Damien Hirst

Blizzard (H13-10), from Where the Land Meets the Sea - Lt Ed hand signed - NEW

2023

Damien Hirst Doldrums, H13-12, from Where the Land Meets the Sea, 2023 Laminated giclée print on aluminium composite panel 47 3/10 × 35 2/5 × 1/2 in 120.1 × 89.9 × 1.3 cm Hand-signe...

Tracey Emin It's A CRIME to Live with The Person You don't LOVE, 2121 Giclée print on Hahnemühle FineArt Pearl 285gsm paper, accompanied by official COA with hologram 16 1/2 × 11 2/5...

Christo Wrap In Wrap Out ("Wrapped Painting") for the Museum of Contemporary Art (MOCA) Chicago, the first North American building Christo ever wrapped, 1969 Offset lithograph printe...

Nancy Spero Art Against Apartheid, 1984 Limited Edition Giclee Print 33 1/10 × 23 1/5 inches Edition of 30 Hand signed and dated on the front by Nancy Spero; unnumbered from the limi...

Kristjana S Williams Taera Bretland - Blaeu British Isles, 2021 Giclée on Matt Smooth Fine Art Cotton 300 gsm paper Boldly signed and dated on the lower right front and pencil numbered on the lower left front by the artist 18 × 25 inches Unframed Hand signed and numbered 95/275 Story behind the artwork: A celebration of life on the British Isles, ‘Taera Bretland’ translates as ‘Clear Britain’, the islands of Great Britain here sitting in a crystal clear sea. This stunning map based artwork reveals fascinating details in every corner, but not necessarily where you might expect them… An aqua glow from the surrounding ocean lifts the land closer, whispering of its treasured secrets and cherished achievements. Here, the snaking Thames weaves its way not just through the capital, but across the whole country, connecting counties and unifying these Great British Isles, feeding colour popping flora and fauna along its path. Iconic and beloved landmarks rise like beacons, marking the steady flow of irrepressible revolution and impressive invention. In the spotlight, Murdoch’s ill-fated Titanic, Wren’s triumphant St Paul’s and Davy’s revolutionary lamp, rubbing noses with literary pioneers Dickens, Austen and Golding, and British icons Churchill and Chaplin. A bejewelled Ostrich, former resident at the Tower, stands haughtily atop the Truman Brewery; a regal stag, dapper in thimble hat and coiled suit of measuring tape, heads towards Saville Row’s Golden Mile; the subtropical splendour of Tresco Abbey has left its island home to perch in the Scottish Isles and The White Chapel Gallery, sits proudly, testament to Britain’s ‘New Generation’ post war art. A teasing glimpse of the continent affirms Great Britain's close ties with its European neighbours; an early Breeches Buoy rescue device symbolises unity in the face of threat and danger. About Kristjana S. Williams: Icelandic born artist Kristjana S Williams studied graphic design and illustration at Central St Martins, and quickly gained critical acclaim as Creative Director of 'Beyond the Valley', a position she held for eight years. In 2011 she began creating fine art pieces as well as illustrating books and designing interior items. Her designs are inspired by nature, and her technique involves digitally and physically layering nature upon nature to mirror the symmetry that exists in all living things. Each piece is its own magical universe of exotic botanicals and vibrant animals. Described by the New York Times as part of the ‘new antiquarian movement’, Kristjana’s three dimensional original work, Limited Edition prints and interior products feature Victorian engravings, which the artist has blended with verdant and exotic flora and fauna to stunning effect. Animals and insects are intertwined with lavish foliage, layered over ancient shipping maps...

David Hockney Hockney's Alphabet, 1991 26 color lithographs in Fine Art Cartridge paper bound in quarter vellum with handmade Fabriano Roma paper sides, housed in matching box; signed by David Hockney and most contributors in ink and numbered 178 in black ink on the justification page Numbered 178/250 Hand signed by 24 of the contributors, including David Hockney and Steven Spender 12 5/8 x 9 5/8 inches Bound in book and held in slipcase This portfolio features 26 color lithographs in Fine Art Cartridge paper with full margins, bound as issued, in quarter vellum with handmade Fabriano Roma paper sides, in original grey slipcase. It is signed by David Hockney (the artist) and most contributors in ink and numbered 178 in black ink on the justification page, from the edition of 250, with full text and title page, published by Faber & Faber, London, text edits by Stephen Spender, who also signed. It is illustrated by David Hockney, hand signed by David Hockney and Stephen Spender and also signed by the following contributors: Douglas Adams, Martin Amis, Julian Barnes, William Boyd, Margaret Drabble, Patrick Leigh Fermor, William Golding, Seamus Heaney...

Originally drawn in 1964 while Barnett was still in high school, ‘Human Geography’ depicts an anthropomorphic figure assembled from the continents. Featuring the simultaneous points ...

Birds 001, 2017 Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity. Edition of 25 (Unframed) His work ha...

Birds 004, 2017 Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity. Edition of 25 (Unframed) His work ha...

Birds 003, 2017 Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity. Edition of 25 (Unframed) His work ha...

Birds 0034B, 2017, this work is framed, signed and with certificate of authenticity. His work has been shown in Reina Sofía Museum of Madrid, Royal Academy of London, Arco Madrid, ...

Birds 002, 2017 Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity. Edition of 25 (Unframed) His work ha...