Abstract Prints

Lithograph, 1974 Handsigned by the artist in pencil and numbered 152/200 Publisher : Erker (St. Gallen) LCD4752

Voluptuosidad 05, 2019 Edition of 25 Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity, (Unframed) His ...

White flower , 2019 Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity. Edition of 25 (Unframed) His wor...

Flowers V, 2019 Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity. (Unframed) His work has been shown i...

Subligraphy (CHROMALUX) on aluminium Ed.1/15 Possibility of frame with additional costs

Edition of 25 Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity, (Unframed) His work has been shown in...

Lithograph, 1960 Unsigned lithograph from the book "Drawings for the Bible" composed of 24 color lithographs Publisher : Verve (Paris) Printer : Mourlot (Paris) Catalog : Mourlot 243...

Lithograph, 1960 Unsigned lithograph from the book "Drawings for the Bible" composed of 24 color lithographs Publisher : Verve (Paris) Printer : Mourlot (Paris) Catalog : Mourlot 248...

Bow Tie Hand signed and numbered, ,limited edition lithograph collage assemblage. Barbara Kohl-Spiro is a Milwaukee, Wisconsin-based artist whose work has spanned over five decades and has been exhibited internationally. She works in collage, mixed media, watercolor painting and Jewish culture has a strong influence on Spiro’s work and is close to her heart. Spiro is particularly interested in art made by common people of various cultures where the art is a reflection of their belief system. Spiro has exhibited in solo and group exhibitions, including at the Golda Meir Library, University of Wisconsin-Milwaukee; Portals Gallery, Chicago, Illinois; Kohler Art Museum, Sheboygan, Wisconsin; Michael Lord Gallery, Milwaukee, Wisconsin; and Albright-Knox Museum, Buffalo, New York. Barbara Kohl work was included in the Mishkenot Sha’ananim at the Israel Museum, Jerusalem, Israel (2003), 1994; Wisconsin Artists: A Celebration of Jewish Presence 2005 Strength-Four Strong Wisconsin Woman. Kohl-Spiro says that: "For me, my life has been dedicated to family, tradition, and adding to the big pot...

Print, limited edition of 15. Photographed in Bratislava a detail of a technical building-architect Jurkovic. Signed by the author.

This artwork titled "Graffity" 1983 is a mixed media, color etching, aquatint and collage by renown artist Misch Kohn, 1916-2003. It is hand signed, titled,...

A superb impression of this color lithograph with hand coloring in watercolor and gouache on Velin Arches mould-made paper. Signed, dated and numbered 88/90 in pencil by Hodgkin. Pri...

HENRY MOORE 1898-1986 Castleford 1898-1986 Perry Green (British) Title: Creole Lady, from: Poetry La Poésie, 1973 Technique: Original Hand Signed Lithograph in Colours on Arches ...

Artist Commentary: Part of an ongoing series of urban portraits with a working title "Faces of the city." Researching different aspects of urbanities reflected through intertwined im...

Untitled Color woodcut, 1939 Unsigned as issued Signed and dedicated by the artist on the justification page (see photo) From: Abstractions By Charles Smith Forward by Carl O. Schnie...

ABOUT THIS ARTIST: Siobhan O’Dwyer is a creative artist splitting her time between New York City and Southern California. Working as a full-time pharmacist in the beginning of her cr...

This is not signed or numbered. it is from a folio of prints. Laura Fiume was born in Urbino, central Italy in 1953. Her education took place in Milan at t...

Artist Commentary: Digital collage, original digital UV print on heavy-stock watercolour paper Simply the Best 2, online, finalist, 2013 Keywords: collage, industrial, modern, gold...

Limited edition of 100 prints, numbered and hand signed. Excellent condition.

This artwork titled "Desert Approach" 1993 is an original color serigraph on Wove paper by Canadian/American artist Howard Bradford, 1919-2008. It is hand signed, titled, dated and ...

Facsimile on paper, 1964 Printer : Daniel Jacomet (Paris) Dedication "to Guiguite and Aimé Maeght, in homage to the Foundation and with all my affection" and printed signature. LCD4...

Artist: John Urbain, Belgian/American (1920 - 2009) Title: Windmill Year: circa 1980 Medium: Silkscreen with Collage, signed and numbered in pencil Edition: AP Size: 36.5 x 26 in. (9...

This abstract limited edition print features a red and gold rectangular patterned backdrop, in front of which, green and yellow birds sitting on top of branches. The foreground and b...

Canoe, Olympic Games Beijing 2008 is original lithograph realized by Alberto Di Fabio. This artwork is from the portfolio The Unique Collection for ...

Charles Battaglini was a professional artist/teacher in printmaking. He exhibited for more than 55 years in juried and gallery exhibits, including the Associated Artists...

Tom Alan Lieber, (American, born 1949), GTW #11 -7, 1986, Oil and mixed media on paper, 30.25 x 44 inches, Hand signed and dated lower right Provenance: Garner Tullis Workshop, ...

Letter L is an original artwork realized by the Rafael Alberti in 1972. Hand Signed and dated on the lower right margin. Edition of 99 pieces plus 20 Artist's Proofs in Roman Numbers.

Yvaral (Jean-Pierre Vasarely) - Marilyn Monroe screen printing Signed and dedicated Annotated artist's proof Circa 1970 75x75cm

Framed "Flying Colors" lithograph by Alexander Calder. Signed Calder in lower right corner. Edition 11 of 100.

Technical Information: Julian Stanczak Tempo of Three 1981 Screenprint 26 x 39 1/4 in. Edition of 175 Pencil signed and numbered Accompanied with COA by Gregg Shienbaum Fine Art

Technical Information: Julian Stanczak Compounded Red 1981 Screenprint 26 x 26 in. Edition of 175 Pencil signed and numbered Accompanied with COA by Gregg Shienbaum Fine Art

large scale photography of mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from the body of works titled 'Hemisphere' Hemisp...

This large original color serigraph on Wove paper, 1975 is by Canadian/American artist Howard Bradford, 1919-2008. It is hand signed, titled, dated and...

203R0943 (Abstract Print) Carborundum etching on zinc printed on BFK Rives 250 gr/m2 paper - Unframed. Edition 6/9 Pierre Muckensturm added printmaking to his oeuvre in 2010. The...

Fine Art Print, limited Edition of 10. Signed by the author.

This abstract limited edition print features a red and gold rectangular patterned backdrop, in front of which, green and yellow birds sitting on top of branches. The foreground and b...

This abstract limited edition print features a red and gold rectangular patterned backdrop, in front of which, green and yellow birds sitting on top of branches. The foreground and b...

Pink Composition is an original artwork realized by Mark Tobey in 1972. Mixed colored aquatint and etching on paper paper. Hand signed and dated on the Lower right. Numbered on th...

**ANNUAL SUPER SALE UNTIL APRIL 15TH ONLY** *This Price Won't Be Repeated Again This Year-Take Advantage Of It* This Futuristica skyline series by Mauro Oliveira has b...

This abstract limited edition print features a red and gold rectangular patterned backdrop, in front of which, green and yellow birds sitting on top of branches. The foreground and b...

Artist Commentary: A cheeky comment on the social media, including but not limited to... Part of an ongoing series of urban portraits with a working title "Faces of the city". Resear...

Vintage Abstract Mono Print by Elizabeth Cleveland C.2012 Gorgeous vintage mono print Pencil signed lower right Print dimensions 24" wide x 35.5" high ...

Untitled, 1983, lithograph printed in sepia ink, Hand signed and dated lower right, numbered in pencil with the artist's chop mark lower left, inscribed by artist. From a series of experimental abstract linocuts done in 1983. These are very small editions and were gifted to a friend of the artist. They are done on deckle edged French Arches Art paper. Hans Gustav Burkhardt (1904 – 1994) was a Swiss-American abstract expressionist artist. Hans Burkhardt was born in the industrial quarter of Basel, Switzerland. Captivated by Germanic art, he began dabbling in art in his spare time while learning how to decorate furniture in antique styles. He became foreman of the furniture company's decorating department. From 1925 to 1928 he attended the Cooper Union School of the Arts, where he befriended mentor Arshile Gorky and Willem de Kooning—sharing Gorky's studio from 1928 to 1937. Burkhardt's paintings of the 1930s are part of the genesis of American abstract expressionism. In 1937 he moved to Los Angeles and represented the most significant bridge between New York and Los Angeles. His experimental investigative approach paralleled, and in many instances anticipated, the development of modern and contemporary art in New York and Europe including the work of Mark Rothko, Jackson Pollock, and Barnett Newman. Burkhardt held his first solo exhibition in 1939 at Stendahl Gallery in Los Angeles, arranged by Lorser Feitelson, and, in response to the Spanish Civil War, he painted his first anti-war works. From the late 1930s he began to produce apocalyptic anti-war compositions, a theme which became particularly pronounced in an abstract expressionist style after the atom bomb was dropped on Hiroshima and Nagasaki at the end of the Second World War. In the years following an acclaimed (1945) solo exhibition at the Los Angeles County Museum, Burkhardt continued in his art to respond to WWII, in the aftermath of Gorky's suicide in 1948, Burkhardt delved into his grief and celebration of Gorky's life creating several versions of “Burial of Gorky” and a series entitled “Journey into the Unknown.” Burkhardt first visited Mexico in 1950, and spent the next decade living half of the year in and around Guadalajara. Strongly influenced by Mexican attitudes towards the dead, and by the country's colors, sensuality, and spiritual qualities, Burkhardt “painted the soul of Mexico” with Mexican themes and colors—especially those of burials and ceremonies surrounding death—permeating his abstract work. His Mexican work flirted with Surrealism although he was never really considered a Surrealist artist. Art critics of the time considered him a "great Mexican master” alongside Orozco, Diego Rivera, and Siqueiros, and Rufino Tamayo admired his work. Overall, in the 1950s Burkhardt held 23 solo exhibitions in Los Angeles and Mexico, and participated in group shows at over thirty museums worldwide. He was friends with June Wayne from Tamarind Press. In the 1960s he produced paintings in protest against the Vietnam War, some of which incorporated the human skulls he had collected from Mexican graveyards. As art historian Donald Kuspit stated, Burkhardt was “a master—indeed the inventor—of the abstract memento mori.” In 1964, for the first time in forty years, Burkhardt returned to Basel, and began making annual summer visits where he became a friend of Mark Tobey—printing linocuts for the artist and collecting his work. In the 1970s Burkhardt continued his anti-war paintings—incorporating protruding wooden spikes into the canvas—while simultaneously painting abstractions of merging lovers and cityscapes during his summer visits to Basel. His “Small Print” (protesting smoking), “Graffiti,” and “Northridge” series demonstrate the evolution of his symbolism, and his “Desert Storms” series, in response to Iraq's invasion of Kuwait, was discussed by critic Peter Selz at a presentation at the International Congress of Art Critics Conference. In the last decades of his life, Burkhardt's work had moved from images of imbalance to a study of human tragedy—which he embraced in an attempt to discover beauty and facilitate understanding. Critic Peter Frank called Burkhardt “…one of America’s most vital abstract expressionist painters, someone who took the seed of the movement and cultivated it a rather different way in very different soil.” Burkhardt taught at numerous colleges and universities and retired as a professor emeritus from California State University, Northridge. In 1992 Burkhardt was honored as the recipient of the Lifetime Achievement Award by the American Academy and Institute of Arts and Letters’ Jimmy Ernst (son of Max Ernst) Award. Also in 1992, he established the Hans G. and Thordis W. Burkhardt Foundation. In 1993, the last year of his career, his final series “Black Rain” channeled pain and hardship, but provided poignant, symbolic beacons of hope and wishes for a better future for humanity. His unique role as an important American painter is affirmed by the constant interest and continuing reassessment afforded his work. Select Solo exhibitions 1939: Stendahl Gallery, Los Angeles, March 27 – April 17 1945: Hans Burkhardt, Los Angeles County Museum of Art 1951: Museo de Bellas Artes, Guadalajara, Mexico: Exhibición de Pinturas Modernas; Comara Gallery, Los Angeles 1953: Fisher Gallery, University of Southern California, Los Angeles 1957: Pasadena Art Museum, California: Ten Year Retrospective, June 14 – July 14; 1968: San Diego Museum of Art: Vietnam Paintings...

Signed lower right, 'Hiroyuki Tajima' (Japanese, 1911-1984) and dated 1979 with limitation and number, '100-10', lower center and titled lower left, 'Section of Landscape'. Paper dimensions: 19.75 x 12.5 inches An elegant abstract comprising juxtaposed vertical, rectangular forms in variegated shades of turquoise blue and copper. Engraver and printmaker, Hiroyuki Tajima was born in Tokyo in 1911 and graduated from Nihon University in 1932. In 1934, he graduated from the Tokyo School of Arts with a specialization in western-style painting. Tajima later studied fabric dyeing under Hirokawa Matsugoro (1889-1952) and woodblock printing with the Sosaku-Hanga artist, Nagase Yoshiro (1891-1978), a founder of the Japan Print Association (Hanga Kyokai). In 1946, inspired by Dada and Surrealism, Tajima joined Bijutsu Bunka Kyokai, a group dedicated to exploring and reviving the abstract and surrealist painting ideals that had been suppressed during WWII. Tajima exhibited widely and with success, including with Tokyo's Modern Art Association (Prix du Nouveau Venu, 1962), the Japanese Engraving Association, the Contemporary Japanese Art Exhibition in Tokyo (1962), the Northwest International Print Exhibition (1962-1964) and the Tokyo International Print Biennale (1964). His work is held in the permanent collections of museums worldwide including the Portland Art Museum (Oregon), the Cleveland Museum of Art, the Los Angeles County Museum of Art (LACMA), the Fine Arts Museums of San Francisco, the Art Gallery of Greater Victoria (British Columbia), the Art Gallery of New South Wales (Australia), the Carnegie Museum of Art, the National Museum of Art, Osaka (NMAO) and the British Museum in London. In describing Tajima's work, Frances Blakemore...

Extension 2, 2013, Digital print on Fine art 100% cotton paper Edition 64/300 Image: 46.9×40.0cm. (18 ¹⁵/₃₂ x 15 ³/₄ in) Sheet: 70.0×50.3cm (27 ⁹/₁₆ x 19 ³/₄ in) Limited edition sig...

This abstract limited edition print features a red and gold rectangular patterned backdrop, in front of which, green and yellow birds sitting on top of branches. The foreground and b...

Aquatint, 1977 Handsigned by the artist in pencil Edition : 25 Publisher : La Source (Montbéliard) Catalog : 324 38.00 cm. x 56.50 cm. 14.96 in. x 22.24 in. (paper) 25.50 cm. x 43....

Riva Helfond (1910–2002) was an American artist and printmaker best known for her social realist studies of working people's lives. Riva Helfond was born in Brooklyn, New York, to a Jewish family. She spent some of her childhood in Russia and returned to New York at the age of eleven, living in New York or New Jersey for most of the rest of her life. Between 1928 and 1940, she studied at the School of Industrial Art and the Art Students League; her teachers included William von Schlegell, Yasuo Kuniyoshi, and Morris Kantor for painting and Harry Sternberg for printmaking. Among her fellow students were Alexander Brook and her future husband, the sculptor William (Bill) Barrett. Helfond began teaching in the College Art Association Program (1933–36) and then taught printmaking at the Harlem Arts Community Center (1936–38). Initially she taught lithography alongside Jacob Lawrence, Romare Bearden, and others before moving to the graphic arts division, where she worked with Louis Lozowick and Jacob Kainen, and the silkscreen division, which was supervised by Anthony Velonis and which had Harry Gottlieb and Elizabeth Olds...

**ANNUAL SUPER SALE UNTIL MAY 15TH ONLY** *This Price Won't Be Repeated Again This Year-Take Advantage Of It* **IMPORTANT: This is a limited edition print on canvas> I...

Venetian Views: Venice, Afternoon, 1995 Howard Hodgkin Lift-ground etching and aquatint with carborundum printed in colours with hand-colouring in cadmium yellow, mars yellow and ph...

Ancient Images, color lithograph by Dan Namingha, Hopi Kachinas, katsina, blue Ancient Images , lithograph , by Dan Namingha, Hopi, Kachinas, katsina, blue

Created in 1990, this original color serigraph is hand signed by Victor Vasarely (Pécs, 1906 - Paris, 1997) in pencil in the lower right margin. Numbered 270/300, this piece was prin...

76 x 52 cm. Printed by Fernand Mourlot on rag paper watermarked "Mourlot." A condition. Not in Saphire. .Fernand Mourlot was born in Paris in 1895. He grew up in the family print shop but it wasn't until he took over in the early 1920s that he would change the fabric of printing forever. His influence fostered a resurgence of lithography, revealing it as a new avenue for expression and a new realm of possibilities for likes of Pablo Picasso, Henri Matisse, Marc Chagall, Joan Miró, Georges Braque, Fernand Léger, and Alberto Giacometti to enrich their own work as well as fine art in general. Fernand cultivated the lithograph as a painter's medium and the family studio on Rue Chabrol became a hub where he could invite artists to work directly on the stone, as if creating a poster. In 1937, the studio produced two posters (based on paintings by Matisse...

Peasant, fine art print, limited edition 10, signed by the author.

Abstract Composition is an original artwork realized in the mid-20th century by Alfred Manessier. Mixed colored lithograph. Handsigned on the lower right ¨Manessier¨. Edition des...

Laddie John Dill, American (1943) Date: 1988 Etching with Aquatint on Rives BFK, signed, numbered and dated in pencil Edition of 74/75 Image Size: 9 x 22.5 inches Size: 22.5 x 30 in....

Signed unique encaustic monoprint depicting an erupting volcano. Elise Wagner painter, printmaker, and teacher, is a recent recipient of the Pollock Krasner Foundation Grant. Origin...

Screen print in colors on paper. Hand signed and numbered by Ronnie Cutrone. From the edition of 150. Certificate of Authenticity included. Please do not hesitate to ask us any further questions. All reasonable offers will be considered. Please note our gallery has more than 1 of this artwork in stock and the exact edition number you may receive may be different than pictured. About the artist: Ronnie Cutrone (American, b.1948) is a Pop artist renowned for his vibrant, satirical paintings...