Men Still-life Photography

Mauretania - Silver Gelatin Fibre Print (Photo by Topical Press Agency/Getty Images) The Cunard superliner Mauretania being refitted in the dry dock at Southampton. Additional I...

Paris Still Life from the Paris In Colour Series 1956-61 By Peter Cornelius large oversize 30 x 30 inches / 76 x 76 cm paper size Printed 2022 Archival pigment print Framing and s...

Anonymous Women: Domestic Demise In the latest narratives, “Domestic Demise,” the woman becomes the victim of domestic disasters. Her activities, obsessions and objects are overwhel...

The picture evoked sun, good mood and happiness, taken during a hot summer day. Will be printed on fine art paper, signed, with gallery certificate. Framing available as well.

Sphere of Live, #2238 by Natasha Zupan Enlarged photographic print of the original photo collage by the artist 60 in. H x 53.5 in. W Edition of 5 2018 _______________________________...

The picture is an edition ( Edit. of 50) and part of a book about NYC, which Kallay done in 1965 for a German book publisher.

9 x 12 inch images, matted at 16 x 20 inches, limited edition of 5, starting at $1,200 12 x 16 inch images matted at 20 x 24 inches, limited edition of 5, starting at $1,600 Each suc...

The photography belongs to a cycle of photographies of NY, published in the book "New York", Verlag und Volk, Berlin 1967. Signed by the author on the back, certificate will be inclu...

Sepia Toned Landscape of Net in Water and Reflection from Tonga 17 x 17, edition of 25 Silver Gelatin Print, unframed David Halliday's series consists of sepia-toned still lives of...

A dark wood dresser, a collection of objects—family photos, porcelain turtle statues, a china plate, a bottle of perfume—meaningful objects that tell...

Contemporary color still life photograph of long black fishing boots on a white background archival pigment print, edition of 10 20 x 20 inch paper size with 16 inch diameter image s...

Gelatin silver print (Edition of 6) Signed and numbered, verso This artwork is offered by ClampArt, located in New York City.

The picture is a part of photographs which Kallay done in 1965 for a German book publisher about NYC.

Original black-white photograph, photographer Karol Kállay, picture shooted in 1966 for a German publisher / book about Paris. Signed by the author on the back.

Wonderer King, Contemporary Still Life Photograph by Ion Zupcu Wonderer King 2024 Signed and numbered on label, verso Archival pigment print 40 x 52 inches, image (Edition of 3 +...

Red Glasses Edition of 25 signed and numbered by the artist An oversized pair of glasses in a shop window in Hong Kong. JJK is a pseudonym for one of the world's most successful ph...

Cibachrome print Signed, titled, dated, and numbered (8/20), verso 10 x 9 inches, sheet 8 x 6.25 inches, image This photograph is offered by ClampArt, located in New York City. About the artist: Lee Ka-sing was born in Hong Kong. In the late 1970s, he began working as a professional photographer. He has since received numerous international awards, and in 1989, was chosen as Photographer of the Year by the Hong Kong Artist...

Italia 2- Large scale photograph by Michael Banks Archival Pigment print on fiber based paper ( Hahnemühle Photo RAG Baryta 315 gsm ) Limited Editions of 5 , signed + numbered by ...

London - Signed limited edition archival pigment print, 2002 - Edition of 5 This print that is being offered is a high-quality Archival Pigment print which has been printed on ...

Titel: Without Title (New York) Medium: Photograph Year: 1974/2014 Publisher: Griffelkunst Hamburg size: 7.4 × 10.7 on 11.5 × 15.4 inches After a photographer training at the photo ...

Italia 2 - Large scale photograph by Michael Banks Archival Pigment print on fiber based paper ( Hahnemühle Photo RAG Baryta 315 gsm ) Limited Editions of 5 , signed + numbered by...

The Old Days - Interior Photo is a black and white vintage photo, realized in the early 20th century.  It belongs to historical album including histor...

London - Signed limited edition archival pigment print, 2002 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then pri...

Kurt Markus, American (1947) Batwings, Oro Ranch, Prescott, Arizona Archival Pigment Print, Edition of 300, # 149, Signed and numbered. Framed. Measurements: Frame: H 57.15 cm/22.5 in x W 45.72 cm/18.5 in - Sight H 33.02 cm/13.5 in x W 25.4 cm/10.5 in Kurt Markus, self-taught American photographer, was born in rural Montana. Markus is a nationally and internationally published photographer. Markus’s work began with a focus on American West Cowboys...

'Last supper' of 13 Michelin-starred Chefs... John Reardon is particularly associated with his portraits of chefs for the Observer Food Monthly (UK) for which this commission based o...

Fresh Fish Edition of 25 signed and numbered by the artist A street scene at the fish market in Stone Town, Zanzibar. A swordfish lies on the ground and is offered for sale. As the ...

Cleaning Heros Edition of 25 signed and numbered by the artist A statue of a hero holding a severed head near the Uffizi Gallery in Florence is cleaned by a professional team. JJK...

Light me up Edition of 25 signed and numbered by the artist The statue looks like it holds the lamp in the hand. This photo was made in the Pergamon museum in Berlin. JJK is a pseu...

Wandering (Wastelands) - 2003 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 1252. Signature label and c...

Winchester - (Wastelands) - 2003 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 1237. Signature label an...

Rugged (29 Palms, CA) - 1999 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Certificate and signature label. Artist inventory num...

Lord Fauntleroy Ahmedabad Street Market - FRAMED SET OF 6 Pigment Prints Year: 2015 Visible Size: 9.25 x 9.25 inches (each) Framed: 10.6 x 10.6 inches (each) Signed: On Label Edition...

Lord Fauntleroy Ahmedabad 151209-45 Pigment Print Year: 2015 Visible Size: 9.25 x 9.25 inches Framed: 10.6 x 10.6 inches Signed: On Label Edition: 8 COA provided *White frame with s...

Lissa Rivera Dream Room 2014 Signed and numbered, verso Archival pigment print 30 x 40 inches, image (Edition of 3 + 1 AP) $3600.00 20 x 30 inches, image (Edition of 5 + 1 AP) $...

Shattered (Heather's Dream) - 2013 part of "The Girl Behind the White Picket Fence" 38x48cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certifi...

Gelatin silver print mounted to archival board Signed and dated, verso 9 x 9 inches (Edition of 15) 15 x 15 inches (Edition of 15) This artwork is offered by ClampArt, located in ...

Cibachrome print (Edition of 25) Signed and numbered, verso This photograph is offered by ClampArt, located in New York City. Price includes matting and framing. American photographer David Levinthal re-stages historical events using toy...

TV II, 2010 by Rodrigo Etem From the series Ser Cosa Archival pigment print on fine art paper Size: 30 H x 40 W inches. Edition of 7 Unframed …this seri...

Archival pigment print Signed and numbered, verso 8 x 10 inches, sheet (Edition of 15) This artwork is offered by ClampArt, located in New York City. Please note that prices increa...

Untitled Sea wrack I, 2010 by Rodrigo Etem From the series Ser Cosa Archival pigment print on fine art paper Size: 24 H x 32 W inches. Edition of 7 Unframed …this series of portrai...

A rare unsigned proof print from Muse X. this is the original Cibachrome print on heavy metallic photography paper. this is an original vintage color print c print. Lyle Ashton Harris (born 1965) is an American artist who has cultivated a diverse artistic practice ranging from photographic media, collage, photo montage, installation art and performance art. Born in the Bronx, Harris was raised between New York City and Dar Es Salaam, Tanzania. He graduated with a BA from Wesleyan University and received his MFA from the California Institute of the Arts. His work explores intersections between the personal and the political, examining the impact of ethnicity, gender and desire on the contemporary social and cultural dynamic. Known for his self-portraits and use of pop culture icons (such as Billie Holiday and Michael Jackson), His work has been exhibited internationally, including at the Whitney Museum of American Art, the Solomon R. Guggenheim Museum and the 52nd Venice Biennale. His work has been acquired by major international museums, most recently by the Museum of Modern Art in New York. His commissioned work has been featured in a wide range of publications, including The New York Times Magazine and the New Yorker. In 2014 Harris joined the board of trustees at the American Academy in Rome and was named the 10th recipient of the David C. Driskell Prize by the High Museum of Art in Atlanta. Born in the Bronx New York City, He currently lives and works in New York City and is an Associate Professor at New York University. Education Whitney Museum Independent Study Program, 1992 National Graduate Photography Seminar, Tisch School of the Arts, New York University, 1991 Master of Fine Arts, California Institute of the Arts, 1990 Bachelor of Arts (with Honors), Wesleyan University, 1988 Works in Public Collections Los Angeles County Museum of Art Miami Art Museum Museo de Arte Contemporáneo de Castilla y León, Spain Museum of Contemporary Art, Los Angeles Museum of Contemporary Art, San Diego Museum of Fine Arts, Boston Museum of Modern Art, New York Princeton University Art Museum The Solomon R. Guggenheim Museum, New York The Studio Museum in Harlem The Walker Art Center, Minneapolis The Whitney Museum of American Art, New York Selected Solo Exhibitions 2010Untitled (Black Power), Cokkie Snoei Gallery, Amsterdam Netherlands Ghana, CRG Gallery, NY 2008Sketches from the Shore, The Neil L. and Angelica Zander Rudenstine Gallery, Harvard University,Cambridge, MA 2004Lyle Ashton Harris, Galerie Nathalie Obadia, Paris, France Blow Up, Rhona Hoffman Gallery, Chicago, IL Rrose is a Rrose is a Rrose: Gender Performance in Photography, The Solomon R. Guggenheim Museum, New York, NY (catalogue) Traveled to The Andy Warhol Museum, Pittsburgh, PA Bang! The Gun as Image, Museum of Fine Arts, Florida State University, Tallahassee, FL 1998Distillation, Galerie Analix Forever, Geneva, Switzerland Alchemy, in collaboration with Thomas Allen Harris, New Langston Arts, San Francisco, CA. Traveled to Corcoran Gallery of Art, Washington, DC (catalogue) 1994The Good Life, Jack Tilton Gallery, New York, NY Face, Broadway Window, New Museum of Contemporary Art, New York, NY Selected Group Exhibitions 2014Radical Presence: Black Performance in Contemporary Art, The Studio Museum in Harlem, New York “The Progress of Love”, The Menil Collection, Houston, TX “The Romare Bearden Project”, The Studio Museum in Harlem, New York, NY 2011 “Hide/Seek: Difference and Desire in American Portraiture”, Brooklyn Museum of Art, Brooklyn, NY (catalogue) Kreyol Factory, Grande Hale de la Villete, Paris, France (catalogue) S&M: Shines and Masquerades in Cosmopolitan Times, [Co-Curator], 80 Washington Square East Galleries, New York University, New York, NY 2007 Think with the Senses, Feel with the Mind, 52nd Venice Biennale, Venice, Italy (catalogue) (NOT) GAY ART NOW, Curated by Jack Pierson, Paul Kasmin Gallery, New York, NY 2005 Male Desire Two, Mary Ryan Gallery, NY African Queen, The Studio Museum in Harlem, New York, NY The Squared Circle: Boxing in Contemporary Art, Walker Art Center, Minneapolis, MN 2002 Typical Men: Recent Photography of the Male Body by Men, Gallery of Modern Art, Glasgow Goddess, Galerie Lelong, New York, NY Welcome, Curated by Renato Bianchini, Citta Sant’Angelo, Pescara, Italy 1998 Diana.98, Museum fur Gegenwartskunst, Zurich, Switzerland Millenovecento, Galerie Analix B Polla & C Cargnel, Paris, France Black Nudes: New Identities, Gay Games Amsterdam 1998, Amsterdam, Netherlands Portraits, James Graham and Sons, New York, NY The Paranoid Machine, Shoshana Wayne Gallery, Santa Monica, CA Published Photographs Stanley, Alessandra, “Berlusconi, The Return,” The New York Times Magazine, April 15, p. 40, (photographed Silvio Berlusconi) Hyland, John, “Hot Chicks, Cool Rooms,” The New York Times Magazine’s Fashions of the Times, Spring Issue, p.185 2000Portraits of Cuban Link, Fat Joe, Jermaine Dupri, Jill Scott...

Archival pigment print Signed and numbered, verso 8 x 10 inches, sheet (Edition of 15) This artwork is offered by ClampArt, located in New York City. Please note that prices increa...

Cyanotype (Unique) Signed, titled, and dated in pencil, verso This artwork is offered by ClampArt, located in New York City. These cyanotype prints of botanical...

Winchester (Wastelands) - 2003 Edition of 5, 57x56cm, Analog C-Print, hand-printed and enlarged by the artist on Fuji Crystal Archive Paper, based on the Polaroid, certificate and signature label, Artist inventory Number 1237.04, Not mounted. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had regis- tered no seismic activity. Dust bowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pic- tures. Happiness brimmed in that wild terrain. Maybe things were begin- ning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abol- ish concepts that orient us, cause and effect, time, plot, and story line, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end-result, as posited in this book, will show how she bursts open our apparatus of perception and acknowl- edges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other- worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period...

ABOUT THIS ARTIST: Neal Grundy is a freelance photographer with almost 20 years experience. He studied at Falmouth College of Arts in Cornwall, UK. Neal is adept in a range of lens b...

ABOUT THIS ARTIST: Neal Grundy is a freelance photographer with almost 20 years experience. He studied at Falmouth College of Arts in Cornwall, UK. Neal is...

This photograph captures a mesmerizing perspective looking upward through a geometric architectural skylight, where clean lines and precise angles converge to frame a serene patch of...

Snake Dips Down, interior photograph from Richard Heeps Ordinary Places series, it was captured in the final years of British Hong Kong in a colonial home on the Peak. The almost mon...

Untitled #4. From the series "There is an ocean in my glass", 2020 by Ying Chen Archival pigment print Image size: 80 in. H x 60 in. W Edition of 5 + 1AP Unframed There Is An Ocea...

Lord Fauntleroy Wisc 1709-02-01 Pigment Print Year: 2017 Visible Size: 13 x 13 inches Framed: 20.5 x 20.5 inches Signed: On Label Edition: 9 COA provided *Natural wood frame with st...

Untitled - 2018 50x50cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print based a Polaroid Collage. Hand-signed and numbered by the artist with...

ABOUT THIS ARTIST: Neal Grundy is a freelance photographer with almost 20 years experience. He studied at Falmouth College of Arts in Cornwall, UK. Neal is...

'In Bloom', 2020 Digital C-Print based on an original Polaroid on Hahnemuhle photo rag paper. Edition of 10 plus 2 Artist Proofs, 20x25cm, Signature label and certificate. Not mount...

We acquired a series of photographs from Rosemary Ellis's studio. To find more from this series scroll down to "More from this Seller" and below it click on "See all from this Seller...

Captured in the final years of British Hong Kong in a colonial home on the Peak, this beautifully subtle piece, the muted tones and the Tai Chi figurines create a sense of yin and ya...

Covid Vanitas: The Pandemic Still Lifes On the first day of quarantine I began photographing the people-less quiet of a home and studio in isolation. The still lifes are a visual j...

A Cadillac with Florida plates parked outside the Carlton Hotel, Cannes, France, circa 1955. The Carlton Hotel Black and White Photography Slim Aarons E...

Rosemary Ellis (1910-1988) Windows Original photography for Windows in the Outlooks and Insights series published by Bodley Head, by Rosemary & Charlotte Ellis. Silver Gelatin Photog...