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Alfred ManessierAlfred Manessier, The Nest, Small Black Spot No. 1, from XXe Siecle, 19601960
1960
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About the Item
This exquisite lithograph by Alfred Manessier (1911–1993), titled Le Nid, Petite tache noire n°1 (The Nest, Small Black Spot No. 1), from the album XXe Siecle, Nouvelle serie, XXIIe Annee, N° 15, Noel 1960, originates from the 1960 edition published by Societe Internationale dArt XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris, and printed by Mourlot Freres, Paris, 1960. A refined example of Manessiers lyrical abstraction, it reflects the radiance, harmony, and spiritual depth that define his celebrated postwar works.
Executed as a lithograph on velin paper, this work measures 12.5 x 9.75 inches. Unsigned and unnumbered as issued. Printed by Mourlot Freres, Paris, one of the foremost ateliers of the 20th century.
Artwork Details:
Artist: Alfred Manessier (1911–1993)
Title: Le Nid, Petite tache noire n°1 (The Nest, Small Black Spot No. 1)
Medium: Lithograph on velin paper
Dimensions: 12.5 x 9.75 inches (31.75 x 24.77 cm)
Inscription: Unsigned and unnumbered as issued
Date: 1960
Publisher: Societe Internationale dArt XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris
Printer: Mourlot Freres, Paris
Condition: Well preserved, consistent with age and medium
Provenance: From the album XXe Siecle, Nouvelle serie, XXIIe Annee, N° 15, Noel 1960, published by Societe Internationale dArt XXe Siecle, Paris; printed by Mourlot Freres, Paris, 1960
About the Publication:
Gualtieri di San Lazzaros XXe Siecle (Twentieth Century) was one of the most influential art journals of the modern era, founded in Paris in 1938 to unite the greatest painters, sculptors, and writers of the 20th century. San Lazzaro, a visionary editor and champion of modernism, believed in the synthesis of art and literature, creating a publication that served as both a scholarly platform and a collectors object. Across its many issues, XXe Siecle featured original lithographs, pochoirs, linocuts, and wood engravings by leading modern masters including Picasso, Matisse, Chagall, Miro, Braque, Leger, Kandinsky, and Calder, printed by premier ateliers such as Mourlot, Atelier Jacomet, and Lacouriere. The double and special issues of the late 1950s and early 1960s reflect the flourishing diversity of postwar abstraction, sculpture, and avant garde experimentation. Today, XXe Siecle remains an essential reference point in 20th century art history, prized by collectors, museums, and scholars worldwide.
About the Artist:
Alfred Manessier (1911–1993) was a French painter, printmaker, and stained glass artist whose luminous abstractions and mastery of color established him as one of the most important figures of postwar European modernism. Born in Saint Ouen, France, he studied architecture before enrolling at the Ecole des Beaux Arts in Paris, where he absorbed the structural discipline of Paul Cezanne, the chromatic brilliance of Henri Matisse, and the spatial harmony of Georges Braque. Immersed in the Parisian avant garde, Manessier was influenced by and exchanged ideas with modern masters such as Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. Early in his career he experimented with Cubism and Fauvism, but a transformative spiritual experience during a retreat at the Trappist Abbey of Saint Paul de Wisques in 1943 led him to abandon figurative art in favor of luminous abstraction, using color, rhythm, and form to convey transcendence and inner light. His paintings mosaics of glowing hues and interwoven organic shapes evoke the meditative cadence of nature, music, and faith, while his architectural training gave his compositions a balance between structure and emotion. As one of the foremost figures of Lyrical Abstraction, Manessier sought to restore spirituality and humanity to modern painting, creating works that critics described as visual music. His exploration of light extended into stained glass, where he became a pioneer of modern sacred art, designing radiant windows for churches and cathedrals across France that transformed pure abstraction into divine illumination. In 1962, he represented France at the Venice Biennale and was awarded the Grand Prize for Painting, solidifying his international reputation. His influence extended to artists such as Pierre Soulages, Hans Hartung, Jean Bazaine, Ellsworth Kelly, and Mark Rothko, who shared his belief in color as a vessel of emotion and transcendence. Today, Manessiers paintings and stained glass works are held in major museums including the Centre Pompidou, the Tate Modern, and MoMA, and remain prized for their harmony, spirituality, and radiant power. His highest auction record was achieved by Psaume de la lumiere (1952), which sold for 305,017 USD at Sothebys, Paris, on June 5, 2013, affirming Alfred Manessiers legacy as one of the great masters of color, light, and spiritual abstraction in 20th century art.
Alfred Manessier, Le Nid, Petite tache noire n°1, XXe Siecle 1960, lithograph printed by Mourlot.
- Creator:Alfred Manessier (1911 - 1993, French)
- Creation Year:1960
- Dimensions:Height: 12.4 in (31.5 cm)Width: 9.65 in (24.52 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Southampton, NY
- Reference Number:1stDibs: LU1465216495532
Alfred Manessier
Alfred Manessier was born on 5 December 1911 in Saint-Ouen in the Somme. Trained at the Ecole des Beaux-Arts in Amiens (1924 - 1929), he completed his training at the Ecole des Beaux-Arts in Paris and spent a brief period in the studio of the painter Roger Bissière, who introduced him to frescoes and to whom he took refuge in Boissiérettes in the Lot at the beginning of the war. From 1947 onwards, stained glass occupied a large part of his work, which was now based on abstraction. He carried out about twenty projects in France, including the stained glass windows for the church of Saint-Michel des Bréseux (Doubs), his first commission (1948 - 1950), those in the church of Saint-Pierre de Trinquetaille in Arles (1953), and the chapel of Sainte-Thérèse de l'Enfant Jésus et de la Sainte Face in Hem (Nord - 1957). The stained glass windows of the Church of the Holy Sepulchre in Abbeville, one of his last commissions carried out between 1982 and 1993, are considered his masterpiece. He also executed a dozen stained glass projects in Switzerland, Germany and Spain. As an abstract painter of the Ecole de Paris, Manessier frequently tackled subjects related to the Catholic religion. His paintings are often inspired by the landscapes of Northern France, but also by his travels. From 1956 onwards, he produced a large number of political paintings entitled "Hommage", which echoed the violence in the world. The dissemination of his artworks in the public space through these stained glass windows gave him great notoriety during his lifetime, and his paintings were awarded numerous international prizes (such as the Grand Prix of the Venice Biennale, which he received in 1962, alongside Albert Giacometti, who received the Grand Prix for sculpture). He died on 1er August 1993 as a result of a car accident, shortly after the completion of the stained glass windows in Abbeville.
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