Alexander CalderSeascape1974
1974
About the Item
- Creator:Alexander Calder (1898 - 1976, American)
- Creation Year:1974
- Dimensions:Height: 39.57 in (100.5 cm)Width: 29.14 in (74 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:A copy with deep and bright colors. A restored paper loss in outer left margin, some surface disturbance and discoloration spots. Overall a beautiful copy. See pictures & video.
- Gallery Location:ZEIST, NL
- Reference Number:1stDibs: LU1829211941602
Alexander Calder
The American sculptor Alexander Calder is known as the father of the mobile, a moving artwork composed of delicately balanced sculptural forms suspended from the ceiling.
Because Calder's parents, both artists themselves, did not want him to suffer the hardships of trying to make a living in art, they encouraged the young Calder to study mechanical engineering at the Stevens Institute of Technology, in Hoboken, New Jersey. He worked a number of jobs, including as a hydraulic engineer and draftsman for the New York Edison Company, before deciding to pursue an artistic career. He never abandoned his engineering background, however, applying his understanding of gears and moving parts in all his artworks, from mechanical toys like the Cirque Calder (1931) and his revered prints to his free-standing abstract sculptures, called stabiles.
In 1926, Calder moved to Paris and established a studio in the Montparnasse quarter. He began creating the many parts of his famous miniature circus from found materials, such as wire, string, cloth, rubber and cork. Designed to be transportable, Cirque grew to fill five suitcases over the years. Always interested in putting forms in motion, Calder also pioneered a new art form called wire sculptures, which he described as “drawings in space.” Like his famous mobiles, the wire sculptures were suspended so that they turned with any movement of the air, presenting different forms when viewed from different angles.
In the 1950s, Calder returned to his roots in mechanical engineering, creating monumental abstract sculptures that verged on the architectural. He worked from loose gestural drawings like this preparatory sketch for his Man Stabile, from 1966. Throughout his career, he also worked as a set designer for the theater, as well as an illustrator and printmaker, producing vibrant, whimsical drawings for books and journals.
Find original Alexander Calder art today on 1stDibs.
- ShippingRetrieving quote...Ships From: Zeist, Netherlands
- Return PolicyA return for this item may be initiated within 7 days of delivery.
- Monochrome und FeuerBy Yves KleinLocated in ZEIST, UTYves Klein- Monochrome und Feuer The complete triptych of two screen prints in blue and pink and one print coated in gold foil with gold leaf hand applied by the artist. Executed in...Category
1960s Modern Abstract Prints
MaterialsScreen
- Le CarrouselBy Kees van DongenLocated in ZEIST, UTKees van Dongen – Le Carrousel (De Champs- Elysées). Color lithograph, 1963. Edition 68/100 hand signed and numbered in ballpoint. Perfect condition with vibrant colors. Image size...Category
1960s Modern Figurative Prints
MaterialsLithograph
- Jeune Femme au ChienBy Kees van DongenLocated in ZEIST, UTKees van Dongen – Jeune femme au chien Pochoir, Henri Floury Editeur, Paris, 1925. From the album ‘Van Dongen’ by Edmond des Courieres. Paper size: 26.5 x...Category
1920s Modern Figurative Prints
MaterialsLithograph
- Marcelle LeoniBy Kees van DongenLocated in ZEIST, UTKees van Dongen- Marcelle Leoni Lithograph, on Arches paper (with watermark), 1959. Edition: 200 Signed in ballpoint, numbered 92/200 in pencil (verso) Printed by Mourlot, Paris Pape...Category
1950s Modern Portrait Prints
MaterialsLithograph
- From Color to Form VIIIBy Marino MariniLocated in ZEIST, UTMarino Marini- From Color to Form VIII Color lithograph on Arches paper (with watermark), 1969. Printed by Mourlot, Paris, published by Société Internationale d'Art XXe Siècle, Par...Category
1960s Modern Figurative Prints
MaterialsLithograph
- From Color to Form VIIBy Marino MariniLocated in ZEIST, UTMarino Marini- From Color to Form VII Color lithograph on Arches paper (with watermark), 1969. Printed by Mourlot, Paris, published by Société Internationale d'Art XXe Siècle, Paris,...Category
1960s Modern Figurative Prints
MaterialsLithograph
- Joseph Kosuth American Artist Original Hand Signed engraving, lithographLocated in Miami, FLJoseph Kosuth (United States, 1945) 'El mapa de Miranda y la disciplina de Nietzsche', 2004 engraving, lithograph on stone 19.7 x 27.6 in. (50 x 70...Category
2010s American Modern Abstract Prints
MaterialsStone
- From the Weather Bureau. New York, New York.By Stow WengenrothLocated in Storrs, CT"From the Weather Bureau. February 1940. Lithograph printed in black and cream. Stuckey catalog 106. state i. Two stone printing. 10 1/8 x 17 (sheet 16 x 21 5/8). Edition 40 in this ...Category
1940s American Modern Landscape Prints
MaterialsLithograph
- Monoprint Monotype American Modernist Gregory Amenoff Abstract ExpressionistBy Gregory AmenoffLocated in Surfside, FLGregory Amenoff (Contemporary American abstract painter, b. 1948), Monotype Monoprint (1990) Hand signed in pencil lower right plate: 16 x 16 inches frame dimensions: 35 1/8 x 29 1/8 x 1 5/8 inches, wood frame with glazing Provenance: Corporate Collection of Bank BNP Paribas Gregory Amenoff is a painter who lives in New York City and Ulster County, New York. He is the recipient of numerous awards from organizations including the American Academy of Arts and Letters, National Endowment for the Arts, New York State Council on the Arts and the Tiffany Foundation. He has had over fifty one-person painting exhibitions in museums and galleries throughout the United States and Europe. His work is in the permanent collections of more than thirty museums, including the Whitney Museum of American Art, the Museum of Fine Arts in Boston, the Museum of Modern Art in New York and the Metropolitan Museum of Art. His work has the influence of both Abstract Expressionism and Pop Art in it, biomorphic forms in rich hues and thick textures with heightened colors and abstracted, organic forms, late American Modernism. He moved to New York in 1979, the artist rose to critical acclaim in the 1980s alongside Terry Winters, Bill Jensen, and Katherine Porter. The artist lives and works between New York, NY and his Hudson Valley residence. He works in woodcut, lithograph and monoprint techniques. He was a collaborating artist illustrating Bradford Morrow, Bestiary along with Joe Andoe, James Brown, Vija Celmins, Louisa Chase, Eric Fischl, Jan Hashey, Michael Hurson, Mel Kendrick, James Nares, Ellen Phelan, Joel Shapiro, Kiki Smith, David Storey, Michelle Stuart, Richard Tuttle, Trevor Winkfield, Robin Winters. Linoleum cuts with pochoir and woodcuts for the Grenfell Press, New York. Amenoff served as President of the National Academy of Design from 2001-2005. He is a founding board member of the CUE Art Foundation in New York City and serves as the CUE Art Foundation's Curator Governor. Amenoff has taught at Columbia for the last eighteen years, where he holds the Eve and Herman Gelman Chair of Visual Arts and is currently the Chair of the Visual Arts Division in the School of the Arts. He is currently the Vice-President of the National Academy. In 2011 he received the John Solomon Guggenheim Fellowship. Museum Collections Albright-Knox Art Gallery; Buffalo, NY Art Institute of Chicago; IL Baltimore Museum of Art; Brooklyn Museum of Art; Brooklyn, NY Butler Institute of American Art; Youngstown, OH Cleveland Museum of Art; Cleveland, OH Currier Gallery of Art; Manchester, NH Frances and Sidney Lewis Foundation; Richmond, VA Hood Museum of Art; Hanover, NH Honolulu Academy of Art; Honolulu, HW Kemper Museum of Contemporary Art; Kansas City, MO Maier Museum of Art; Lynchburg, VA Metropolitan Museum of Art; New York, NY Milwaukee Museum of Art; Milwaukee, WI Minneapolis Institute of Art; MN Muscarelle Museum of Art, College of William and Mary; Williamsburg, VA Museum of Fine Arts; Boston, MA Museum of Modern Art; New York, NY National Museum of American Art; Washington, DC Neuberger Museum, State University of New York at Purchase; NY New York Public Library, Spencer Collection...Category
1980s American Modern Abstract Prints
MaterialsLithograph, Monoprint, Monotype
- Sandscapes #4 Florida Artist Abstract Modernist Signed PrintBy Kathy StarkLocated in Surfside, FLFine piece of Florida abstract Landscape art. With a French Art Deco feel to it.Category
1990s American Modern Abstract Prints
MaterialsLithograph
- Black/White Lithograph American Modernist Gregory Amenoff Abstract ExpressionistBy Gregory AmenoffLocated in Surfside, FLGregory Amenoff (Contemporary American abstract painter, b. 1948), Title: Haven, STATE II Lithograph, 1986 Edition 4/4 Printer Proof Image Size 21.5 x 30.75" Gregory Amenoff is a painter who lives in New York City and Ulster County, New York. He is the recipient of numerous awards from organizations including the American Academy of Arts and Letters, National Endowment for the Arts, New York State Council on the Arts and the Tiffany Foundation. He has had over fifty one-person exhibitions in museums and galleries throughout the United States and Europe. His work is in the permanent collections of more than thirty museums, including the Whitney Museum of American Art, the Museum of Fine Arts in Boston, the Museum of Modern Art in New York and the Metropolitan Museum of Art. His work has the influence of both Abstract Expressionism and Pop Art in it, biomorphic forms in rich hues and thick textures with heightened colors and abstracted, organic forms, late American Modernism. He moved to New York in 1979, the artist rose to critical acclaim in the 1980s alongside Terry Winters, Bill Jensen, and Katherine Porter. The artist lives and works between New York, NY and his Hudson Valley residence. Amenoff served as President of the National Academy of Design from 2001-2005. He is a founding board member of the CUE Art Foundation in New York City and serves as the CUE Art Foundation's Curator Governor. Amenoff has taught at Columbia for the last eighteen years, where he holds the Eve and Herman Gelman Chair of Visual Arts and is currently the Chair of the Visual Arts Division in the School of the Arts. He is currently the Vice-President of the National Academy. In 2011 he received the John Solomon Guggenheim Fellowship. Museum Collections Albright-Knox Art Gallery; Buffalo, NY Art Institute of Chicago; IL Baltimore Museum of Art; Brooklyn Museum of Art; Brooklyn, NY Butler Institute of American Art; Youngstown, OH Cleveland Museum of Art; Cleveland, OH Currier Gallery of Art; Manchester, NH Frances and Sidney Lewis Foundation; Richmond, VA Hood Museum of Art; Hanover, NH Honolulu Academy of Art; Honolulu, HW Kemper Museum of Contemporary Art; Kansas City, MO Maier Museum of Art; Lynchburg, VA Metropolitan Museum of Art; New York, NY Milwaukee Museum of Art; Milwaukee, WI Minneapolis Institute of Art; MN Muscarelle Museum of Art, College of William and Mary; Williamsburg, VA Museum of Fine Arts; Boston, MA Museum of Modern Art; New York, NY National Museum of American Art; Washington, DC Neuberger Museum, State University of New York at Purchase; NY New York Public Library, Spencer Collection...Category
1980s American Modern Abstract Prints
MaterialsLithograph
- Chicago Scene Modernist Architectural Lithograph, Nevada ArtistLocated in Surfside, FLJim McCormick was born in Chicago in 1936. He attended the University of Tulsa where he received a bachelor’s degree in art in 1958, then a M.A. in paint...Category
1980s American Modern Abstract Prints
MaterialsLithograph
Recently Viewed
View AllRead More
Renowned for His Mobiles, Alexander Calder Was Also Adept at Crafting Modernist Jewelry
There are no sparkling gemstones on this necklace, but its value far exceeds the cost of its materials.
10 Must-Visit American Public Sculptures
Get your dose of Vitamin D while surveying works by the likes of Alexander Calder, Keith Haring and Pablo Picasso.