Tattoo Photography

Francisco and Mariette, Diptych From the "Ibiza" Series Archival Pigment Print with a 1.57-inch white border. Overall size: 62.99 in. H x 94.4 in. W Individual Image size: 62.99 in. ...

Though each love is experienced as unique and though the subject rejects the notion of repeating it elsewhere later on, he sometimes discovers in himself a kind of diffusion of amoro...

In SHE TELLS ALL, Kaur engages questions of identity performance by exploring an ever-present and wildly diverse American identity: the modern American witch. Witches are contemporar...

Tim Curry Rocky Horror - Limited Edition Mick Rock Estate Tim Curry, in The Rocky Horror Picture Show, 1974 (photo Mick Rock). All prints are numbered by...

Finnish Photographer Christoffer Relander’s We Are Nature series blurs the line between the natural world and the human form to such a degree that it is impossible to tell where one ...

Ron From the "Ibiza" Series Archival Pigment Print with a 1.57-inch white border. Image size: 62.99 in. H x 47.24 in. W Edition of 5 + 1AP Unframed “People from Ibiza” Kenta first ...

Female centric archival pigment print. B/W. About the artist: For over 50 years, photography has been his medium of artistic exploration, shaped by a career that spans decades ....

Dreams and fantasies from the past and present are portrayed by Léa Bon’s subjects, which she uses as her own personal dolls. Léa Bon work is a profound exploration of dreams and fa...

9 x 12 inch images, matted at 16 x 20 inches, limited edition of 5, starting at $1,200 12 x 16 inch images matted at 20 x 24 inches, limited edition of 5, starting at $1,600 Each suc...

Depicting blue jeans with hand-drawn designs in Sharpie marker by Keith Haring, Andy Warhol, and Kenny Scharf. This is a unique work. Image dimensions: 8 x 10 in. Framed dimensions:...

Amazed by the quality and expression of a wall painting in the town square of Kumbaya, Carl Moore began photographing street art during his first visit to Ecuador. Moore's images ser...

Actor Billy Bob Thornton, Los Angeles, August 2001 Photographed for Maxim Magazine (photo Kevin Westenberg) NB All prints are signed and numbered by the artist. Unframed Signed and numbered by the artist. Edition limited to 25 only this size Printed 2020 This size image: 20 x 24" / 51 x 61 cm OTHER SIZES AVAILABLE : Size 1. 16 x 20" Signed and numbered edition of 25. cost $ 2,500 Size 2. 20 x 24" Signed and numbered edition of 25. cost $ 2,950 Size 3. 24 x 30" Signed and numbered edition of 25. cost $ 3,375 Size 4. 30 x 40" Signed and numbered edition of 10 (+2 a/p). cost $ 5,605 Size 5. 40 x 60" Signed and numbered edition of 3 (1 a/p). cost $ 18,500 About the artist : Kevin Westenberg is famed for his creation of provocative and electrifying images of world-class musicians, artists and movie stars for over 25 years. His technique of lighting, colour and composition has helped to produce his own unique visual style. Shortly after receiving an Architecture degree he moved to London where he’s been based since 1983. Westenberg is self-taught and learned his trade working for the UK inkies “New Musical Express” and “Melody Maker” mainly throughout the late 80’s and 90’s documenting amongst others all the UK ‘Britpop’ bands. The breakthrough came in 1993-1994 with the release of Sting’s Ten Summoner’s Tales and Mary J Blige’s Share My World. These two album covers changed the perception of the work worldwide and thus began a run of 20 years of commissions and choice opportunities. For the last 25 years, his musical heritage includes portraits of Radiohead, Thom Yorke, Coldplay, White Stripes, Jane's Addiction, Sting, Bjork, Nirvana, Jeff Buckley, Luther Vandross, Nine Inch Nails, Stone Roses, The Pixies, Paul Weller, Rufus Wainwright, Michael Stipe, U2, Mary J. Blige, R.E.M., Black Sabbath, Massive Attack, BB King, The Rolling Stones, PJ Harvey, Marilyn Manson, Pete Doherty, Oasis, Soundgarden, Jake Bugg, and Bon Jovi among many others. Also included are 100’s of albums, singles, magazine & book covers from around the world. He’s also been chosen as official photographer for the LIVE 8 Hyde Park event in 2005 and for Led Zeppelin reunion concert at the 02 Arena, London. The work & interest also include a wide range of artists portraits beyond the music world. David Lynch, Paul Auster, The Coen Brothers, Rupert Friend, Sir Tom Stoppard, Orla Kiely, Vincent Cassel, Audrey Tautou, Billy Bob Thornton, Ethan Hawke, Alan Rickman, Daniel Bruhl, Sean Penn, Shirley Henderson, Aaron Eckhart, Robin Wright, Rhys Ifans, Frances McDormand, Jean-Luc Godard, Ray Winstone, Michel Gondry and Naomi Watts are amongst these portraits. “Rolling Stone”, “Spin”, “Q”, “Time Out”, “Les Inrockuptibles”, “Vogue”, “Rockin On Japan”, “Esquire”, “New York Times Magazine”, “Telegraph” and “Observer” Magazines, “Interview” and dozens of others around the world have commissioned him. The last 15 years he’s been a staff photographer at MOJO Magazine producing many covers and features. Most recently photographing Sir Paul McCartney for the cover story of the November 2013 issue. Westenberg’s biggest honour to date arrived in 2012 when he had his first major global museum show. The location was the ‘Kobe Fashion Museum’, one of Japan’s largest museums. The whole museum was dedicated to Westenberg’s works for a 3 month period. Over 70 images were included in a wide range of sizes, styles and presentation. The catalogue produced sold out during the exhibition’s run. The 20-year attendance record for the museum was also broken by the exhibition. actor hollywood la california...

" The Queen in Red" Folsom Street Fair, BDSM Leather Event Mitchell Funk is a "Color Photographer Pioneer". Signed dated and numbered lower right, recto, 3/15, other size available...

David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover...

Black & White portrait, shot in an abandoned building in a nature preserve, Long Island, NY. Fine art photo mounted on di-bond aluminum. Custom printing/mounting/framing options av...

Alex, Appling. GA 20 x 24 Inch, 2017 Additional information: Medium: Verso archival print Condition: Excellent Editions 1-5, AP1, AP2 of 5 + 2AP Dimensions: 20 x 24 in About artist...

Mick, Atlanta. GA 20 x 24 Inch, 2016 Additional information: Medium: Verso archival print Condition: Excellent Editions 1-5, AP1, AP2 of 5 + 2AP Dimensions: 20 x 24 in About artist...

Oyle, Atlanta GA 20 x 24 Inch, 2016 Additional information: Medium: Verso archival print Condition: Excellent Editions 1-5, AP1, AP2 of 5 + 2AP Dimensions: 20 x 24 in About artist:...

Amir, Atlanta. GA 20 x 24 Inch, 2016 Additional information: Medium: Verso archival print Condition: Excellent Editions 1-5, AP1, AP2 of 5 + 2AP Dimensions: 20 x 24 in About artist...

Oyle, Atlanta GA 16 x 20 Inch, 2016 Additional information: Medium: Verso archival print Condition: Excellent Editions 1-5, AP1, AP2 of 5 + 2AP Dimensions: 16 x 20 in About artist:...

Rowan, Appling. GA 20 x 24 Inch, 2016 Additional information: Medium: Verso archival print Condition: Excellent Editions 1-5, AP1, AP2 of 5 + 2AP Dimensions: 20 x 24 in About artis...

Rowan, Appling. GA 16 x 20 Inch, 2016 Additional information: Medium: Verso archival print Condition: Excellent Editions 1-5, AP1, AP2 of 5 + 2AP Dimensions: 16 x 20 in About artis...

Shawn, Atlanta. GA 20 x 24 Inch, 2016 Additional information: Medium: Verso archival print Condition: Excellent Editions 1-5, AP1, AP2 of 5 + 2AP Dimensions: 20 x 24 in About artis...

Shawn, Atlanta. GA 16 x 20 Inch, 2016 Additional information: Medium: Verso archival print Condition: Excellent Editions 1-5, AP1, AP2 of 5 + 2AP Dimensions: 16 x 20 in About artis...

Mick, Atlanta. GA 16 x 20 Inch, 2016 Additional information: Medium: Verso archival print Condition: Excellent Editions 1-5, AP1, AP2 of 5 + 2AP Dimensions: 16 x 20 in About artist...

Amir, Atlanta. GA 16 x 20 Inch, 2016 Additional information: Medium: Verso archival print Condition: Excellent Editions 1-5, AP1, AP2 of 5 + 2AP Dimensions: 16 x 20 in About artist...

Framing charges includes As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconven...

Digital Photograph , ed. 2 of 9 HP Premium Satin Photo Paper with archival inks Born in Japan in 1940 and educated at The Art Center College of Design in California, Michael K. Yama...

This photograph Car Crash_02_01.11.2021 was taken by the Italian photographer Serena Zeppilli. Ink Jet fine art print on baryta paper. Limited edition...

Photograph of Vinila von Bismark, lead singer for the Spanish rock band Krakovia. This framed photo was previously displayed in a guest room of the original...

Foro Italico 1995 Signed, titled, and dated in blue ink, verso Gelatin silver print 13.5 x 8.875 inches (34.3 x 22.5 cm), image 14 x 10.875 inches (35.6 x 27.6 cm), sheet This wo...

Archival Pigment Print COA Hand Signed by Michael Grecco

Taken at the Folsom Street Fair. BDSM Leather LGBTQ FETISH in Gay San Francisco. Can a street photograph be a grab shot and precisely designed at th...

Billy Bob Thornton by Kevin Westenberg- Signed Limited Edition Kevin Westenberg is famed for his creation of provocative and electrifying images of world-class musicians, artists and movie stars for over 25 years. His technique of lighting, colour and composition has helped to produce his own unique visual style. All prints are signed and numbered by the artist. Paper size 16x20 inches Edition size varies according to print size. Other sizes available (in inches): Luxe 16x20 (Edition of 25) Large 20x24 (Edition of 25) Longe 24x30 (Edition of 25) Grande XL 30x40 (Edition of 10 (+2 a/p)) Giant 40x60 (Edition of 3 (+1 a/p)) FRAMING: Please note that this piece is unframed – however, we offer a full framing service. If you would like this piece framed, please contact us for a quote. black and...

Taken at the Folsom Street Fair. BDSM Leather LGBTQ FETISH in Gay San Francisco. Can a street photograph be a grab shot and precisely designed simul...

One of the most striking photos of MC5 ever taken, this candid portrait was shot by none other than legendary Detroit photographer Leni Sinclair; 2016's Kresge Foundation's Eminent Artist of 2016 (See The Guardian UK photo section, Jan. 28, 2016) Archival ink jet print Dimensions: 11 x 14 inches including borders. Hand signed, titled & dated in ink on the lower margins Obtained directly from artist. Excellent condition. About Leni Sinclair Sinclair is a recognized leader of the 1960s-70s counter cultural movement in Detroit, where she amply documented the city's activities through vivid and dramatic photography...

Artist: Elena Kosharny Medium: Fine Art Photography Print, Signed and Numbered from an edition of 10, Bali, 2017 Dimensions: 30 x 45 in, 76.2 x 114.3 cm

Okurimono Pigment Print Images from the Okurimono series is available in 3 different formats : * 50 x 75 cm : edition of 10 + (+2ap) * 80 x 120 cm : edition of 7 + (+2ap) * 113 x 170 cm : edition of 7 + (+2ap) Each print is numbered and signed About the work : Work by contemporary photographer Christian Houge, from the Okurimono series. In this series, Houge has, through five trips to Japan (Tokyo, Osaka and Kyoto), explored Japans otherworldly subculture and its ritualistic perfection. In this personal art documentary he has ventured into delicate themes such as personal identity, sexuality, longing and gender dysphoria. In this particular series, he uses staging as a method to create a story within a story. The viewers associations are important in meeting this work and ambiguity plays an important role. In this series, Houge has, through five trips to Japan (Tokyo, Osaka and Kyoto), explored Japans otherworldly subculture and its ritualistic perfection. In this personal art documentary he has ventured into delicate themes such as personal identity, sexuality, longing and gender dysphoria. In this particular series, he uses staging as a method to create a story within a story. The viewers associations are important in meeting this work and ambiguity plays a Okurimono (meaning both “gift” and “that which is in-between” in Japanese) - is a word that binds together this comprehensive project developed over five trips to Japan between 2007 and 2018. The series explores the personal pursuit of identity, at times with an underlying darkness as Houge had the chance to be introduced to Tokyo’s subculture. In exploring this theme, Houge has ventured into delicate matters such as sexuality, longing and gender dysphoria. In this particular series, he uses staging as a method to create a story within a story. The artist wishes to question the viewer and provoke a reflection on topics that are often seen as taboos in our contemporary societies. The viewer’s own associations are important in appreciating this work where ambiguity plays an important role. The project started in the Harajuku district of Tokyo which is known as a center of Japanese youth culture and where Houge found some of his first motifs: teenage girls dressing up in post-Victorian dresses or ‘cosplay’ costumes to identify with a character of their favorite comics. Here, the desire to express one’s uniqueness is central and the photographer explores the tension between personal identity and aesthetics shared by all (or at least by the same youth group). In many of his carefully staged photographs, Houge’s models are masked, so as to echo the many social masks we wear in our day-to-day lives. In our post-modern information society, drained of wonder, these enigmatic masked characters also evoke the world of shamans and pagan rituals, therefore injecting a sense of mystery and spirituality that many people are longing for. Symbolism and the many references to ritual and identity in an otherwise suppressed society, may at times create a sense of unease among viewers. The Okurimono project also explores the topic of identity and sexuality in gender dysphoria with Japan’s nyūhāfu (the transsexual ‘new halfs’). Here, the quest for identity coincides with a search of femininity and body image which results in complex physical transformations. Viewers may look at these portraits not having any clue that models are nyūhāfu. Yet, the photographs are staged so that viewers are placed in a disconcerting voyeuristic role while looking at otherwise closed world. Shibari (the art of tying), which originates from the Edo period (1600s), is another territory explored by Houge in his Okurimono series. His striking photographs of female models tied with red rope on a white background take us into this powerful journey into vulnerability and surrender, power and freedom. Through tradition, symbolism and technology, Okurimono also explores the hugely potent symbols that help define parts of Japanese culture and national identity, between old and new. As Art historian Erling Bugge put it: “Christian Houge guides us into a mystery. It resides between the ritualized shapes of the traditional and withdrawn Zen garden in Kyoto and the equally ritualized spaces of futuristic, urban Tokyo. For a westerner, Japan might look familiar, since what is held up for us looks like a futuristic spectacle somehow grounded in a western imagination. This judgment, however, is too easy. In Houge’s photographs, the sense of sameness withdraws and a very different feeling of strangeness creeps up on us. In fact, what this series registers is a remarkable place of alterity in today’s global order, a radical difference bang in the middle of the familiar.” The images of the Okurimono series share a ghostly, otherworldly quality. In reality and dream, ritual and play merge while the boundaries between the known and the unknown dissolve. Christian Houge – Now – Okurimono Christian Houge guides us into a mystery. It resides between the ritualized shapes of the traditional and withdrawn Zen garden in Kyoto and the equally ritualized spaces of futuristic, urban Tokyo. For a westerner, Japan might look familiar, since what is held up for us looks like a futuristic spectacle somehow grounded in a western imagination. This judgment, however, is too easy. In Houge’s photographs, the sense of sameness withdraws and a very different feeling of strangeness creeps up on us. In fact, what this series registers is a remarkable place of alterity in today’s global order, a radical difference bang in the middle of the familiar. This is pushed to the limit in the technological and virtual wonderland of Akihabara in Tokyo, where shop after shop trade in electronic products and computer games, while a weird costume play, “cosplay”, is being performed in streets. A similar kind of simulation is being acted out in the district of Harajuku, where Houge found some of his motifs. There is no authenticity here, no western “essence” or “reality”; instead, the virtual conquers the carnal body in a purified play of surface, image and the hyperreal. This is exotic. All the while as we are conscious of these notions as pinnacle points in a western idea of the post-modern. But in this sense Japan has always been “post-modern”. It has always integrated the most refined culture and technology from the outside while somehow retained an identity for itself. So, what would this identity be? Houge takes the view of ritual and play. Indeed, Japanese culture seems to be grounded solely on ritual, in business and in sex, in its relation to nature and in religion. This play transcends the notion of authenticity altogether, unlike the West which is haunted by the “ghost” of origin and beginnings. In Japan, “now” would mean just that; it is a “no looking back”, but rather a flow of intensities integrated in the play and ritual of the ever-present, okurimono. There is no threat of being eaten up by western culture and technology here, for, like in Zen practice, the ritual oversees everything and has no historical drag. Japan becomes weightless, shot into orbit outside the material of earth itself. Is acting out the role as Lewis Caroll’s Victorian girl driven by a sense of nostalgia? I think not. It is a striving for a moment of perfected presence, in dialogue with Houge’s optical machine. It is the moment of Now. The girl, the Zen garden and the image shares in a perfection modified by small uncertainties, coincidental imperfections that become somewhat oblique points of entry for us - a discarded handkerchief or seemingly unremarkable shapes and reflections in the prismatic play of surfaces. There is a ghostly, otherworldly quality in these images, even in the fleeting blossoming cherrytree and the play of shadows across a concrete minimalism. The doubly exposed or reflected light on the lens reminds us of the uncertain beginnings in photography’s history, with its widespread belief that the camera was able to perceive more than the naked eye, like spirits and ghosts. In Houge’s images there are different specters, skeletal, natural shapes on the one hand, the machine and the virtual on the other. Here, like some scene from the film Blade Runner, there is an uncanny confusion and mix between the human and non human. Maybe the search for a perfect moment in the perpetual flow of things is a romantic or melancholic longing for transcendent wholeness, a drive that is harnessed in a rigorous attention to visual detail. This compulsive discipline might seem absurd to any western observer, while longing itself form a common ground and will ultimately be the basis in our meeting. Erling Bugge Bio: Christian Houge (born in Oslo 1972) Based in Oslo, Norway, I have been making photographs for over twenty years and new insights continue to open. By exploring the relation, and conflict, between Nature and culture, I get a better understanding about Mans` condition. I am interested in the consequences of Humankinds progression and how science often is the result of our conquering of Nature, both on Earth and beyond. Mans` ego, consumer society, the last remnants of pure Nature and identity are recurring elements in my work. I often juxtapose the visually aesthetic with an underlying uneasiness. This often emanates a cognitive dissonance in the viewer to invite deeper truths and personal references. Looking at our actions and place in environment, which we are so dependent on, is a recurring theme in all my exploration and can use everything from digital cameras to large format and panoramic analog cameras for specific projects. I have exhibited extensively in galleries and museums in my native country Norway, as well as the US, England, France and China. The series `Death of a Mountain`(2016-2021) is nominated for the 2021 Leica Oskar Barnack Award, as well as receiving an arts grant from Norwegian Arts Council. Most recently, my series `Residence of Impermanence` 2017-2019 has been exhibited at five museums and several galleries already (including a solo show at Fotografiska, Stockholm (2019), and Les Recontres d`Arles, Haugar Artmuseum, Preus Muaeum of Photography and 2019 (Galerie Omnius, Arles). In 2021, this series received ten nominations for the Prix Pictet Award with the theme FIRE. `Residence of Impermanence` is currently exhibited at the UCR: California Museum of Photography in Los Angeles with the exhibition `Facing Fire,` Art, Wildfire and The End of Nature in the New West...

Juliette Jourdain Big headed series - Self Portrait mounted and framed - matt black 60 x 48 inches 150 x 120cm edition of 8 Also available in: 40 x 32 inches 100 x 80cm edition...

JOHN Yuyi (*1991, Taiwan) Kirin Ichiban, 2018 Archival Pigment Print Sheet 90 x 60 cm (36 x 24 in.) Edition of 6, plus 2 AP; Ed. no. 1/6 John Yuyi (*1991, T...

Edition sizes: 36 x 27 inches - Edition of 3 with 2 APs 24 x 18 inches - Edition of 5 with 2 APs 16 x 12 inches - Edition of 7 with 2 APs JONATHAN FERRARA GALLERY proudly presents T...

"DNA Revolution" Photography 36 x 24" in Edition of 5 by Alina Karo "DNA Revolution" From 7 Deadly Sins series by Alina Karo Aluminum 36” x 24” Edit...

Open and Limited Edition Silver Gelatin Prints Hand Signed by Bob Gruen 8" x 10" Unframed Open Edition 11" x 14" Unframed Open Edition 16" x 20" Unframed Open Edition 20" x 24" U...

Photographer Jerry Siegel was born and raised in Selma and graduated from the Art Institute of Atlanta. His first monograph, “Facing South: Portraits of Southern Artists,” was publis...

"Genipapo" Brazil, 2012 20 x 30 in / Edition of 6 - $4,500 Also available: 32 x 48 in / Edition of 6 - $7,500 40 x 60 in / Edition of 6 - $10,500 50 x 75 in / Edition of 6 - $15,500 Prices listed do not include framing. Please contact gallery for framed pricing. The art of body painting is very important to Amazonian cultures. In most regions of the Brazilian Amazon, people use a wild fruit...

24 x 18 inches - Edition 1 of 5 with 2 APs JONATHAN FERRARA GALLERY proudly presents The Changing Face of Portraiture, the premier solo exhibition of photography by artistic duo E2 ...

Artist: Warwick Saint (American, b. 1972) Title: Neck Tattoo Year: circa 2010 Medium: Photograph on Glossy Paper, signed and numbered verso Edition: 2/7 Image Size: 23.5 x 17.5 inche...

David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover...

Name of the work: Red fawn Date: 2017 Support / Technique: Color pigment printing on art paper. Size: 28x42 cm Description: Digital color photography Signature: Signed and numbered o...

Blaze, Vienna Archival inkjet print on Hahnemühle fine art matte paper. 16 x 20 inches Edition size: 11 Exact dimensions of paper size may vary. Please inquire for additional siz...

Vixen, Vienna Archival inkjet print on Hahnemühle fine art matte paper. 16 x 20 inches Edition size: 11 Exact dimensions of paper size may vary. Please inquire for additional siz...

Edition of 26 Signed, titled, dated and numbered on print margin. Photogravure

Artist Edward Ruscha as he was photographed in January, 1970. Ruscha had become well known several years earlier for his drawings and artist books and ha...

In a series of portraits documenting the body in nature, Isaac’s model dons a fantastical mask — one side overgrown with fledgling greenery while the other half conjures a ghost of t...

Signed, titled, and dated. Gelatin silver print 20 x 16 in.

Lina Scheynius (*1981 Sweden) Untitled (Calendar), 2012 Fibre-based silver gelatin print, hand proofed by the artist. Image 16 x 24 cm (6 1/4 x 9 1/2 in.) ...

Edition of 15 Signed. Series: World of Wonders Jimmy Katz, born in New York City in 1957, received his B.A. in political science and studied photography with John McKee at Bowdoin C...

Albert Watson Kate Moss, Sun & Henna, Marrakech, Morocco, 1993 Archival pigment print Sheet 142 x 107 cm (55 7/8 x 42 1/8 in.) Edition of 10 plus 2 artist's proofs Hand-signed by art...