Vertical Still-life Photography

Picture done during a nostalgic evening. Could be also delivered framed, smaller size as well, price upon request, signed by the author. Limited to 5.

The flowers use in this unique monotype are called Coronaria Alba in Latin or by their common name Rose Campion. They grow 2 feet tall with velvety gray-green leaves and white petals...

Archival digital scanograph 18 x 13 inches, edition of 225 Additional sizes available This contemporary, archival digital scanograph was made by fine art photographer, Lisa Frank, i...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

Artist: Jed Devine American (1944- ) Title: Untitled (Stacked Cups) Date: 1987 Medium: Platinum-palladium print on Japanese rice paper Image size: 9.5 x 7.5 inches (9.25 x 7.25 inches within mat) Sheet size: 12 x 9 inches Framed size: 20.25 x 16.25 inches Signature: signed lower right in pencil Edition: unknown This sublime photograph is by Jed Devine. It is signed in the lower right in pencil. There is a gallery label from the Fraenkel Gallery in San Francisco on the reverse of the framed work. It is framed in a simple metal frame. The photograph, mat and frame are in very good condition. Jed Devine was born in Mount Kisco, New York, in 1944 and raised in Pleasantville, a Westchester County suburb. Devine cites Walter Hahn, his junior high school art teacher, as having an instrumental role in his art career decision: “I don’t know how it happened that a serious artist like Walter Hahn was teaching art at Pleasantville Junior High, but I was most fortunate to have him as a mentor and I’ve always been grateful to him.” In 1967, Jed Devine graduated cum laude from Yale University with a BA in fine arts and began his career as a painter. In 1972, he returned to Yale to study design and photography and was awarded an MFA degree. He joined the Purchase College faculty in 1977. During his tenure at Purchase, several of his students went on to receive recognition as photographers, among them Adam Baer, Gregory Crewdson, Regina DeLuise, Andrea Modica, Deborah Mesa-Pelly, and Roger Newton. Jed Devine’s photography is represented in many major museum, corporate, university, and private collections, including the Metropolitan Museum of Art, New York; Victoria and Albert Museum; London; the International Center of Photography, New York; the San Francisco Museum of Art; the Art Institute of Chicago; the Museum of Fine Arts, Houston; and the Museum of Modern Art, New York. Originally trained as a painter, Devine began taking photographs in 1972 and became fascinated by the effects of light on objects and surfaces, and the sensuality that was possible with the platinum-palladium process. This sensuality is on full display in Devine’s only book, Friendship, a collaboration with the writer Jim Dinsmore, whose 64 images “form an extended sequence that moves from innocence to decay and return. The images emphasize the beauty and primacy of light while capturing the visual drama and irony of the Maine landscape.” Devine also has a long-standing relationship with New York City, which is most evident in his portfolio of panoramic photographs celebrating New York bridges...

Signed and numbered 'AP' in pencil. Limited edition of 2 AP. Printed 2018. On japanese Gampi.

Framed still life photograph of single magnolia leaf Sepia toned silver gelatin print, vintage uneditioned print Custom black stained wood molding with visible grain 8-ply antique w...

This is a hand-printed photograph using the 170-year-old cyanotype process. This is a negative (reversal of the dark and light tones) of the original photograph of a branch of a magn...

Weston created 2S after his return to America from two extended stays in Mexico between 1923 and 1927. Throughout 1927 he took twenty-six still life images of shells, including Nauti...

By toning cyanotypes, using chemicals that turn the deep blue images to yellow, Craig's photographs fade and begin to disappear. Craig is curious about what happens when she stops the process at various stages, and when she lets the images ‘evaporate’ completely. Nothing lasts forever. The Wollemi Pine, thought to be extinct, was known only from 200-million-year-old fossils until 1994, when the 100 ft trees were discovered living happily in the impenetrable forests of New South Wales. The personification of longevity and adaptability, this beautiful tree is critically endangered. White mat, framed behind glass in white wood frame, 14 x 17 inches Marie Craig’s photography considers objects that were once imbued with life but have since been abandoned. Juncture, Craig’s latest series, alludes to a turning point, the moment where a choice made profoundly alters the trajectory of what follows, whether evident at the time or not. She uses cyanotype, because in this early photographic process choice and chance factor equally into the outcome of each piece. Craig’s layered photographs...

Signed on mount recto; titled with artist stamp on mount verso. Edition of 35.

Though this unique monotype looks like a woodcut or linocut, it is not. This is a cyanotype, a kind of lensless photography dating back to the 1800s, but the artist altered the ratio...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

This is a photogravure by John Dugdale offered by CLAMP in New York City. 1999 Signed, titled, and numbered in pencil, verso Photogravure (Edition of 50) 15 x 13.5 inches (38.1 x...

Gummy Bear Red Digital C-Print / Archival Pigment Print Edition of 5 per size Available sizes: 24 x 18 in 36 x 24 in 48 x 36 in Refine Sugar Collection. This photograph will be pri...

11 x 14 inch image is an edition of 45. Four other sizes are available. Story of "Delphinium": A unique beauty that doesn’t make sense. Seeking value from the outside is to ask tho...

Zupan combines images from old masters, alchemical prints, contemporary artists, and bits from magazines and newspapers to create overlapping, intersecting worlds of transparencies a...

Wonderland Orange Poppy (Mid-Fire Black + Gray) 2022 Signed and numbered on label, verso Pigment print on gesso-coated aluminum, painted museum box (Edition of 3 + 2 APs) 18 x 12 ...

Pink Evening Yucca and Palm signed limited Oversize Print by Stuart Möller 2022 signed limited Oversize Print Limited to 10 only this size Archival pigment print Born in ...

Belgian photographer Isabelle Menin creates portraits of flowers that are not only gorgeous in form and color, but also uniquely expressive. Fresh blossoms and withering blooms melt ...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

Signed on mount recto; titled with artist stamp on mount verso. Edition of 15 in this size.

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

Signed and numbered on front of the mount. Edition of 15. Prices subject to change without notice.

A view of the seaside pool at the Hotel St. Caterina, Amalfi, Italy, September 1984 Experience the timeless allure of the Amalfi Coast with Slim Aarons' captivating photograph, "Pool on the Amalfi Coast...

This is a photogravure by John Dugdale offered by CLAMP in New York City. 1999 Signed, titled, and numbered in pencil, verso Photogravure (Edition of 50) 15 x 13.5 inches (38.1 x...

Evening Yucca Plant and Palm Bark signed limited Oversize Print by Stuart Möller 2022 signed limited Oversize Print Limited to 10 only this size ...

Allan Forsyth AQUA FLORA N°10 112x85cm Archival Chromagenic Photographic Print Diasec Framed Edition 12 Allan Forsyth is an artist who explores a breadth of themes that is reflected...

Phillips de Pury Collection of Alain Dominique Perrin Printed 1985, One from an edition of 21 dye transfer prints Signed Irving Penn Verso Literature: Szarkowki, Irving Penn Irving...

This is the silhouette of wild mugwort (artemisia) or chrysanthemum weed which grows in the woods in northern California. It is a fragrant herb that smells similar to sage. Though t...

R2D2 from the original Kenner release of the Star Wars toys in May of 1977 This is pre release is the first release in the much anticipated series "The Toys" These iconic figures hav...

Banana Leaves 24 by Stuart Möller 2022 signed limited Oversize Print Limited to 5 only this size Archival pigment print Painterly image of banana...

ABOUT THIS PIECE: "The Glitter Diet playfully pokes fun at the staples of the American Diet and the glamorization of mass-produced food in our society. Your food pyramid just got an ...

ABOUT THIS PIECE: "The Glitter Diet playfully pokes fun at the staples of the American Diet and the glamorization of mass-produced food in our society. Your food pyramid just got an ...

'Lily No.3' Lily was photographed using a large format 4x5 black and white film. From Limited edition of 15. Printed on archival Hahnemühle Photo Rag Baryta paper. Signed both fr...

Archival pigment print (Edition of 8 + 2 APs) Signed and numbered, verso This photograph is offered by ClampArt, located in New York City. Inspired by Karl Blossfeldt’s “The Alphabe...

By toning cyanotypes, using chemicals that turn the deep blue images to yellow, Craig's photographs fade and begin to disappear. Craig is curious about what happens when she stops the process at various stages, and when she lets the images ‘evaporate’ completely. Nothing lasts forever. Ferns are some of the oldest plants on earth. Ferns embody resilience. Many forms have come and gone since they first appeared on the planet; 10,000 species exist today, in tropical, temperate and arctic regions. White mat, framed behind glass in white wood frame, 14 x 17 inches Marie Craig’s photography considers objects that were once imbued with life but have since been abandoned. Juncture, Craig’s latest series, alludes to a turning point, the moment where a choice made profoundly alters the trajectory of what follows, whether evident at the time or not. She uses cyanotype, because in this early photographic process choice and chance factor equally into the outcome of each piece. Craig’s layered photographs...

ABOUT THIS ARTIST: Neal Grundy is a freelance photographer with almost 20 years experience. He studied at Falmouth College of Arts in Cornwall, UK. Neal is...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

Lilies - Signed limited edition archival pigment print - Edition of 8 Photography 1993 and Bichromate print : 2014 Pigment print : 2014 Several negatives was used to create a ...

'Lily '23' Lily was photographed using a large format 4x5 black and white film. From Limited edition of 10. Printed on archival Hahnemühle Photo Rag Baryta paper. Signed both fro...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

Belgian photographer Isabelle Menin creates portraits of flowers that are not only gorgeous in form and color, but also uniquely expressive. Fresh blossoms and withering blooms melt ...

'Ranunculus Butterfly’ London, United Kingdom 2023. Printed on Hahnemühle photo rag Baryta 308 Gsm fine art paper, these limited edition photographs are designed to withstand the ...

"Sexy Miami Futuristic Cocktail Lounge" is a series of photographs by Ryan Rivadeneyra inspired by the Art Deco colors of Miami that show beautiful objects and textures arranged meti...

This is a photogravure by John Dugdale offered by CLAMP in New York City. 1999 Signed, titled, and numbered in pencil, verso Photogravure (Edition of 50) 15 x 13.5 inches (38.1 x...

Hot Flash Camellias (Smokey Gray) 2022 Signed and numbered on label, verso Pigment print on gesso-coated aluminum, painted museum box (Edition of 3 + 2 APs) 18 x 8 x 1.5 inches ...

Clam - Signed limited edition archival pigment print, Sepia tone - Edition of 5 This image was captured on film in 1984. The negative was scanned creating a digital file which...

Persephone V by Erik Pawassar 62 x 48 inches (157 x 122cm) edition of 7 signed 40 x 31 inches (102 x 79cm) edition of 25 signed archival fine art pigment print signed & numbered...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘FlowerHead ‘ who was captured on film in...

Allan Forsyth AQUA FLORA X N°2 Limited Edition Archival Chromagenic Photographic Print Edition 6 + 2 APs Sheet Size: H 112cm x W 80cm x D 2cm Diasec Framed Please note that in situ i...

Flowers - Signed limited edition archival pigment print, 2015 - Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Aci...

This is a pop art print of the original Yoda toy from Kenner "The Toys" by LA based Pop Artists DESTRO. Star Wars Empire Strikes Back Return of the Jedi They encapsulate an era...

Rebecca Skinner’s “Still” is a 18 x 12 inch metal print and is part of her “Transient” series. The color photograph is of a vintage meat grinder sits on a...

This large-scale architectural photograph by German artist Reinhard Görner depicts the The Long Room, an awe-inspiring vista into the Old Library at Trinity College in Dublin, Irelan...

Arum Lilies - Signed limited edition archival pigment print, 1993 - Edition of 5 Unframed, a beautiful still life of a bouquet of Arum lilies This image was captured on film. The negative was scanned creating a digital file which was then printed on Hahnemühle Photo Rag® Baryta 315 gsm (Acid- and lignin-free paper, Museum quality for highest age resistance and a popular alternative to analogue baryta paper) The legacy of Ian is deeply woven into the fabric of our gallery. During his lifetime, Ian prepared all the archival pigment prints available in our gallery, leaving behind an unparalleled collection that stands as a testament to his skill and dedication. Today, those photographs are more than just artworks; they are tangible reminders of his passion and his commitment to excellence. We continue to honor his memory by preserving his work and sharing it. Please note. There are three sizes of this archival pigment print ; each is an edition of five (5) making the total that can be printed as fifteen (15). This will include any custom sizes requested Signed + numbered by artist with certificate of authenticity, packaged with care. Edition : 1/5 , unframed Archival pigment print available sizes ( Image size , the white margin is not counted) : 50 x 45 cm / 19,68 x 17,72 in - Edition of 5 75 x 66 cm / 29,53 x 25,99 in - Edition of 5 100 x 89 cm / 39,37 x 35,04 in - Edition of 5 Ian Sanderson (born 1951 Scotland, died 2020 Spain) was a Scottish photographer. Ian produced images over a 35 year career. For most he worked as both a Commercial and Fine Art photographer; during his last years concentrated on his personal archive. Ian and his widow Nathalie have worked for many years with alternative printing techniques in their workshop, ISP, creating Platinum Palladium, Silver Gelatin, Lith or Gum Bichromate. This culminated in a large retrospective exhibition in Barcelona which was sponsored by the Nando and Elsa Peretti Foundation. Platinum Palladium printing is a traditional photographic technique which precedes silver gelatin technique. Many photographers have worked with it in the past as Irvin Penn, Manuel Alvarez Bravo, Robert Mapplethorpe, Sebastiao Salgado o Ormond Gigli with its Platinum with gold leaf print 'Girls in the Windows'. ISP Workshop continues with the work of Ian's widow to create archival pigment prints like this one but also rare and personalized photographs. categories : Black and white photography, 20th. century, Archival pigment print, Monochromatic Art...

Clam - Signed limited edition archival pigment print, Sepia tone - Edition of 5 This image was captured on film in 1984. The negative was scanned creating a digital file which...

This listing is for two individually framed artworks, 'Wanderlust Goes South', and 'Go Lucky'. Vintage book spines photograph from Richard Heeps' Norfolk series. Browsing second hand...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

Flowers - Signed limited edition archival pigment print, 2015 - Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Aci...