Electronics Still-life Photography

ABOUT THIS PIECE: Let's not pretend that we don't enjoy 80's music. ABOUT THIS ARTIST: Floyd P. Stanley is an LA based photographer creating product shot photographs of mixed tapes....

The past year afforded more time than normal for stillness and observation. I am thrilled to be alive and sentient. I love making things, whether it be building a guitar, cooking a m...

Sarumawashi, literally "monkey dancing" evolved over a 1000-year history in Japan. Ancient Japanese chronicles refer to it as a form of religious ritual designed to protect the horse...

Nautical color still life photograph of blue and orange buoys on a white background archival pigment print, edition of 10 20 x 20 inch paper size with 16 inch diameter image size This contemporary nautical still life photograph was made by Hudson Valley based photographer, David Halliday. The image of colorful fishing buoys...

DIANNE KORNBERG RAVEN SKULL,Diptych from Comparative Anatomy Portfolio, 1993 selenium toned gelatin silver print ed.15 18 x 32 in. 45.7 x 81.2 cm.

Evangelos Koukouwitakis Dark Still Life Photography Fine Art Print- Natura Morte Art for Sale "Natura Morte 1" is a fine art print from 2022 that explores philosophical themes of li...

FAITH (neon artwork) by BATIK BATIK is an increasingly collectable pop artist currently living and working in London. The artist is purposely elusive with their true identity, se...

CURRENT EXHIBITION - runs through February 26th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 15. This photograph is currently being exhibited at Robin Rice Gallery as part of the Summer Salon 2018. Shipping time depends on method of shipping. ABOUT The idyllic and playful world of The Peconic Bay in Southampton, NY dances to life in Luciana Pampalone’s body of work. Each location was scouted by Pampalone and transformed into a vintage 1930's setting by the use of her models and props. A Graphlex camera, aviator goggles, parasols, retro bathing suits...

As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by unconventional methods, West employees coincidence as a means of production. Reminiscent of Josef Sudek’s Still Lifes, West’s images are painterly, presenting themselves as either single entities or still-life constructions and assemblages. Many of her photographs created themselves around the objects – whether fishhooks, a mysterious container or firecrackers—West is able to recall a once-forgotten image as a beautiful snapshot of nostalgia and warmth. A photographer by trade, West considers herself a still-life imagist. A unifying thread of simplicity exists throughout her work – illustrated though her use of a single light source, timeless and seemingly meaningless objects and shadows – a combination that evokes a sense of wonder and awe at the images that seem to have sprung from nothing. From Kansas City, Tina West discovered photography while studying sculpture. Living in New York since 1989, she is a commercial photographer working for clients such as Knopf Books, Vintage Books, Simon & Schuster, Citibank, Atlantic Records, Elle Magazine and Scientific American Magazine. Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. Still life, color, camera, Kodak...

Edition of 15 Signed. Toned gelatin silver print. Chema Madoz is one of the most important contemporary Spanish photographers, who is greatly known for his monochromatic, surreal st...

Gelatin silver print mounted to archival board Signed and dated, verso 9 x 9 inches (Edition of 15) 15 x 15 inches (Edition of 15) This artwork is offered by ClampArt, located in ...

This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature. P...

Rebecca Skinner’s “Thread” was photographed at an abandoned silk mill and is part of a series documenting the loss of industry in America. The 18 x 12 inch black and white photo with...

Robin Rice Gallery from New York and Bridgehampton comes to Beacon, NY. This year, as part of the Beacon Open Studios 10th Anniversary event, Robin Rice Gallery is proud to present a group show of gallery artists curated especially for the new gallery space, Gallery II at 82 Mason Circle at the Lofts at Beacon. The gallery at the Beacon Lofts is located on the 12-acre property of a 19th century textile mill, just along the banks of Fishkill Creek. Drawing on the industrial design of the live/work lofts themselves, the space makes use of reclaimed brick...

As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by u...

Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization. These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant. Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response. Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.” Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...

Patrick Beaulieu’s most recent project Révélations uses installation and digital prints to explore how artistic manipulation can create shifts in one’s expectations of the visual experience. Beaulieu clearly acknowledges his artistic presence in the work through mechanical and digital manipulation of the objects and images he presents. He becomes more than a passive observer and recorder of his physical world; the alteration of conventional photographs implants his voice and vision into the work. This approach directly addresses and contrasts artistic practices which seek to conceal the artist’s hand. His method diverges from those that attempt to present an uninterrupted and uncontaminated record, such as some documentary and straight photography. In using these stylized techniques, Beaulieu makes a palpable proclamation regarding the subjective and flexible condition of images. In Révélations, images of trees, moss, leaves and other natural objects are presented in strict colour schemes of muted grays, browns and greens. Though these colours are familiar components of the natural world that we experience in day-to-day life and in photographs of nature...

Signed with edition number, titled and dated on the back of the mount. 32.5 x 40 inches, mounted on Dibond. Original negative 1980 / 2015. His subjects, from landscapes to portraits...

David Goldes’ photographic still lifes use common materials to demonstrate simple scientific experiments. His most recent work approaches photography as experiments in electricity. U...