Stefanie Schneider

A Room with no View (Burned) - Polaroid, Contemporary, 21st Century, Portrait

1999

Wanderlust (Self Portrait), triptych, 2018, Edition 1/10 plus 2 Artist Proof, 12x27inches, Print on Aluminum based on 3 expired Polaroids. Comes with signature label and certificate....

Girl Manoeuvres - Story Board, 2007/2018, Edition 1/7, 105 x 85 cm (including the white frame), Digital color print based on 9 original Polaroids on bea...

RANONKEL #diptych, 2009 [From the series Need to Be] Published in her book The Eyes of the Fox, 2018 30x40cm each, 70x40cm installed. Digital archival pigment print based on a Polar...

Burned II (Self Portrait), 1999 Edition of 1/10, 40x40cm Print on Velvet Watercolor, 310gsm, No OBAs, Bright White, Acid Free based on an original Polaroid. Signature label and Certificate. Not mounted. Artist Inventory No 311.01. A German view of the American West The works of Stefanie Schneider evoke Ed Ruscha's obsession with the American experience, the richness of Georgia O'Keefe's deserts and the loneliness of Edward Hopper's haunting paintings. So how exactly did this German photographer become one of the most important artists of the American narrative of the 20th and 21st century? Born in Germany in 1968, photographer Schneider divides her time between Berlin and Los Angeles. Her process begins in the American West, in locations such as the planes and deserts of Southern California, where she photographs her subjects. In Berlin, Schneider develops and enlarges her works by hand. What is initially most striking about Schneider's images is the color of her Polaroid film but her role in preserving the use of Polaroid film is one aspect of her work that has gained great respect from her contemporaries and the critics, as her work came about during a time when the Polaroid, a symbol of American photography, was on the road to extinction. This theme of preservation and deterioration is a core part of Schneider's oeuvre. In an interview in October 2014 with Artnet, the artist explained how her own experiences of pain and loss inspire her. ''My work resembles my life: Love, lost and unrequited, leaves its mark in our lives as a senseless pain that has no place in the present.'' ''The ex-lover experiences the residues of love as an amputee experiences the sensation of a ghost limb.'' - Stefanie Schneider Schneider's subjects are often featured in apocalyptic settings: desert planes, trailer parks, oilfields, run-down motels and empty beaches, alone, or if not, not connected with one another. ''It is the tangible experience of ''absence'' that has inspired my work'', explained Schneider. Barnebys, May 3rd, 2017 Stefanie Schneider is a contemporary German photographer and film artist. Her work is characterized by its uniform formal aesthetic and its faded imagery, which she produces through the chemical deterioration of expired film. Schneider’s focus is on the exclusive depiction of young women living in California, clothed in retro dress and evoking nostalgic home photography or vintage film stills...

Golden light pours through trees creating intermittent shadows that dance on the limestone facade of a serene upper eastside townhouse. The shadows frame a bronze relief of a nude ar...

Dreamer - Signed limited edition archival pigment print - Edition of 8 Photography : 1989 Bichromate print : 2015 Pigment print : 2020 Several negatives was used to create a ha...

The root of these unique photographic works by the artist Celso Castro occurred when the artist returned from Italy to live back in Colombia in 1987. Castro wanted to produce from t...

All about narcissism. The series, which he started during the exhibition of the Don't Tell Mama photography series at the European Nu Photo Festival (Europeen de la Photo de NU) held...