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Antoni TàpiesIn Two Blacks - Lithograph by Antoni Tàpies - 19681968
1968
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About the Item
In Two Blacks is a mixed lithograph realized by Antoni Tapies for the Art Magazine Derrière Le Miroir, no. 175
Printed by Ateliers de Maeght, Paris, 1968.
Very good conditions excpet for a light fold in the center which is common to the whole edition.
- Creator:Antoni Tàpies (1923 - 2012, Spanish)
- Creation Year:1968
- Dimensions:Height: 14.77 in (37.5 cm)Width: 22.05 in (56 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: M-1165831stDibs: LU65037726522
Antoni Tàpies
Antoni Tàpies is considered to be Spain's most important painter after Picasso. His work is in the collections of the most important modern and contemporary museums around the world, as well as those of the most notable private collectors. Tàpies’s ultra-typical style was an almost industrial look, expressionistic slashes, thick impasto, rough and impassioned.
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Over the course of his career in painting, printmaking, and etching, Antoni Tàpies (Spanish 1923-2012) has created his own visual language of symbols and marks to help communicate the broad range of influences in his work including, most significantly, his Catalan roots, as well as his involvement with the Parisian intellectual scene of the 1950s, meeting exponents of Art informel like Jean Fautrier and Jean Dubuffet. Tàpies’s abstract paintings are made with expressive blends of impasto, gestural brush strokes, often backwards hand-written script, and common materials such as soil and marble dust.
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In his wide-ranging practice, Antoni Tàpies combined rich conceptual concerns with material experimentation and monumental scales. His work was variously informed by early modernists including Paul Klee and Joan Miró and by Art Informel artists, such as Jean Dubuffet, who were his contemporaries. Throughout his paintings, prints, sculptures, and works on paper, Tàpies built a visual language full of thick, impastoed gestural marks and a cosmology of symbols and scripts. His materials ranged from trash and earth to dust and stone, which created a sense of solidity and physicality throughout his oeuvre. Tàpies participated in the Venice Biennale four times and exhibited in cities including Paris, London, Barcelona, Brussels, Berlin, Tokyo, Zürich, and New York. His work has sold for seven figures at auction and belongs in the collections of the Centre Pompidou, Moderna Museet, the Kunstmuseum Basel, the Fondation Beyeler, the Museum of Modern Art, and the Tate.
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