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Alfred JensenAlfred Jensen, Duality Triumphant I, 1963 Geometric Abstraction Signed/N Framed1963
1963
About the Item
Alfred Jensen
Duality Triumphant I (Mid Century Modern Geometric Abstraction), 1963
Color Silkscreen on wove paper
Pencil signed, dated, named and number 19/52 by Alfred Jensen on the lower front
Framed Included
Publisher
Steve Poleskie, Chiron Press
This work was de-accessioned from the renowned General Electric Corporate Art Collection (with label and unique inventory number verso). It is matted and framed in the original hand made wood frame and ships framed.
Measurements:
Frame:
43.75 x 33 x 1.5 inches
Print:
28 x 18 inches
Alfred Jensen Biography
A painter and printmaker associated with the abstract expressionists during the 1950s, Alfred Jensen is noted for his compositions featuring optical patterns such as checkerboards. The artist was born 11 December 1903 in Guatemala to European parents. He studied at the San Diego Fine Arts School in 1925 and later with Hans Hofmann in Germany. Eventually, he settled in New York City.
Jensen used much of his art to express thought systems and philosophy. Typically his compositions are boldly colored, symmetrical abstractions that allude to mathematical formulas. Despite the clarity of form, the images are visually ambiguous, lending an overtone of mystery. The Museum of Modern Art and the Whitney Museum of American Art have included Jensen's work in their collections. He died 4 April 1981 in Glen Ridge, New Jersey.
- Creator:Alfred Jensen (1903 - 1981, American, Guatemalan)
- Creation Year:1963
- Dimensions:Height: 43.75 in (111.13 cm)Width: 33 in (83.82 cm)Depth: 1.5 in (3.81 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745214990912
Alfred Jensen
Born in Guatemala, Alfred Julio Jensen was an abstract painter. His paintings are often characterized by grids of brightly colored triangles, circles or squares, painted in thick impasto. Conveying a complex web of ideas, often incorporating calligraphy or numerical systems, they are frequently referred to as "concrete" abstract art.[2] After his death in 1981, the Guggenheim organized a major retrospective of his work, having held his solo exhibition there in 1961.
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