Carlos Cruz-Diez

Serie Semana - Miércoles

2013

mestres de Catalunya. original lithograph abstract painting ANTONI TAPIES was the maximum representative of Spanish abstract art of the 20th century. His works are represented in mus...

Red and brown- original litograph painting. framed Argimon (Sarriá 1929 - Barcelona 1996) is one of the great Catalan informalist artists. This painter, engraver and sculptor touche...

ANTONI TAPIES was the maximum representative of Spanish abstract art of the 20th century. His works are represented in museums and foundations around the world. Graphic work of the ...

La melodie acide. original lithograph painting. signed on the stone and numbered 1 to 1500

Mask Face Personage is an original limited edition lithograph by Dutch artist Karel Appel, printed using hand lithography techniques on 100% acid-free Arches archival paper. Edition Size: 175 Year: 1980 Printed at JK Fine Art Editions Co Print size: 30 x 22 inches, framed, excellent condition, signed in pencil by Karel Appel, Mask Face Personage features a fantastically playful and wild abstract collage portrait printed in vivid hues of orange, blue, red, purple, pink, yellow, shades of lavender and green, with white accents. Karel Appel (born April 25, 1921 in Amsterdam, Netherlands; died May 3, 2006 in Zurich, Switzerland), Karel Appel is one of the founders of the CoBrA avant-garde art movement active from the late 1940s to the early 1950s. His paintings are known for incorporating applications of vibrant and violent colors that often possess a primal, childlike quality. . Appel attended the Royal Academy of Fine Arts in Amsterdam (1940-1943) and helped found the "Reflex" group, which became known as CoBRA (for Copenhagen, Brussels and Amsterdam), in 1948. He moved to Paris in 1950 and by the 1960s he had settled in New York City; later it was seen in Italy and Switzerland. In part as a reaction against what they perceived as the sterile academicism of the de Stijl movement, CoBRA artists assimilated a variety of more impulsive influences, including folk art, children's art, and Jean's l'art brut ("crude art...

ANTONI TAPIES was the maximum representative of Spanish abstract art of the 20th century. His works are represented in museums and foundations around the world. TAPIES Antoni Tapies...

NEVELSON, LOUISE (1899-1988) "Dusk in August" Lithograph in colors, 1967 Signed, dated, titled, and numbered in pencil lower margin This impression is XVIII/XX Sheet Size: 17” x 22” Published by Hollander’s Workshop with their blindstamp This lithograph by Louise Nevelson was made in collaboration with eight other artists in 1967. The other artists included in this portfolio collaboration are Roy Lichtenstein, Louise Nevelson, Willem de Kooning, Robert Motherwell, Henry Pearson, Sam Francis, Richard Lindner, and Saul Steinberg. Louise Nevelson is one of American’s foremost artists, Nevelson’s sculpted wood assemblages transcended space and transformed the viewer’s perception of art. She was an American sculptor best known for her monochromatic wooden assemblages. During the 1950s, she began to create unique arrangements contained in wooden frames amassed from a range of found objects—usually woodcuts or bits of furniture—that were then painted a uniform black, white, or gold, as seen in her seminal work Royal Tide I (1960). Louise Nevelson emerged in the art world amidst the dominance of the Abstract Expressionist movement. In her most iconic works, she utilized wooden objects that she gathered from urban debris piles to create her monumental installations - a process clearly influenced by the precedent of Marcel Duchamp's found object sculptures and "readymades." Nevelson’s prints share with her sculpture an interest in silhouetted forms and the layering of elements, but distinguish themselves by their vivid color, depth and movement.. Louise Nevelson experimented in several different print mediums. A 1963 Ford Foundation grant enabled June Wayne of the Tamarind Lithography Workshop, Los Angeles, to extend an invitation to Nevelson. This initial collaboration led to twenty six lithographs, mostly black with dark blue or red, which combined hand-drawn elements with printed lace. Nevelson returned to Tamarind in 1967 to complete sixteen large scale lithographs know as Double Imagery. In these lithographs Nevelson played with landscapes of shadows and reflections using irregular shaped papers and a limited palette of black, red, grey and blue. For her brilliant compositions in varied mediums critics hailed her as the leading sculptor of the twentieth century. A pioneering grand dame of the art works, Nevelson’s iconic persona was characterized by her skilled mixing and matching of ethnic clothing...

Robert Motherwell American - La France Variation VIII Lithograph in colors from five aluminum plates with collage in Arches, 1984 Arches collaged on Oatmeal Australian Bemboka hand...

Robert Motherwell Untitled (from Portfolio 9), 1967 Lithograph, 1967 22.25 x 17.25 in. (56.52 x 43.82 cm.) Signed; lower left with artist's trademark initials; numbered, Publisher...

JAMES ROSENQUIST (B. 1933) "Flower Garden" Lithograph in colors on Hodgkin handmade paper, 1972 22” x 28 5/8” (55.9 x 72.7 cm) (image) 30 ½” x 36 ¼” (77.5 x 92.1 cm) (sheet) Edi...

James Rosenquist (1933-2017) Star Thief Color lithograph on white wove paper, 1978-1986 Image size: 31.75” x 32”, full margins. Impression 8 of edition of 25 Signed, titled, da...

Gabriele Evertz explores the shifting sensations of color in this series of six prints.