, Mixed Media, Digital Pigment

Nick Veasey
Porche 911 Targa-1, 2020

Porsche 911 Targa (+ROOF)

Located in Atlanta, GA

X-ray photography printed on C-Type and mounted on Diasec Signed by Artist Edition of 25 Nick Veasey, born 1962, is a British artist that uses radiation emitting x-ray technology to ...

Category

2010s Contemporary Plastic Photography

Materials

Plexiglass, Photographic Film, Mixed Media, Digital Pigment

Nick Veasey
Porsche 911 Targa (+ROOF), 2020

Easy Rider

Located in Atlanta, GA

X-ray photography printed on C-Type and mounted on Diasec Signed by Artist Edition of 25 Nick Veasey, born 1962, is a British artist that uses radiation emitting x-ray technology to ...

Category

2010s Contemporary Plastic Photography

Materials

Photographic Film, Mixed Media, Digital Pigment, Plexiglass

Nick Veasey
Easy Rider, 2015

1948 Mercury Cowboys

Located in Atlanta, GA

X-ray photography printed on C-Type and mounted on Diasec Signed by Artist Edition of 25

Category

2010s Contemporary Plastic Photography

Materials

Plexiglass, Mixed Media, Digital Pigment, Photographic Film

Nick Veasey
1948 Mercury Cowboys, 2016

Film Rock 3

Located in Boca Raton, FL

Edition of 5 + 2AP After graduating from the University of Philadelphia with an engineering degree, Grossman soon discovered his passion for photography. In 2000, he graduated from...

Category

21st Century and Contemporary Contemporary Plastic Photography

Materials

Plexiglass, Photographic Paper

Max-Steven Grossman
Film Rock 3, 2020

''Holland'', Portrait of a Girl with Holland, Netherlands

By Yvonne Michiels

Located in Utrecht, NL

In her art, Dutch photographer Yvonne Michiels (1966) depicts personal stories about beauty, emotions and mortality. In the Cities-series Yvonne subt...

Category

2010s Contemporary Plastic Photography

Materials

Plexiglass

Yvonne Michiels
''Holland'', Portrait of a Girl with Holland, Netherlands, 2020

Space I

Located in Boca Raton, FL

Edition of 5 + 2AP After graduating from the University of Philadelphia with an engineering degree, Grossman soon discovered his passion for photography. In 2000, he graduated from...

Category

21st Century and Contemporary Contemporary Plastic Photography

Materials

Plexiglass, Photographic Paper

Max-Steven Grossman
Space I, 2020

''Mysterious London, Oxford Street'' Contemporary Still-Life Photography

By Leticia Felgueroso

Located in Utrecht, NL

The colorful photographs by Spanish artist Leticia Felgueroso (1963) have a modern and layered, but at the same time traditional, character. With a ...

Category

2010s Contemporary Plastic Photography

Materials

Plexiglass

Leticia Felgueroso
''Mysterious London, Oxford Street'' Contemporary Still-Life Photography , 2020

Rock BL4

Located in Boca Raton, FL

After graduating from the University of Philadelphia with an engineering degree, Grossman soon discovered his passion for photography. In 2000, he graduated from NYU and the Interna...

Category

21st Century and Contemporary Contemporary Plastic Photography

Materials

Plexiglass, Photographic Paper

Max-Steven Grossman
Rock BL4, 2019

Shadow Dancer Ltd Ed

By Dinesh Boaz

Located in New York, NY

Shot from a helicopter. Mounted on plexiglass. Floats in white frame. About the Artist Dinesh Boaz creates a dynamic juxtaposition between the natural landscape and our involv...

Category

2010s Contemporary Plastic Photography

Materials

Plexiglass, Archival Pigment

Dinesh Boaz
Shadow Dancer Ltd Ed

Arte V5

Located in Boca Raton, FL

After graduating from the University of Philadelphia with an engineering degree, Grossman soon discovered his passion for photography. In 2000, he graduated from NYU and the Intern...

Category

21st Century and Contemporary Contemporary Plastic Photography

Materials

Plexiglass, Photographic Paper

Max-Steven Grossman
Arte V5, 2013

Art Rock V

Located in Boca Raton, FL

After graduating from the University of Philadelphia with an engineering degree, Grossman soon discovered his passion for photography. In 2000, he graduated from NYU and the Interna...

Category

21st Century and Contemporary Contemporary Plastic Photography

Materials

Plexiglass, Photographic Paper

Max-Steven Grossman
Art Rock V, 2018

Film B&W V