Name: Untitled - Lithograph from the Portfolio "10 West Coast Artists"
Brand: Frank Lobdell
Rating: 5 (121 reviews)

Untitled - Lithograph from the Portfolio "10 West Coast Artists"

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About the Item

Artist: Frank Lobdell – American (1921 - 2013) Title: Untitled, from the suite: 10 West Coast Artists, Collector’s Press, 1967 Year: 1967 Medium: Lithograph Size: 22.5 x 30 inches. Framed size: 30.5 x 38.25 inches Publisher: Collector’s Press, San Francisco Edition: 75. Signature: Signed, dated lower right. Embossed publisher’s chop LL of the Collector’s Press, San Francisco; Embossed printer’s chop LL of Ernest De Soto; Numbered : 32/75 lower right. Condition: Excellent This lithograph is from the notable portfolio “10 West Coast Artists” containing ten prints, title page and colophon page, published by Collector’s Press in San Francisco in 1967. Prints by Keith Boyle, Bruce Conner, Richard Diebenkorn, Roy de Forest, Sidney Gordin, Frank Lobdell, James Melchert, Manuel Neri, Frank Ruvolo, Peter Voulkos are in the portfolio. This print, by Lobdell, is framed in a simple washed wood frame. It is floating and attached by three acid-free hinges on the upper edge. The print has no margins – it is full bleed. The print is in excellent condition. The frame is in very good condition. Frank Lobdell (1921 - 2013) was an American painter and printmaker, often associated with the Bay Area Figurative Movement and Bay Area Abstract Expressionism. He was born on August 23, 1921 in Kansas City, Missouri, and raised in Minnesota. He attended the St. Paul School of Fine Arts, St. Paul, Minnesota in 1939-40, and painted independently in Minneapolis from 1940-42. He served in the U.S. Army in Europe during World War II (1942–46). Following the war, he moved to Sausalito, CA (1946–49), and from 1947-50 he attended the California School of Fine Arts on the G.I. Bill. In 1950, he left the U.S. for Paris, where he painted and studied at L’Academie de la Grande Chaumiere in 1950-51. After returning to the Bay Area, he taught at CSFA from 1957 to 1964. He was Visiting Artist at Stanford University in 1965, and taught as Professor of Art at Stanford from 1966 until his retirement in 1991. In 1959 Lobdell was invited to participate in weekly figure drawing sessions with Elmer Bischoff, Richard Diebenkorn, and David Park, and after Park’s death, Lobdell became a regular member of the group. Although that circle broke up around 1965, Lobdell resumed his weekly drawing sessions in Palo Alto, where Nathan Oliveira, Keith Boyle, Jim Johnson, and other Stanford instructors joined him. In working from the figure, creating drawings in wash, ink, and occasionally graphite or gouache, Lobdell focused on shapes formed by light and shadow. Aspects of these figures—in a kind of abstracted shorthand—reemerge in the artist’s paintings, drawings, and prints. In 1960, Lobdell was awarded the Nealie Sullivan Award by the San Francisco Art Association. Subsequent honors include a Pew Foundation Grant (1986); Medal for Distinguished Achievement in Painting from the American Academy and Institute of Arts and Letters (1988); and Academy Purchase Awards in 1992 and 1994. In 1998 he was elected to the National Academy of Design. Lobdell died on December 14, 2013, in Palo Alto, at age 92. Exhibitions Exhibiting internationally as early as 1951, Lobdell’s work was included in exhibitions at the Petit Palais, Paris, the Third Biennial of São Paulo, the Osaka International Festival, Japan, as well as venues in London, Turin, and Eindhoven, including early solo exhibitions in Paris and Geneva. He showed regularly in solo and group exhibitions in New York, Los Angeles, and San Francisco throughout the 1950s and 1960s, including at the Walker Art Center (1960); The Whitney Museum of American Art (1962); and the Solomon R. Guggenheim Museum, New York (1964). Solo museum exhibitions include San Francisco’s M. H. de Young Memorial Museum (1960, 1992); a major retrospective exhibition, “Paintings and Graphics from 1948 to 1965,” at the Pasadena Art Museum and Stanford University Art Museum (1966); “Frank Lobdell: Works, 1947-1992,” Stanford University Art Museum (1993); California Palace of the Legion of Honor, Fine Arts Museums of San Francisco, "Frank Lobdell: The Art of Making and Meaning" (2003); Portland Art Museum, Oregon, "Frank Lobdell: Making and Meaning" (2004), and others. Collections: Museums with works by Frank Lobdell include the Albright-Knox Art Gallery, Buffalo, NY; Amon Carter Museum of American Art, Fort Worth, TX; Honolulu Museum of Art Spalding House (formerly The Contemporary Museum, Honolulu); Fine Arts Museums of San Francisco, CA; Hood Museum of Art, Dartmouth College, NH; Iris & B. Gerald Cantor Center for Visual Arts, Stanford University; Jack S. Blanton Museum of Art, University of Texas, Austin; Los Angeles County Museum of Art; The Menil Collection, Houston; Museum of Contemporary Art San Diego; Museum of Fine Arts, Houston; Metropolitan Museum of Art, New York; National Academy of Design, New York; National Gallery of Art, Washington, DC; National Museum of American Art, Smithsonian Institution; The Oakland Museum of California; Phoenix Art Museum, AZ; Portland Art Museum, OR; Racine Art Museum, WI;San Francisco Museum of Modern Art; San Jose Museum of Art, CA; University of California, Berkeley Art Museum, and many others.

Creator:
Frank Lobdell (1921 - 2013, American)
Creation Year:
1967
Dimensions:
Height: 30.25 in (76.84 cm)Width: 38.5 in (97.79 cm)Depth: 2 in (5.08 cm)
Medium:
Paper,Lithograph
Movement & Style:
Abstract Expressionist
Period:
1960-1969
Condition:
The print is framed in a simple washed wood frame. It is floating and attached by three acid-free hinges on the upper edge. The print has no margins – it is full bleed. The print is in excellent condition. The frame is in very good condition.
Gallery Location:
San Francisco, CA
Reference Number:
Seller: PM05092020-21stDibs: LU66636148482

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