Untitled
View Similar Items
Ellsworth KellyUntitled1997
1997
About the Item
- Creator:Ellsworth Kelly (1923, American)
- Creation Year:1997
- Dimensions:Height: 16.625 in (42.23 cm)Width: 16.5 in (41.91 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU93233872972
Ellsworth Kelly
Ellsworth Kelly was one of the key figures in postwar American art, exercising major influence on the fields of Pop art, minimalism, Color-Field and hard-edge painting. Widely known for his brightly colored geometric compositions, he was among the first artists, alongside his contemporary Frank Stella, to use irregularly shaped canvases. Although highly abstract, Kelly’s paintings and prints are precise expressions in color and form of his sensory experience of the world.
Kelly's works, both two- and three-dimensional, are in the collections of the Museum of Modern Art, the Metropolitan Museum of Art, the Los Angeles County Museum of Art, and displayed at such sites as the UNESCO headquarters in Paris.
Kelly grew up in the town of Newburgh, New York, near the Oradell Reservoir. He was an avid birder as a child and loved the colorful illustrations of naturalist John James Audubon. Encouraged to study art by a high school teacher, he enrolled at the Pratt Institute in Brooklyn, remaining there until 1943, when he was inducted into the army. During World War II, he served along with scores of other artists, in a unit known as the Ghost Army, where he learned the elements of camouflage while creating ersatz trucks and tanks intended to mislead Axis forces.
When the war was over, Kelly took advantage of the G.I. Bill to study painting at the School of the Museum of Fine Arts, Boston, drawing inspiration from the museum's collections, and, later, at the École nationale supérieure des Beaux-Arts, in Paris. While in France, he immersed himself in the varied artistic movements and styles represented there and befriended Americans avant-gardists, such as composer John Cage and choreographer Merce Cunningham, as well as the German-French Surrealist Jean Arp and Romanian sculptor Constantin Brâncuși.
Upon his return to the United States, in 1954, he found himself at odds with the dominant style of the period, Abstract Expressionism, which favored a dynamic and energetic application of paint in a loose manner. Like Stella, Kelly was interested in formal precision and explorations of color. Following an exhibition of his work at the Betty Parsons Gallery in 1956, Kelly’s work was included in the "Young America 1957” show at the Whitney Museum of American Art.
During the 1960s, Kelly played with color and form to tease out and celebrate the tension between a painting’s subject and its background. In one of his most famous works, 1963's Red Blue Green, for example, two shapes, one red, one blue, both contrast and resonate with a green background that extends to the edge of the canvas on both sides, appearing at moments to be the work’s primary shape. To explore this relationship between form and ground further, Kelly began using nontraditional, shaped canvases, as in the monochromatic 1966 Yellow Piece, from, whose two curved corners draws the eye to the wall behind it, as though the gallery wall itself were part of the composition. A lithograph from the same period, Blue and Orange consists of two shapes in the title’s complementary colors facing off against one another with a tension that makes them appear almost animated.
Kelly made drawings and prints throughout his career, using plants and flowers as his primary source of inspiration. Like his paintings, his drawings tend to be relatively flat in perspective, but they are rarely abstract. A 1993 drawing of an oak leaf is clearly representational, but rendered with very minimal color and line. In the mid-1960s, he produced the series “Suite of Twenty-Seven Lithographs” with the Paris-based Maeght Éditeur.
Later, collaborating with Gemini G.E.L., he created very large-scale works, such as 1988’s Purple/Red/Gray/Orange, which is 18 feet long and might be one of the biggest lithographs ever made. Kelly produced 140 sculptures, including the aluminum White Curves, created for the Fondation Beyeler, in Riehen, Switzerland, in 2002. In his three-dimensional works, as in his paintings, Kelly used form, color and light to play with perceptions of surface and depth, inviting viewers to look closely and see the world in a new way.
Find original Ellsworth Kelly art on 1stDibs.
- Untitled IIBy Josh SmithLocated in New York, NYMonotype Signed, dated, and inscribed "II" in pencil, recto This artwork is offered by ClampArt, located in New York City. Born in Okinawa, Japan, and raised in Knoxville, Tennesse...Category
Early 2000s Abstract Abstract Prints
MaterialsMonotype
Price Upon Request - UntitledLocated in New York, NYWoodblock print Signed in pencil, recto 12 x 9 inches This artwork is offered by ClampArt, located in New York City.Category
21st Century and Contemporary Abstract Abstract Prints
MaterialsColor
Price Upon Request - Tamtamounya CityBy Dannielle TegederLocated in New York, NYFour plate color etching (Edition of 44) Signed, dated, and numbered (16/44) in pencil, recto 22 x 30 inches, sheet 11.625 x 14.5 inches, image This artwork is offered by ClampArt,...Category
2010s Abstract Geometric Abstract Prints
MaterialsEtching
- UntitledBy Jasper JohnsLocated in New York, NYOne-color etching on Hahnemühle copperplate paper (Edition of 75 + 15 APs) Signed, dated, and numbered in pencil, recto 30 x 22 inches, sheet 17.5 x 12 inches, image This artwork i...Category
1990s Abstract Geometric Abstract Prints
MaterialsEtching
- Proposal for a Cathedral in the Form of a Sink Faucet for Lake Union, Seattle WABy Claes OldenburgLocated in New York, NYOffset lithograph in four colors on BFK paper (Edition of 300) Signed, titled, dated, and numbered in pencil, recto This artwork is offered by ClampArt, located in New York City.Category
1970s Other Art Style More Prints
MaterialsLithograph
- The Degrees of MeaningBy Shusaku ArakawaLocated in New York, NYThe Degrees of Meaning 1973 Signed and numbered, recto Lithograph 31 x 23.25 inche This work is offered by CLAMP in New York City.Category
1970s Contemporary Prints and Multiples
MaterialsLithograph
- Lament for LorcaBy Robert MotherwellLocated in London, GBLithograph on white Tyler Graphics Ltd. (TGL) handmade paper 44x61 in (111.8x154.9cm) Edition of 52Category
1980s Abstract Expressionist Abstract Prints
MaterialsColor, Lithograph
- Alexander Calder - Original Lithograph - from "Derrière le miroir"By Alexander CalderLocated in Collonge Bellerive, Geneve, CHAlexander Calder - Original Lithograph - from "Derriere le Miroir"Behind the Mirror 1976 Condition: Good Condition Dimensions: 38 x 56 cm Source: Derrière le miroir (DLM), n°141, 1...Category
1970s Abstract Geometric Abstract Prints
MaterialsLithograph
- Jean Miotte - Abstract Composition - Original Signed LithographBy Jean MiotteLocated in Collonge Bellerive, Geneve, CHJean Miotte - Original Signed Lithograph Title: Abstract Composition Dimensions: 20 x 16 cm Edition: 85/180 Signed and Numbered in pencil Jean Miotte, 1926 - 2016 Miotte came of ar...Category
1970s Abstract Expressionist Abstract Prints
MaterialsLithograph
- Salon de Mai After Joan Miro - abstract lithographic posterBy Joan MiróLocated in New York, NYThis colorful abstract lithographic poster was printed in 1966 at the Atelier Mourlot in Paris to promote an exhibition of Miro's works at the Musee d'Art Moderne De La Ville in Paris. Certificate of Provenance: Each individual work of art carefully curated by Mourlot Editions comes with a Certificate of Provenance, signed, dated, stamped, and numbered by Eric Mourlot...Category
1960s Abstract Expressionist Abstract Prints
MaterialsLithograph
- MODERNIST ABSTRACT Signed Lithograph, Matisse Style Flowers Shapes Metallic GoldBy Yona LotanLocated in Union City, NJMODERNIST ABSTRACT is an original hand drawn lithograph by the Lithuanian/Israeli artist, Yona Lotan (1926 - 1998). Lively modern abstract composition of multicolor Matisse-style flowers and shapes printed in visually appealing shades of lavender, purple, green, peach, burgundy, blue, pink, yellow, and metallic gold ink on archival Arches paper, 100% acid free. MODERNIST ABSTRACT features playful organic shapes, including flowers, breasts, human body shapes, intermingled with rhythmic geometric forms creating a visually compelling composition with metallic gold ink adding a slight shimmer to this impressive, imaginative design. Print size - 26 x 20 in. unframed, excellent condition, signed by the artist Yona Lotan. Edition size - 225, plus proofs Year - 1977 About the artist- Yona Lotan (1926-1998) Jewish engineer and painter was born in Lithuania. His family moved to Tel-Aviv, Palestine in 1936. He served as a high-ranking officer in the Israeli Army and fought in the War of Independence. In 1959 Yona Lotan began painting; he's considered a self-taught, outsider artist. Lotan always had the unquenchable desire to draw. His one-man shows in Israel and Geneva were so successful that he left the army, sold all his belongings and moved to Paris in 1960 in order to devote his life to painting. His art was vibrant and he became well known, not only in Europe, but also in the United States. In 1965 he won the coveted Prize of Foreign Painting given by the National Museum of Modern Art in Paris. Along with Maryan, Avigdor Arikha, Mordechai Ardon and Yaacov Agam. he was part of a group of Jewish emigre artists who worked in Paris. Paintings of Lotan are contained in the collections of: Musee National d'Art Modern, Paris, Pompidou Center, Paris Musee Municipal d'Art Modern, Paris. Museum Boymans, Rotterdam. Musee "Petit Chateau", Geneve. National Galerie, Berlin. Senatsversaltung fur Wissenschaft und Kunst, Berlin. Private collections in Israel, France, England, Brazil...Category
1970s Abstract Abstract Prints
MaterialsLithograph
- Unknown....lithograph by Antoni ClaveBy Antoni ClavéLocated in Paonia, COSpanish artist Antoni Clave (1913 – 2005) was a prolific printmaker and has had major shows in museums all over the world. This limited edition print is in very good condition. At on...Category
20th Century Abstract Abstract Prints
MaterialsLithograph
Recently Viewed
View AllRead More
Lori Grinker’s Artful Photographs of a Young Mike Tyson Are a Knockout!
The New York photographer tells us how an encounter with the then-13-year-old boxer led to a decade-long project that saw them both go pro.
In Marc Yankus’s Photos, New York Landmarks Are Pristinely Devoid of People
A new exhibition at Manhattan's ClampArt gallery shows off the artist's portraits of urban architectural icons.