Men Photography

Guest at a Ball in Harlem, New York 1984/printed later Signed and numbered, verso Archival pigment print (Edition of 12) 15.25 x 23 inches, image $2600.00 This work is offered b...

Gelatin silver print 10 x 8 inches, sheet 9.25 x 6 inches, image This photograph is offered by ClampArt, located in New York City.

Digital C-print Stamped and numbered, verso 20 x 24 inches (Edition of 10) 30 x 40 inches (Edition of 5) 50 x 60 inches (Edition of 3) This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Luke Smalley was an American artist known for his photographic work, which pairs a coolly minimalist aesthetic with a retro nostalgia. Images from his early in his career were inspired by fitness manuals and yearbooks c. 1910. This is not surprising since Smalley graduated with a degree in sports medicine from Pepperdine University and worked for a number of years as a model and personal trainer. Smalley shot the bulk of his photographs in his home state of Pennsylvania, using real high school athletes as models. “Exercise at Home” is Luke Smalley’s second major body of work. Shot in and around the tiny Pennsylvania town the artist called home, Smalley revisits themes of adolescent growing pains acted out under the guise of earnest athleticism. Teenagers engage in simple yet strange competitions meant to establish their standings amongst one another. Two youths practice boating safety...

Signed and numbered on label, verso Archival pigment print Please note that prices increase as editions sell. This artwork is offered by ClampArt, located in New York City.

American photographer Julius Shulman’s images of Californian architecture have burned themselves into the retina of the 20th century. A book on modern architecture without Shulman is...

The Beatles, 1965, TIME Photographed at the Saville Theater in London, The Beatles had just received member of the British Empire medals from The Queen at Buckingham Palace. Silver...

At sunset, a trumpeter strikes a high note above it all. The dreamy, out-of-focus lights of hip Los Angles represents his music in visual terms. Funk is ...

Desert Party Lita Baron talking with a guest at a poolside party at Nelda Linsk’s desert house in Palm Springs, California, January 1970. The house was designed by Richard Neutra fo...

This 1660 winter landscape photograph, captured by society photographer Slim Aarons, features an individual skiing at Sugarbush, a mountain resort in Vermont, April 1960. This is an...

Digital C-print Signed and numbered, verso 11 x 14 inches (Edition of 8) 20 x 24 inches (Edition of 8) This photograph is offered by ClampArt, located in New York City. Please not...

Jimi Hendrix, London 1967 by Gered Mankowitz A portrait of Jimi looking serious while in an embroidered jacket. "Shot during my first session with Jimi at my Studio in early 1967." ...

Type-C print Signed, titled, dated, and numbered, verso 24 x 20 inches (Edition of 10) 36 x 30 inches (Edition of 5) 48 x 40 inches (Edition of 5) This photograph is offered by ClampArt, located in New York City. “Film Noir...

Premium Rates Apply. A chauffeur unpacks a picnic hamper from a Rolls Royce, against the New York skyline. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered...

Chromogenic print (Edition of 10) Signed and numbered, verso This artwork is offered by ClampArt, located in Hew York City.

Total edition of 7 Signed and numbered, verso This artwork is offered by ClampArt, located in New York City. “Sailboats and Swans” is a series of portraits of prisoners in Russia ...

Printed by Cole Weston from the original negative now housed at the Center for Creative Photography in Tuscon, Arizona, retired. The Weston Gallery is owned by Matthew (grandson of Edward Weston) and his wife Davi Weston and we've been dealing in fine art photography since 1975! Edward Weston (1886 – 1958) was an American photographer, and co-founder of Group f/64. Most of his work was done using an 8 by 10 inch view camera. In 1902, he received his first camera for his sixteenth birthday, a Kodak Bull's-Eye #2, and began taking photographs in parks in Chicago and at his aunt's farm. The young Weston met with quick success, and his photographs were already being exhibited at the Chicago Art Institute merely a year later, in 1903. Weston worked mainly with nudes, still life - his shells and vegetable studies were especially important - and landscape subjects. After a few exhibitions of his works in New York, he went on to found Group f/64 in 1932 with fellow photographers Ansel Adams, Willard van Dyke...

Vintage darkroom Cowboy photograph circa late 1980s: A superbly rendered vintage darkroom photograph, surrealistically exploring the mythology of the American cowboy set amidst blazing skies. Cibachrome (darkroom print) circa 1989. Bright, lush colors. Paper size: 11 X9 inches. Image: Approximately: 8x10 inches. Very good overall vintage condition. Unsigned from an edition of unknown from unknown photographer. Related Categories: Landscape photography. Cowboys. Richard Prince Cowboys...

"Women of the IDF" Large Exhibition color Photograph 30 x 40 inches, mounted on masonite and laminated. Edition of 4 + 2 artists proof. minor dings and bumps to edges Born in Tehran, Iran, Ashkan Sahihi moved with his family to West Germany at the age of seven. Although he began taking photographs as a teenager, Sahihi traces the beginning of his professional trajectory to New York in 1987, a thriving “pop culture metropolis” where he could do the kind of photography work that he wanted to do, exploring the underbelly of the society around him. Taking assignments from German publications such as the Süddeutsche Zeitung Magazine, Der Spiegel, Dummy and GEO, he photographed subjects like prisoners on death row, players in the hip-hop scene, and the downtown art scene of New York. Neither black nor white, an insider among outsiders, he found himself able to navigate spaces and dynamics that others might have had difficulty entering. He considered this both a privilege and an obligation – to visit these places and tell these stories. His success led to commissions from American publications as well, including the New York Times Magazine, the New Yorker, Rolling Stone, and Vogue. Put off by the limitations of photojournalism (the expectation that he would illustrate the writer’s perspective rather than author a narrative of his own), Sahihi began to embark on independent, highly compact conceptual series. His main goal in these series has been to drive forward public discourse on topics he believes have not provoked enough or the right kind of discussion: drugs, gender in the media, women in the military, etc. His portraits draw on a familiar visual language – often seated subjects before a neutral backdrop – but push the viewer to feel and think about entirely new things. Although he constantly challenges the comfort level of both the viewer and the subject, Sahihi never removes himself from the line of fire; all of his work requires the artist to immerse himself in uncomfortable situations and challenge his own emotional fortitude. Photographic Series In the “Face Series”, latex-gloved hands manipulate the subjects’ features, stretching, pushing, squeezing, pinching at the whim of external direction – from the artist? The customer? The public? The “Hypnosis Series” comprises 8 portraits of hypnotized subjects each experiencing a single emotion, e.g. helplessness, withholding/anger, or regret. In a society that rewards the suppression of such naked emotion, the purity of these depictions is arresting. In 2006, Sahihi photographed himself in the homes and with the families of six ex-girlfriends and one ex-wife, imposing himself more or less awkwardly on the constellations that emerged after he had exited their lives (“Exes Series”). For Sahihi’s most well-known work, the “Drug Series,” he convinced 11 non–drug users to consume a particular drug, then took their portraits over the course of their trips. The series was born out of Sahihi’s frustration with the hypocrisy of the political conversation about drugs in the United States. “By attempting to present an objective image of drug use, the artist addresses the cultural politics that allow our society to simultaneously glamorize the ‘drug look’ in fashion magazines and the entertainment industry and meanwhile turn a blind eye to the complicated, and vast, problem of drug abuse.” Sahihi has exhibited this series at MoMA PS1 New York in 2001, in Dresden in 2008, and alongside his installation “100 Million in Ready Cash." Sahihi’s dense explorations through small photographic series include “Women of the IDF," portraits of female Israeli soldiers...

Liz Pringle, 1953 - Jamaican Island American Model Portrait Montego Bay Hotel by Slim Aarons 16" x 16" print. Limited Edition Estate Stamped C-Print. Edition of 150. Printed Later. ...

Printed plate number, Curtis's title, date, copyright, and photogravures by John Andrews and Son on recto. Photogravure on Holland Van Gelder tissue Known for his remarkable documen...

Archival pigment print (Edition of 5 + 2 APs) Signed and numbered on label, verso This photograph is offered by ClampArt, located in New York City. Frances F. Denny writes: “During the research process for a prior series of photographs, I discovered two related facts about my family tree: a) Mary Bliss Parsons, my 8​th​ great-grandmother, was accused of witchcraft in 1674 in Northampton, Massachusetts, and b) less than two decades later in 1692, my 10t​h​ great-grandfather, Samuel Sewell, presided as a judge in the Salem Witch Trials. One body of work came and went, but this ancestral coincidence stayed with me. What is a witch? Who does that word belong to—now? “Major Arcana: Witches in America​ is a collection of portraits of women from across the United States who identify as witches. As early as 15th-century Europe, people condemned as witches faced a cruel fate: torture, and in many cases, death. Yet despite its history, recent decades have seen a reclaiming of the word ‘witch.’ In the mid-20th century, emerging pagan communities in the United States and Europe began embracing the term, and since then, ‘witch’ has been adopted by a diverse group of people. “Major Arcana​ explores the various ways the notion of witch-ness belongs to those who claim it, representing the witch as a self-sought identity that both empowers and politicizes its bearer. Each woman photographed for ​Major Arcana​ (including genderfluid and trans individuals) pursues a form of witchcraft, whether aligned with a religion (like Wicca or Voudou) or a self-defined practice. No two individuals inhabit the term ‘witch’ in quite the same way, but many consider themselves pagan, and engage in a diversity of traditions, including: mysticism, engagement with the occult, politically-oriented activism, polytheism, ritualized ‘spell-craft,’ and plant-based healing. Among those included in the series are self-proclaimed green witches, white witches, kitchen witches...

Nicholas Taylor Jean-Michel Basquiat photograph 1979; This rare Basquiat photograph was taken from Nicholas Taylor’s well-documented portfolio exploring his friendship with Jean-Michel Basquiat - a friendship which began when both collaborated on the historic New York No Wave band, “GRAY” in the late 1970s; before the two briefly lived together in the East Village. Selections from Taylor's portfolio were most notably exhibited as part of the Basquiat retrospective at London's Barbican in 2017 and have been featured in numerous noteworthy publications on Basquiat. Silver Gelatin Print. 1979. 11 x 14 inches. Hand singed and numbered in the margins from an edition of 5 A/P's. Good to very good overall vintage condition, with the exception of some minor surface waving commensurate with medium. Provenance: Obtained directly from artist. Lot 180 Gallery New York is a primary dealer rep of Nicholas Taylor. Whilst Basquiat often provided glimpses into his conflicted character through his own art, Taylor’s photograph offers an intimate, and perhaps more honest, portrait from the outside. The clever exploration of light and dark reveals the dichotomies that divided the artist; both his fragile and playful, tender and brazen sides are unveiled. A soft glow is cast across Basquiat’s face, communicating a tenderness and affection that only a close friend could capture. About Nicholas Taylor: Nicholas Taylor (American, b. 1953) is a renowned photographer and musician. Taylor moved to New York in 1977 to pursue a career as a photographer and it was through the vibrant New York art scene that he came to know the young artist, Jean-Michel Basquiat. It was, in fact, his intimate portfolio of photographs documenting his friendship with Basquiat that rocketed Taylor to fame. The two would collaborate in the seminal No Wave band “Gray” and live together in the East Village, before Taylor launched a successful career as a DJ famous for track-looping. His track “Suicide Mode” would later be used in the soundtrack for Julian Schnabel’s 1996 film “Basquiat." Taylor has been directly referenced in at least two works by Basquiat and is responsible for first introducing the artist to Madonna before the two dated. Taylor's photographs of Basquiat were recently exhibited at London's Barbican and Frankfurt's Schirn Kunsthalle as part of the landmark Basquiat: Boom for Real exhibition; with Gray (Michael Holman & Nick Taylor...

This image made of Edward Weston was in Point Lobos by his son Cole Weston in the year 1946. It was printed later by his son and comes directly from the family. Unsigned.

Silver gelatin print, studio stamp (verso), 20cm x 23cm, (45cm x 46cm framed). The photographed behind museum quality, UV and non-reflective glass. A titan of American 20th century photography, Platt Lynes took his first photographs as a young artist living in New York and Paris in the 1920s. He maintained an interest in the male figure throughout his career and was part of a close-knit group of artists, including Paul Cadmus, Jared French, Margaret French...

"Paul I Can Hear Myself" Photography 21" x 18" in Ed. of 25 by Howard Grafton Signed and numbered on the back by the publisher The Beatles on the Ed ...

Listing is for UNFRAMED print. Inquire within for framing. Price and size range (Custom mural sizes available). All the photographs are in a limited edition. Edition 1 of 15. If the...

Carte-postale printing on back of print. Unsigned. A very rare example. We have not seen another image of this portrait at market.

Signed, dated, & variously numbered in pencil with artist's copyright stamp on verso Gelatin Silver Print Paper 16 x 20 inches; Image 15 1/2 x 19 3/8 inches

Edition of 25 Signed, titled, dated, print date, and numbered by Al Satterwhite Archival pigment print Paper size: 24 x 36 in., Image size: 21.5 x 32 in. AVAILABLE SIZES: 11 x 14 in...

Archival inkjet print Signed, titled, dated, and numbered, verso 18 x 24 inches (Edition of 10) 30 x 40 inches (Edition of 5) 40 x 54 inches (Edition of 5) This artwork is offere...

Live at The Sands – Frank Sinatra circa mid 1950s. Performing at the Copa Room, Sands Hotel. Las Vegas, NV. Giclee 300gsm smooth archival rag paper and arch...

Virtue, Bode–Museum, Berlin 50 x 62.5 inches ed. of 10 $6,000 60 x 75 inches ed. of 5 $9,000 70 x 87.5 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görn...

Edition of 25 Signed and numbered in black ink on print margin. Paper size: 14 x 11 in. AVAILABLE SIZES: 11 x 14 in., Edition of 25 16 x 20 in., Edition of 25 24 x 36 in., Edition o...

Since the late 1960's Mitchell Funk has pioneered powerful bold and graphic images. His work is about the color and the shape Signature: Signed Dated and numbered lower right 3/15, ...

Toned gelatin silver print Signed, titled, dated, and numbered, recto 14 x 11 inches, sheet (Edition of 25) 20 x 16 inches, sheet (Edition of 25) 24 x 20 inches, sheet (Edition of...

Type-C print Signed, titled, dated, and numbered, verso 20 x 24 inches (Edition of 10) 30 x 36 inches (Edition of 5) 40 x 48 inches (Edition of 5) This artwork is offered by Clam...

The Rolling Stones, a 1989 black and white stitched photograph shot for their "Steel Wheels " world tour, starring Keith Richards, Mick Jagger, Bill Wyman and Ronnie Wood. This Photo...

Type-C print Signed, titled, dated, and numbered, verso 20 x 24 inches (Edition of 10) 30 x 36 inches (Edition of 5) 40 x 48 inches (Edition of 5) This artwork is offered by Clam...

Chromogenic print (Edition of 10) Signed and numbered, verso This artwork is offered by ClampArt, located in Hew York City.

John Lennon sits alone at the mixing desk of the famed Studio 2 in Abbey Road. According to Herrmann he was the only one who spoke to him, trying to put him at his ease by saying "al...

Apres Ski, Gstaad, Switzerland, Estate Edition, Portrait Photography This early 1960s landscape photograph, captured by society photographer Slim Aarons, features a group of women r...

Lech Walesa is a black and white vintage photo, realized in the 1980s. It belongs to historical album including photo reportages of historical moment and political events, meticulous...

Coffee with Dali, 1955 - Salvador Dali Black and White Portrait Madrid Hotel by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped C-Print. Edition of 150. Printed Later. C...

The Beatles at Abbey Road Studios, March 30th 1967 during the recording of Sgt Pepper's Lonely Hearts Club Band, take a lunch break. Later that day they after recording they made their way to Michael Cooper's Flood Street Studios to pose for the famous album cover. This print forms part of Frank Herrmann's 2021 "Icons of the 1960's" publication of the best of his work from the decade that keeps on giving. Herrmann, working for The Sunday Times was given rare access to the Abbey Road recording studios to photograph the Fab Four as they worked on the album Sgt Peppers Lonely Hearts Club Band. He stayed an hour and watched them record, have lunch followed by George pouring tea for the Beatles and their producer George Martin. paper size 44 x 35, Image size 28 x 20 inches. Limited Edition of only 10 in this size This print is embossed with the photographers stamp, numbered and signed by the photographer Frank Herrmann in pencil on lower right margin. Frank Herrmann is widely regarded as one of the outstanding photojournalists of the latter part of the twentieth century, with an illustrious thirty year career at The Sunday Times. Covering stories as diverse as the UDI in Rhodesia in 1966, the Paris riots in ’68, the Yom Kippur War of '73, the U.S Presidential elections of ’75 and the birth of Zimbabwe in 1980, he has travelled to Africa with Bob Geldof to record the famine relief work of Band Aid, has been to the South Pole to photograph the trans-Arctic expedition and has worked with Hunter Davies on several books including The Glory Game and Great Britain – a Celebration as well as his text book book on portraiture titled Portrait photography. His many portrait sittings include,  amongst others, Orson Welles, Maggie Smith, Sean Connery, William Burroughs, Winston Churchill, Duke Ellington, Harold Macmillan, Ronald Reagan, Arthur Miller, Samuel Beckett, Henry Moore, Judi Dench...

4" x 5" Unframed Closed Edition Photograph MAGNUM Photography Hand Signed by Harry Benson

Frank Sinatra, 1965 - Bob Willoughby (Portrait Photography) Archival pigment print Printed on 20 x 24 inch paper From an edition of 25 Also available in alternative sizes Bob Wi...

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. This photograph was from a se...

Grace Jones for Playboy is a photograph realized by Helmut Newton in 1985. Albumen print From the series realized by Newton for Playboy magazine. Edtion 7/85

Liu Ye in his studio with muse, Beijing, 16 May 2007 X Photographed by Jonathan Becker Contemporary 44" x 44.5" Archival Pigment Print Edition Nº 1 of 9 Cert...

Mauricio Velez's photographs seeks to refine the viewer's sensitivity and perception of art and the human body, elevating these elements to an aesthetic realm that can inspire, distu...

Desert House Party 1970 (printed later) Chromogenic Lambda Print Estate edition of 150 Guests by the pool at Nelda Linsk's desert house in Palm Springs, California, January 1970. T...

This is a unique photographic work taken under the direction of Andy Warhol. Farrah Fawcett was an American actress and model, best known for her role on Charlie's Angels and her ico...

Signed on verso in pencil; Artist copyright stamp on verso Gelatin Silver Print Image: 19-3/8 x 15-1/2" inches, Paper: 20 x 16 inches

A bartender mixes a drink for a customer at the Ice Bar at the Hotel Krone in Lech, Austria, 1960. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and sta...

Frank Sinatra recording at Capitol Records. Sinatra was recording his classic album "Songs for Swingin' Lovers!" at KHJ Studios in Hollywood, CA. "Songs for Swingin' Lovers!" was Sin...

[lives & works – Philadelphia, PA ::: b. 1954] Peter Olson is a Philadelphia-based photographer and ceramicist who creates pieces that chemically and conceptually fuse the two medi...

The apres-ski in Zermatt, Switzerland, March 1968. Zermatt Skiing Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by...

American actor George Hamilton relaxes on a deckchair in Capri, 1968. George Hamilton in Capri Slim Aarons Estate Edition 40 x 30 inches Estate stamp...

Jack Mitchell, American Photographer (1925-2013). Joe Dallesandro, ca. 1973. 11 x 14 inches; 12 x 15 inches framed. Period print from artist's studio. The image was intended for ...

Steve Wilson Logan (Portrait, Soft, Sepia) Archival Pigment Print on Archival Paper Year: 2016 Visible Size: 18 x 13 inches (45.72 x 33.02 cm) Framed Size: 26 x 21 x 0.75 inches (66....