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Fletcher BentonRare constructivist etching by renowned modernist sculptor, Signed AP, Framed1991
1991
$2,800
£2,126.67
€2,457.01
CA$3,924.30
A$4,392.03
CHF 2,292.30
MX$53,560.14
NOK 29,338.35
SEK 27,772.51
DKK 18,336.31
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About the Item
Fletcher Benton
Etching on wove paper in artist's frame
Signed by the artist with his printed signature in graphite, signed by the artist with his hand signature also in graphite, numbered AP III.
Provenance: Acquired from a former assistant to Fletcher Benton who received the work as a gift
Frame included: floated with beveled edged matting in artist's original wood frame under plexiglass
Measurements:
Framed:
18.5 square inches
Artwork itself:
6 square inches
Uncommon constructivist etching, numbered AP III. This is elegantly matted and framed in blond wood frame and was acquired directly from a former assistant to the artist who received the work as a gift. Framed, the work measures 18.6 by 18.5 inches, and the visible part of the sheet is 6 by 6 inches; a fine example of the artist's constructivist style.
- Creator:Fletcher Benton (1931, American)
- Creation Year:1991
- Dimensions:Height: 18.5 in (46.99 cm)Width: 18.5 in (46.99 cm)Depth: 0.5 in (1.27 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Excellent studio condition. The frame is the original vintage wood frame as gifted by Fletcher Benton to his former assistant.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745216651252
Fletcher Benton
Born in Jackson, Ohio, in 1931, Fletcher Benton showed an early talent for art. From early childhood, Benton’s mother allowed him to use the family’s basement as an art studio and enrolled him in a local painting course. Benton also undertook an apprenticeship with a sign painter, after which he opened his own sign painting business at the age of fourteen. Though he would later explore different avenues of artistic expression, lettering and sign painting remained a near-constant presence in his artistic practice for the rest of his life. Following a brief stint in the US Navy, Benton enrolled at Miami University in Oxford, Ohio, with the intent of pursuing its pre-med program. His interests quickly returned to painting, however, and he completed his degree in fine art in 1956. After graduating Benton relocated to San Francisco, California, where he immersed himself in the city’s vibrant artistic community. In 1961, at the California Palace of the Legion of Honor, Benton had his first major solo show, a measure of his rising status as an artist. In 1964, however, a promised show at Gump’s Gallery was abruptly cancelled. This rejection sparked a radical transformation in the artist’s practice, and he began exploring Hard-Edge abstraction with a constructivist bent. Drawing on his knowledge of lettering, Benton debuted a series of kinetic works in a solo show in Los Angeles the next year. The kinetic and abstract elements of his new work led to increased interest from audiences, curators, and critics, and between 1965 and 1967 he participated in numerous high-profile exhibitions nationwide. While he continued to exhibit, in 1967 Benton began teaching at California State University, San Jose, where he taught until retiring in 1986. In 2003 he received his first of many major public commissions: Steel Watercolor TriangleRing, a 66- foot-high red-painted steel sculpture installed at the Barbarossaplatz interchange train station in Cologne, Germany. Benton continued his work up until his death in 2019 at the age of eighty-eight. Benton’s contributions to kinetic art and sculpture were recognized in his lifetime through numerous awards, honors, and public commissions. His works are also included in the collections of such prestigious institutions as the Metropolitan Museum of Art, New York; the Whitney Museum of American Art, New York; the Los Angeles County Museum of Art; and the Hirshhorn Museum and Sculpture Garden, Washington, DC, among others.
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