Roy Schatt

Marilyn Monroe at the Actor's Studio - black and white photograph by Roy Schatt

1955/printed later

Marilyn Monroe, New York City, USA, 1956 1956/2023 Signature stamp, verso Archival pigment print 6 x 6 inches, sheet 3.75 x 5.5 inches, image This work is offered by CLAMP in New...

From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71) Printed April 1974 Edition of 130 Credit stamp, verso 6.5 x 7 inches, image 15 x 12 inches, mount This photograph is offered by ClampArt, located in New York City. “Madelyn Meatyard was an indulgent model. The role her husband usually chose for her was that of mother, posing with one or more of her three children. Here, he stations her before an arched window. The pious atmosphere created by this framing is contradicted by Madelyn’s everyday dress and by the dilapidated Venetian blinds behind her. Unlike a traditional religious icon, this Madonna gazes sternly into space, while her small child stands facing the maternal loins from which she sprang. Many photographers prior to Meatyard—such as Alfred Stieglitz, Edwards Weston and Harry Callahan—had produced series based on their beguiling wives.” —Judith Keller, Ralph Eugene Meatyard (London: Phaidon Press Limited, 2002), pp. 86-87 An optician by trade, Ralph Eugene Meatyard was a self-described “dedicated amateur” photographer. He pursued his own vision to produce an exquisitely enigmatic, widely admired body of work. Meatyard began taking photographs in 1950, roaming the backwoods and towns in Kentucky, experimenting with framing, multiple exposures, and blurring to produce haunting, abstracted images of natural and manmade environments. In the late 1950s, he began incorporating monstrous, oversized latex masks...

Ed Feingersh photographed Marilyn Monroe for Redbook magazine in March 1955 for a story which would follow Monroe through her daily routine, the photography to be candid and shot without flash in available light. The photographs he made of her during the week March 24–30, 1955 as she prepares for two appearances; opening night of Cat on a Hot Tin Roof at the Morosco Theatre and being fitted with a burlesque corset for her ride on a pink elephant at a charity event at Madison Square Garden. (from Wikipedia) This is a unique silver gelatine print, made in 1988 from the original negative.

This iconic black-and-white photograph features the legendary Marilyn Monroe seated in a cinema, captured in the 1950s. In the foreground, Monroe’s beauty and presence are captured a...