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Graham Sutherland
Graham Sutherland, Untitled, from XXe Siecle, 1972
1972

Name: Graham Sutherland, Untitled, from XXe Siecle, 1972
Brand: Graham Sutherland
Price: 591.37 CHF
Availability: InStock
Rating: 4.9 (70 reviews)

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About the Item

This exquisite lithograph by Graham Sutherland (1903–1980), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie, XXXIVe Annee, No. 38, Juin 1972, originates from the 1972 edition published by Societe Internationale d'Art XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris, and printed by Mourlot Freres, Paris, 1972. Sans titre reflects Sutherland’s dynamic synthesis of surrealism, symbolism, and abstraction, expressed through his characteristic transformation of organic forms into powerful psychological and poetic imagery. Executed as a lithograph on velin paper, this work measures 12.5 x 9.75 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Graham Sutherland (1903–1980) Title: Sans titre (Untitled) Medium: Lithograph on velin paper Dimensions: 12.5 x 9.75 inches (31.75 x 24.77 cm) Inscription: Unsigned and unnumbered as issued Date: 1972 Publisher: Societe Internationale d'Art XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album XXe Siecle, Nouvelle serie, XXXIVe Annee, No. 38, Juin 1972, published by Societe Internationale d'Art XXe Siecle, Paris; printed by Mourlot Freres, Paris, 1972 About the Publication: Gualtieri di San Lazzaro's XXe Siecle (Twentieth Century) was one of the most influential art journals of the modern era, founded in Paris in 1938 as a platform for the greatest painters, sculptors, and writers of the 20th century. San Lazzaro, a visionary editor, critic, and champion of modernism, believed that art and literature should coexist as expressions of a shared human imagination. Under his direction, XXe Siecle became a cultural bridge between Europe and the wider world, publishing special issues devoted to leading figures such as Picasso, Matisse, Chagall, Braque, Calder, Miro, Kandinsky, and Leger. Each edition combined essays by renowned critics and poets with original lithographs and woodcuts printed by the foremost ateliers of Paris, Milan, and New York, including Mourlot, Curwen, and Amilcare Pizzi, creating a uniquely rich dialogue between text and image. The 1960 issue, XXe Siecle, Nouvelle serie, No. 14, showcased Daphnis et Chloe, one of Chagall’s most celebrated lithographic subjects, coinciding with his work on the monumental suite of lithographs inspired by the same pastoral tale, published by Teriade. Through this publication, San Lazzaro further cemented Chagall’s reputation as the modern poet of color and love, uniting myth, nature, and emotion in visual form. Today, XXe Siecle remains an essential record of 20th century modernism, celebrated for its seamless integration of fine art, literature, and design. About the Artist: Graham Sutherland (1903–1980) was a British painter, printmaker, and designer whose profound fusion of surrealism, symbolism, and modern abstraction defined him as one of the most visionary and psychologically compelling artists of the 20th century. Born in Streatham, London, Sutherland trained as an engraver at Goldsmiths’ College before turning to painting in the 1930s, when the revolutionary ideas of Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray inspired him to move beyond realism toward a poetic and symbolic modernism. Deeply influenced by nature and the British landscape, he developed a distinctive visual language rooted in organic form, transforming trees, roots, and geological structures into metaphors for vitality, fragility, and transformation. His early surrealist landscapes, imbued with the spiritual energy of Miro and the psychological tension of Dali, positioned him at the forefront of British modernism alongside Henry Moore and Paul Nash. As an official war artist during World War II, Sutherland produced haunting depictions of bombed cities and industrial ruins that became powerful visual meditations on destruction and resilience, earning him international acclaim. In the postwar years, his paintings grew increasingly monumental and expressive, culminating in his iconic Thorn Tree and Crucifixion series, which merged Christian iconography with modernist abstraction to explore suffering and redemption. His monumental tapestry Christ in Glory for Coventry Cathedral stands as one of the masterpieces of modern religious art, while his controversial portrait of Winston Churchill demonstrated his uncompromising psychological depth. Sutherland’s influence extended across generations, shaping the work of Francis Bacon, John Piper, Keith Vaughan, and later abstract and neo romantic painters who admired his synthesis of emotion and intellect. Exhibited widely at the Venice Biennale, the Tate, and the Museum of Modern Art, his works are housed in major collections including the Tate Britain, Centre Pompidou, and the National Gallery of Art in Washington, D.C. Collectors prize his art for its luminous color, organic rhythm, and spiritual power, qualities that link him to the great innovators of modernism, including Picasso, Dali, Miro, Kandinsky, Duchamp, Calder, Giacometti, and Man Ray. His highest auction record was achieved by The Crucifixion (1946), which sold for 2100000 USD at Christies London on February 7, 2011, reaffirming Graham Sutherland’s enduring legacy as one of the most visionary, expressive, and collectible British artists of the 20th century. Graham Sutherland Sans titre, Sutherland XXe Siecle 1972, Sutherland Mourlot lithograph, Sutherland velin paper, Sutherland collectible print.

Creator:
Graham Sutherland (1903 - 1870, British)
Creation Year:
1972
Dimensions:
Height: 12.4 in (31.5 cm)Width: 9.65 in (24.52 cm)
Medium:
Lithograph
Movement & Style:
Modern
Period:
1970-1979
Condition:
Gallery Location:
Southampton, NY
Reference Number:
1stDibs: LU1465216527342

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Graham Sutherland
1972 'XXe Siecle no. 38', 1972

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Composition with yellow and red - Original lithograph - Mourlot, 1972

By Graham Sutherland

Located in Paris, IDF

Graham Sutherland Composition with yellow and red, 1972 Original Lithograph Printed in Mourlot workshop On vellum 31 x 24 cm (c. 12,2 x 9,5 in) Edited by San Lazzaro in 1972 Very...

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