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Guillaume CorneillePiège - Lithograph by Guillaume Corneille - 19751975
1975
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About the Item
Piège is an original contemporary artwork realized by Guillaume Corneille in 1975.
Original Lithograph on vélin paper
Hand signed and dated in pencil on the lower margin.
Numbered on the lower margin. Edition of 108/200
Guillaume Cornelis van Beverloo (1922 – 2010), was better known under his pseudonym Corneille, a Dutch artist. He studied art at the Academy of Art in Amsterdam, in the Netherlands. He was one of the founders of the Reflex movement, also one of the founders of the Cobra movement, which has a great influence on Scandinavian art . The poetic of Corneille was strongly influenced by Miró and Klee. After the group dissolved in 1951, he moved to Paris and began collecting African art. These artifacts became evident in his works, which began to take on a more imaginative style, like landscapes seen from a bird's eye view, exotic birds and stylised forms.
His work is also in the collection of the Centre Georges Pompidou.
- Creator:Guillaume Corneille (1922 - 2010, Dutch)
- Creation Year:1975
- Dimensions:Height: 25.6 in (65 cm)Width: 20.08 in (51 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: T-1314831stDibs: LU650310242462
Guillaume Corneille
Corneille, also known as Corneille Guillaume Beverloo, was a painter and graphic artist who radicalized the conservative Dutch art world in the early 1950s. He founded CoBrA in 1949, a post-war Expressionist European movement, along with five other influential artists that included Karel Appel and Constant. Born to Dutch parents in Liege, Belgium on July 3, 1922, Corneille went on to study art at the Academy of Art in Amsterdam in 1940, but is generally considered a self-trained painter. His approach is often described as imaginative and poetic, and is characterized by an eccentric use of color and his placing of familiar subjects, such as cats, birds, and women, in mythological or juvenile settings. “I am a painter of joy,” the artist declared at his 2007 exhibit at the Cobra Museum. He was notably influenced by African art, which he collected during his time traveling throughout the continent during the 1950s. His work was also affected by Pablo Picasso and Paul Klee, and, most notably, Vincent van Gogh’s use of color and form. His works are featured in collections at the Cobra Museum of Modern Art in the Netherlands, the Fine Arts Museums of San Francisco, and the Museum of Fine Arts in Boston. He died on September 5, 2010 in Paris, France.
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