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Hans ArpSoleil recerclé1966
1966
About the Item
Wood engraving, 1966
Handsigned by the artist in pencil and numbered 3/60
Publisher : Louis Broder (Paris)
Printer : Féquet & Baudier (Paris)
47.00 cm. x 36.00 cm. 18.5 in. x 14.17 in. (paper)
19.00 cm. x 18.00 cm. 7.48 in. x 7.09 in. (image)
Print on Auvergne paper
Jean Arp (1886-1966) was one of the major artists of the avant-garde movements in the first half of the 20th century. He took part in the creation of the Almanach of the Blaue Reiter group initiated by the Russian Kandinsky, a mythical work that brought together for the first time works of Oceanic art, children's drawings and so-called popular art. In 1916, in Switzerland, he participated with Tzara and others in the beginning of the Dada movement, at the Café Voltaire in Zurich. The aim of these subversive artists was to awaken consciousness through art, to transform life. Arp is a protean artist: poet, writer, sculptor, painter, engraver. In 1954, he won the Grand Prix for sculpture at the Venice Biennale. In 1958, the Museum of Modern Art in New York gave him a solo exhibition. This was his consecration. The work we are proposing is taken from Arp's last book, Soleil Recerclé, which brings together poems and illustrations by the artist and is much sought after by collectors. It is a woodcut, rarely used by artists because of the constraints of the material, which is more resistant to the artist's gesture than other techniques. This practice was revived by the German Expressionists at the beginning of the 20th century.
Certificate of authenticity
LCD4469
Hans Arp
Jean Arp or Hans Arp, born in Strasbourg September 16, 1886 and died in Basel, Switzerland on June 7, 1966 was a painter, a sculptor and a poet then German French. Arp studied decorative arts in Strasbourg, Paris and Weimar, before devoting himself to poetry. In 1909, however, he met Paul Klee. He participated in exhibitions, including the Blaue Reiter, in 1912. In 1916 he joined the Dada movement in Zurich and Cologne. He illustrated several works from the "dadas" collection, such as Benjamin Péret's The Transatlantic Passenger, Tristan Tzara's Twenty Five Poems and a book by Richard Huelsenbeck. He began to sculpt in 1917. Close to the surrealists, from 1926 to 1930, he became a founding member of the group Abstraction-Creation. On October 20, 1922, he married Sophie Taeuber-Arp whom he knew in Zurich, and whose tragic death in 1943 marked him deeply. Arp is at the origin of a vocabulary of signs with figurative and ironic allusions. From 1930, sculpture in the round-bump takes an important place in his work. Numerous personal exhibitions were devoted to him after the war, as early as 1944 at the Peggy Guggenheim Gallery in New York, then at Galerie Maeght, Galerie Denise René Paris, and Sydney Janis in 1950. Arp became an internationally recognized artist. In 1954, he received the International Sculpture Grand Prix at the Venice Biennale, was elevated to the rank of Chevalier of the Legion of Honor in 1960, received the Grand Prix National des Arts in 1963. Many of his works are now exhibited at the Museum of Modern and Contemporary Art in Strasbourg, which devotes a central space to it. His name was also given in the square serving as a square for this museum, as well as the building of the National School of Administration. His second wife, Marguerite Arp-Hagenbach, made Clamart's home-studio the Arp Foundation opened in 1979. His last words were: "I love you all and I'm going now to join my Sophie. "
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