Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 12

Giacometti, Sans titre, Société internationale d'art XXe siècle (after)

1952

$1,276
$1,59520% Off
£960.45
£1,200.5620% Off
€1,104.68
€1,380.8420% Off
CA$1,795.42
CA$2,244.2820% Off
A$1,968.37
A$2,460.4620% Off
CHF 1,031.59
CHF 1,289.4920% Off
MX$23,903.77
MX$29,879.7120% Off
NOK 12,870.37
NOK 16,087.9720% Off
SEK 12,180.06
SEK 15,225.0820% Off
DKK 8,245.05
DKK 10,306.3120% Off

About the Item

Lithograph on vélin paper. Paper Size: 12.4 x 19.3 inches, with centerfold and stitch perforations, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N°3 (double) Juin 1952, Cahiers d'Art publiés sous la direction de Gualtieri di San Lazzaro, Art et poésie depuis Apollinaire, 1952. Published by Société Internationale d'Art XXe siècle, Paris, under the direction of Gualtieri di San Lazzaro, éditeur, Paris; printed by Mourlot Frères, Paris, 1952. Additional notes: Excerpted from the academic article, “Promoting Original Prints, The Role of Gualtieri di San Lazzaro and XXe Siècle” by Valerie Holman, published in Print Quarterly, XXXIII, 2016, 2, Until recently very little has been written on the Italian author and art publisher Gualtieri di San Lazzaro (1904-75), yet for 50 years he chronicled the life and work of contemporary artists, produced monographs of exceptional quality, and disseminated original prints by modern painters and sculptors through his best-known periodical, XXe Siècle. Although still a relatively unfamiliar figure in the United Kingdom, San Lazzaro is one of the half-dozen great art publishers of the mid-twentieth century who, together with his exemplar, Ambroise Vollard (1866-1939), and those of his own generation, Christian Zervos (1889-1970), Tériade (1889-1983) and Albert Skira (1904-73), chose to base himself in Paris, seeing it throughout his life as the centre of the art world….XXe Siècle, an illustrated periodical, was launched in 1938 and printed in editions of approximately 2,000, each issue containing both photographs and four-colour separation reproductions across a wide spectrum of visual imagery ranging from masterpieces of Western painting to popular prints from the Far East. Its large format, lively design, and close integration of text and image, were immediately striking, but its most innovative feature, introduced at the suggestion of Hans Arp (1886-1966), was the inclusion of original prints by contemporary artists in every issue. With obvious appeal for collectors, XXe Siècle was also designed to introduce a wider, international public to contemporary painting and sculpture through good quality colour reproductions and the immediacy of original prints. Comparable in price to Cahiers d'Art, early issues of XXe Siècle sold out rapidly. While San Lazzaro's own aesthetic preferences tended towards lyric abstraction, he made clear that XXe Siècle was non-partisan [publication ceased during World War II]….in 1951, San Lazzaro relaunched XXe Siècle with thematic issues that were materials based, or centred on a topic of current interest in the visual arts, particularly in Europe: concepts of space, matter, monochrome, mark-making and the sign.' A defining feature of the new series was Italy's artistic dialogue with France for, while San Laz-zaro had originally concentrated on Paris-based painters and sculptors, his aim was to create an international network, to make known the work of French artists in Italy and Italian artists in France, and subsequently extend this bilateral axis to the English-speak-ing world. The artists represented in No. I by an original print were all best known as sculptors: Arp, Laurens, Henry Moore (1898-186) and Marino Marini, San Lazzaro not only sought to show readers the full range of an artist's work, but to encourage the production of prints, a stimulus much appreciated, for example, by Magnelli…. Suffering from failing health, in 1968 San Lazzaro lost overall control of XXe Siècle to Léon Amiel, a printer-publisher who had provided financial backing and helped with distribution in America." Thematic issues now ceased and were replaced by a 'panorama' of the year, but San Lazzaro was still active as a publisher of books and albums of prints….Shortly after his death, San Lazzaro himself was the subject of two exhibitions: 'Omaggio a XXe Siècle' in Milan in December 1974 centred on graphic work by those artists closest to him late in life, while 'San Laz-zaro et ses Amis' at the Musée d'Art Moderne de la Ville de Paris in 1975 featured work by all those whose work he had promoted for more than 50 years: Arp, Calder (1898-1976), Capogrossi, Chagall, Sonia Delau-nay, Dubuffet, Estève, Lucio Fontana (1899-1968), Gili-oli (1911-77), Magnelli, Marini, Miró, Moore and Poliakoff. This exhibition was seen by one of his closest colleagues as an indirect portrait of San Lazzaro, a complex man whose modesty and reserve masked his unremitting drive to extend international appreciation of contemporary art, and to bring the reading public closer to its making through the medium of print. ALBERTO GIACOMETTI (1901-1966) was a Swiss sculptor, painter, draftsman and printmaker. Beginning in 1922, he lived and worked mainly in Paris but regularly visited his hometown Borgonovo to see his family and work on his art. In 1922, he moved to Paris to study under the sculptor Antoine Bourdelle, an associate of Rodin. It was there that Giacometti experimented with Cubism and Surrealism and came to be regarded as one of the leading Surrealist sculptors. Among his associates were Miró, Max Ernst, Picasso, Bror Hjorth, and Balthus. In May 2015, Giacometti's sculpture, "L'Homme au doigt" sold for $141.3 million USD at Christie's in New York, which set a world record for the artist, and setting the highest price to date ever garnered for a sculpture by any artist in history.
  • Creation Year:
    1952
  • Dimensions:
    Height: 12.4 in (31.5 cm)Width: 19.3 in (49.03 cm)
  • Medium:
  • Movement & Style:
  • After:
    Alberto Giacometti (1901 - 1966, Swiss)
  • Period:
  • Condition:
  • Gallery Location:
    Southampton, NY
  • Reference Number:
    1stDibs: LU1465216461882

More From This Seller

View All
Giacometti, Sans titre, Société internationale d'art XXe siècle (after)
By Alberto Giacometti
Located in Southampton, NY
Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N°3 (double) Juin 1952, ...
Category

1950s Modern Abstract Prints

Materials

Lithograph

Giacometti, Sans titre, Société internationale d'art XXe siècle (after)
By Alberto Giacometti
Located in Southampton, NY
Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N°3 (double) Juin 1952, ...
Category

1950s Modern Abstract Prints

Materials

Lithograph

Giacometti, Sans titre, Société internationale d'art XXe siècle (after)
By Alberto Giacometti
Located in Southampton, NY
Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 7 (double) Juin 1956,...
Category

1950s Modern Abstract Prints

Materials

Lithograph

Giacometti, Nu de Profil, Derrière le miroir (after)
By Alberto Giacometti
Located in Southampton, NY
Etching, cuivre rayé après tirage on vélin paper. Paper Size: 15 x 11 inches; image size: 12.2 x 2.17 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, ...
Category

1950s Modern Abstract Prints

Materials

Etching

Giacometti, Composition (Kornfeld 322; Lust 32), Derrière le miroir (after)
By Alberto Giacometti
Located in Southampton, NY
Lithograph on vélin Chiffon de Mandeure paper. Signed in the plate and unnumbered, as issued. Good condition. Notes: From the album, Lithographies et Eaux-Fortes Originales, Livres I...
Category

1960s Modern Abstract Prints

Materials

Lithograph

Giacometti, Sans titre, Derrière le miroir (after)
By Alberto Giacometti
Located in Southampton, NY
Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 98, 1957. Published by Aimé Maeg...
Category

1950s Modern Abstract Prints

Materials

Lithograph

You May Also Like

Hommage a Rene Char after Pablo Picasso
By Pablo Picasso
Located in New York, NY
This colorful lithograph after Pablo Picasso was printed by the Atelier Mourlot in Paris in 1964 and is unsigned*. This image is taken from a drawing in pencil and colored chalk enti...
Category

1960s Modern Abstract Prints

Materials

Lithograph

After Pablo Picasso - Cubism - Pochoir
By (after) Pablo Picasso
Located in Collonge Bellerive, Geneve, CH
After Pablo Picasso - Cubism - Pochoir Dimensions: 48.5 x 36 cm 1962 Edition of 260 Daniel Jacomet, LEDA, Editions d'Art Pablo Picasso Picasso is not just a man and his work. Picas...
Category

1960s Modern Figurative Prints

Materials

Lithograph

Composition
By Antoni Tàpies
Located in BARCELONA, ES
Antoni Tàpies. "Composition" 1976 Lithograph hand-signed Print run of 75 copies, 69/75 56 x 76 cm
Category

1970s Abstract Abstract Prints

Materials

Lithograph

Abstract Expressionist Composition
Located in Astoria, NY
20th Century School, Abstract Expressionist Composition in Blue, Mixed Media with Collage Elements on Paper, oil, charcoal, and pastels, abstract forms overlaying collaged photograph...
Category

Late 20th Century Abstract Expressionist Abstract Paintings

Materials

Paper, Charcoal, Pastel, Oil

Un Poème dans chaque Livre
By Pablo Picasso
Located in New York, NY
A very good impression of this drypoint on Japon ancien. Dated in the plate. Printed by Lacourière, Paris. Published by Louis Broder, Paris. From the same-titled suite. Catalogue r...
Category

1950s Abstract Abstract Prints

Materials

Drypoint

“Untitled”
By Jean Dufy
Located in Southampton, NY
Original lithographic print done as a gravure using black ink attributed to the hand of the well known French artist, Jean Dufy. Signed in the plate “Dufy” lower right. Circa 1960. Condition is very good. “Pierre Hautot...
Category

1960s Post-Modern Figurative Prints

Materials

Archival Paper, Lithograph

“Untitled”
$236 Sale Price
20% Off