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Brice Marden
"Attendants, Bears, and Rocks"

2002

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  • "Attendants, Bears, and Rocks"
    By Brice Marden
    Located in New York, NY
    Brice Marden "Attendants, Bears, and Rocks" Matthew Marks Gallery, New York, 2002 Exhibition poster 17 x 22 inches Signed recto Exhibition poster for "Attendants, Bears, and Rocks" ...
    Category

    Early 2000s Contemporary Abstract Prints

    Materials

    Offset

  • "Terry Winters/Verre + Dessins"
    By Terry Winters
    Located in New York, NY
    Terry Winters "Terry Winters/Verre + Dessins" Centre Internationale de Recherche sur le Verre et les Artes Plastiques, Marseille, 2006 Exhibition poster 16 x 11 inches Signed
    Category

    Early 2000s Contemporary Abstract Prints

    Materials

    Offset

  • Untitled
    Located in New York, NY
    Kelley Walker "Untitled" Paula Cooper Gallery, New York, 2006 Poster 40 x 28 inches Signed verso This is an exhibition poster from Kelley Walker's 2006 ...
    Category

    Early 2000s Contemporary Abstract Prints

    Materials

    Offset

  • The Knife/Ship II
    By Claes Oldenburg
    Located in New York, NY
    Claes Oldenburg and Coosje van Bruggen "The Knife/Ship II" Museum of Contemporary Art, Los Angeles, 1988 Exhibition Poster 25 1/4 x 32 1/2 inches Si...
    Category

    1980s Contemporary Abstract Prints

    Materials

    Offset

  • "Process: An Exhibition and Sale of International Prints"
    By James Rosenquist
    Located in New York, NY
    James Rosenquist "Process: An Exhibition and Sale of International Prints" Sponsored by the Women's Committee to the Art Gallery & The London Public Library and Art Museum, London, O...
    Category

    1970s Contemporary Abstract Prints

    Materials

    Offset

  • "School Bus Yellow, Adirondack Green, A Film by Coosje van Bruggen"
    By Claes Oldenburg
    Located in New York, NY
    Claes Oldenburg and Coosje van Bruggen "School Bus Yellow, Adirondack Green, A Film by Coosje van Bruggen", 1982 Poster 33 x 23 inches Signed Poster by Cla...
    Category

    1980s Contemporary Abstract Prints

    Materials

    Offset

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    Richard Serra Forged Rounds (hand signed), 2019 Offset lithograph poster (hand signed by Richard Serra) 26 × 40 inches Boldly signed in black marker on the front by Richard Serra Unf...
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  • Silence, For John Cage (Hand Signed by Richard Serra) poster, 29" Ih) x 39" (w)
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    Richard Serra Silence, For John Cage (Hand Signed), 2016 Offset lithograph (hand signed by Richard Serra) 29 inches vertical × 39 inches horizontal (ships rolled measureing 36 inches...
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  • Exhibition invitation card (Hand Signed and inscribed by Marina Abramovic)
    By Marina Abramovic
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    Marina Abramović Exhibition invitation card (Hand Signed and inscribed by Marina Abramovic), 2014 Offset lithograph on invitation card (hand signed and inscribed by the artist) Signed on the front LOVE, Marina Abramovic with "x's" on the vertical beams in the image 5 × 7 inches Unframed This is an invitation card for Marina Abramovic's exhibition "Generator" at Sean Kelly...
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  • Venice Biennale: XLIV Esposizione Internazionale D'arte (Hand signed by Kapoor)
    By Anish Kapoor
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    Anish Kapoor Venice Biennale: XLIV Esposizione Internazionale D'arte Biennale Di Venezia (Hand signed and inscribed by Anish Kapoor), 1990 HISTORIC signed poster published on the occasion of Kapoor representing Great Britain at the Venice Biennale Offset lithograph poster (Hand signed, inscribed to Nadine and dated 2016) Boldly signed, inscribed and dated by Anish Kapoor on the lower right front 33 × 23 inches Unframed Boldly signed and inscribed by Anish Kapoor on the lower right front for the present owner, Nadine, so provenance is direct. This offset lithograph poster was published on the occasion of Anish Kapoor's exhibition "XLIV Esposizione Internazionale D'Arte" at the Biennale Di Venezia from May 27 to September 30, 1990. Hand signed posters by Kapoor are quite elusive. The poster is two sided as it was published on the occasion of the artist's participation in the 1990 Venice Biennale (the verso has his lengthy biography), and it bears the original folds as issued. British-Indian sculptor Anish Kapoor was chosen to represent Britain at the first Biennale of the 1990s. He had been exhibiting since 1980 but it was this show that brought him widespread recognition on the international stage. Sixteen huge sandstone blocks dominated the Pavilion’s main room; they were so heavy that the floor had to be reinforced with supports. Kapoor had started working in stone in the late 1980s and each block in Void Field (1989) has a hole filled with another motif in his work, the powdered blue pigment used in Indian religious ceremonies. The same vibrant tones, which was also inspired also by Yves Klein’s statement bold blue colour, were used in his low-lying slate sculpture, A Wing at the Heart of Things (1990), in the back gallery of the Pavilion; this work is now part of Tate’s collection. “Venice is an interchange of East and West, reflecting the way Kapoor borrows from both cultures” said Henry Meyric Hughes, British Council. Kapoor’s exhibition also wove together references to spiritualism and eroticism, with the red slit in the Pavilion's wall, entitled The Healing of St. Thomas (1989), alluding to the saint that doubted Jesus’ resurrection...
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  • Christo, Iron Curtain – Wall of Barrels: Signed Print from 1968
    By Christo
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    Christo (American-Bulgarian, b. 1935) Iron Curtain – Wall of Barrels, Rue Visconti Paris, June 1962, 1968 Medium: Color offset on cardboard Dimensions: 70 x 54 cm Edition of 100: Han...
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    Paul Noble (British, b. 1963) Playframe, 2000 Medium: Offset lithograph on paper DImensions: 26 × 21 cm (10 1/5 × 8 3/10 in) Edition of 100: Hand signed and numbered Condition: Excel...
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