Gary Cruz

Iris Eye #13, 2022, digitally made abstract print, edition of 2, signed

2022

Red Eye #3 from At the Center of Seeing carries an especially charged and enigmatic energy. At its core, a glowing orb hovers in a dark void, as if suspended between emergence and e...

In Pupil #5, this composition feels more iconographic and symbolic, almost altar-like. The eye has become less about perception and more about presence—an emblem or vessel holding meaning. At the center-bottom, a pale, egg-shaped form rises above a deep violet structure that resembles both a heart and a pair of unfurling scrolls. This motif carries associations of birth, fertility, and transformation, as if the pupil has turned inward to reveal a seed of becoming. Above it, faint concentric rings form a flower-like pattern, encircled by delicate white marks that suggest both orbiting satellites and the notches of a clock. Time, in this work, feels suspended, it hovers in a state of expectancy, like the pause before emergence. The muted palette—lavender, rose, smoky brown—further emphasizes the contemplative quality. Pupil #5 reads like an inner diagram of potential, a moment of quiet before transformation. In the language of the series, it occupies the space between measurement and blossoming: the seed of sight itself, holding within it both time and vision yet to unfold. This archival pigment print is printed on Epson Enhanced Matte paper. Image size is 28" x 16" with a 1" white border...

In Iris Eye #25, concentric rings anchor the composition, pulling the gaze inward toward a dense, radiant core. The symmetry is stable yet alive, as if vibrating with hidden movement...

Red Eye #5, an edition of 3, is part of the artist's "At The Center of Seeing" Series. This archival pigment print is printed on Epson Enhanced Matte paper. Image and paper size is...

The Kitchen Drawer Simply an overwhelming source of detritus... 'Detritus' series was born from the twin frustrations of lockdown halting all planned projects, yet litter still somehow being dropped in abundance on my street. With no idea of the final output, or indeed the hygiene implications, I started to collect, scan, and record what I found. When I realised these colourful misshapen objects could be turned into something beautiful, the frustrations left me and I began looking for other sources of Detritus. These collages gave me purpose during the pandemic and allowed me to grow something beautiful from a place of frustration. My aim is to simply give viewers of the work a fleeting moment of calm. Unable to shoot anything, I’ve been making collections of things I find on the ground and scanning them to create composite images of otherwise ignored or discarded objects." - George McLeod...

Anyone who has stopped to engage with an oil spill will be familiar with the rainbow colours and the myriad of shapes that appear to the keen observer. The iridescence and depth is a...

JUNE MELODY, 2017 Printed on museum glass, hand finished with White Gold and Silver leaf 61 x 61 cm (including frame), 45 x 45 cm (glass size) Edition of 5 (Each individually hand gi...

Print/photography, limited edition of 15, signed by the author.