Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 8

Henry Moore
Superior Eye, from Helmet Heads, 1974-75 - Blue Abstract Lithograph Print

1974-75

$4,026.23List Price

You May Also Like

Peter Saul Shicago Justus (Chicago Justice) Black Panther Bobby Seale lithograph
Located in New York, NY
Peter Saul Shicago Justus (Chicago Justice) from Conspiracy: The Artist as Witness, 1971 Lithograph on Arches paper Edition AP (Rare AP, aside from the regular edition of 150) Hand-s...
Category

1970s Pop Art Abstract Prints

Materials

Lithograph

Rare Albright Knox museum poster (hand signed and inscribed to renowned curator)
By Dan Flavin
Located in New York, NY
Dan Flavin Dan Flavin at Albright Knox Gallery (hand signed and inscribed to renowned curator) Offset Lithograph. Hand signed and inscribed by Dan Flavin 18 × 22 inches Provenance: Estate of artist and collector Rick Collar Unframed Uniquely inscribed and hand signed 1972 Dan Flavin exhibition poster from his Albright Knox exhibition. Dan Flavin hand signs and inscribes it to Paulus Hendrik Hefting, the curator of the Neue Nationalgalerie in Berlin. The inscription reads: "Best regards and best wishes to you especially in "diagrams and drawings". What Flavin is referring to is the important exhibition also in 1972, "Diagrams & Drawings" curated by Hefting, at the Rijksmuseum Kröller-Müller (Netherlands), which featured Carl Andre, Christo, Walter De Maria, Dan Flavin, Michael Heizer, Don Judd, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Richard Serra, Robert Smithson. An extremely rare signed poster with a unique inscription to a major European curator referencing an historic Minimalist exhibition in the early 1970s. We may not see the likes of something like this anytime soon! Dan Flavin Biography From 1963, when he conceived the diagonal of May 25, 1963 (to Constantin Brancusi), a single gold fluorescent lamp installed diagonally on the wall, until his death in 1996, Dan Flavin (1933-1996) produced a singularly consistent and prodigious body of work that utilized commercially available fluorescent lamps to create installations (or “situations,” as he preferred to call them) of light and color. Through these light constructions, Flavin was able to establish and redefine space. Flavin’s first solo exhibitions were held at the Judson Gallery in 1961 and the Green Gallery in 1964, both in New York. His first European exhibition was in 1966 at Galerie Rudolf Zwirner in Cologne, Germany; and in 1969, the National Gallery of Canada, Ottawa, organized his first major museum retrospective. His work was included in a number of key early exhibitions of Minimal art in the 1960s, among them Black, White, and Gray (Wadsworth Atheneum Museum of Art, Hartford, Connecticut, 1964); Primary Structures (The Jewish Museum, New York, 1966); and Minimal Art (Gemeentemuseum, The Hague, 1968). Flavin’s work would continue to be presented internationally over the course of the pursuant decades at venues including the St. Louis Art Museum, Missouri (1973); Kunsthalle Basel (1975); Museum Boymans-van Beuningen, Rotterdam (1975); Stedelijk Museum, Amsterdam (1986); and the Solomon R. Guggenheim Museum, New York (1992), among others. A major museum retrospective devoted to Flavin’s work was organized, in cooperation with the Estate of Dan Flavin, by the Dia Art Foundation in association with the National Gallery of Art, Washington, DC, where it was first on view in 2004. The exhibition traveled from 2005 to 2007 to the Modern Art Museum of Fort Worth, Texas; Museum of Contemporary Art, Chicago; Hayward Gallery, London; Musée d’Art Moderne de la Ville de Paris...
Category

1970s Abstract Geometric Abstract Prints

Materials

Pencil, Lithograph, Offset

November 2021 lithograph geometric abstraction artist signed numbered COA 13/100
By Sarah Morris
Located in New York, NY
Sarah Morris November 2021, 2021 Lithograph on wove paper Accompanied by a certificate of authenticity - hand signed by Sarah Morris (the artist) as well as the head of ICA Editions...
Category

2010s Contemporary Abstract Prints

Materials

Lithograph, Offset

Kimber Smith, Abstract Expressionist Geometric Abstraction signed/n lithograph
By Kimber Smith
Located in New York, NY
KIMBER SMITH Untitled Abstract Expressionist Geometric Abstraction, 1967 Lithograph on Rives paper 25 × 19 3/5 inches Signed in silver...
Category

1960s Abstract Geometric Abstract Prints

Materials

Lithograph

Chats et poissons
By Alfred Pellan
Located in Westmount, QC
Alfred Pellan, Canadian, 1906-1988 Chats et poissons, 1968 Serigraph 20 x 16 in (image) signed, titled, dated 1968 and numbered (edition of 100) in the lower margin blind stamp from ...
Category

1970s Abstract Prints

Materials

Lithograph

pochoir
By (after) Max Ernst
Located in Henderson, NV
Medium: pochoir. Printed at the atelier of Daniel Jacomet in 1958 for the art revue XXe Siecle (issue number 10) published in Paris by San Lazzaro. Size: 12 3/8 x 9 1/2 inches (315 x...
Category

1950s Surrealist Abstract Prints

Materials

Lithograph

pochoir
$300
H 12.41 in W 9.53 in
Information Lines (conceptual environmentalist Land Art lithograph)
By Dennis A. Oppenheim
Located in Wilton Manors, FL
Artist: Dennis Oppenheim, American (1938 - 2011) Title: Information Lines, 1981. Medium: Lithograph, signed and numbered in pencil A/P 1/30. Artist's Proof. Size: 41.25 in. x 29.7...
Category

1980s Land Abstract Prints

Materials

Lithograph

Fernand Leger School Prints Colorful Modernist King of Hearts Drawing Lithograph
By (after) Fernand Léger
Located in Surfside, FL
Bright vibrant blue, orange, red, yellow, green lithograph in color. This is signed in the plate and dated. Leger's abstract drawing lithograph was drawn by the artist direct on to p...
Category

1940s Modern Abstract Prints

Materials

Lithograph

Raoul Dufy School Prints Colorful Modernist Drawing Lithograph Marching Band
By (after) Raoul Dufy
Located in Surfside, FL
Bright vibrant blue, yellow lithograph in color. This is signed in the plate and dated. Dufy's abstract drawing lithograph was drawn by the artist direct on to plastic plates newly d...
Category

1940s Modern Abstract Prints

Materials

Lithograph

John Chamberlain at Leo Castelli Gallery, vintage 1970s offset lithograph poster
By John Chamberlain
Located in New York, NY
JOHN CHAMBERLAIN Leo Castelli Invitation, 1976 Offset Lithograph invitation 21 1/2 × 16 inches Unframed This rare vintage offset lithograph invitat...
Category

1970s Abstract Expressionist Abstract Prints

Materials

Offset, Lithograph

More From This Seller

View All
Desert Forms, from Aegean Suite by Barbara Hepworth, 1971
By Barbara Hepworth
Located in Kingsclere, GB
Desert Forms, from Aegean Suite by Barbara Hepworth, 1971 Additional information: Medium: lithograph with embossing 81 x 59 cm 31 7/8 x 23 1/4 in signed Barbara Hepworth was one of...
Category

20th Century Abstract Prints

Materials

Lithograph

Bonjour(!) by Morris Kestelman, 1975
By Morris Kestleman
Located in Kingsclere, GB
Bonjour(!) by Morris Kestelman, 1975 Additional information: Medium: lithograph in colours on wove paper 26 3/4 x 18 7/8 in 68 x 48 cm signed and numbered 46/75 in pencil
Category

20th Century Abstract Prints

Materials

Lithograph

Untitled by Mark Lancaster, 1967
By Mark Lancaster
Located in Kingsclere, GB
Untitled by Mark Lancaster, 1967 Additional information: Medium: lithograph 73 x 63.5 cm 28 3/4 x 25 in signed Mark Lancaster was born Christopher Ronald Mark Lancaster, but early in life he decided that "Mark" was his favorite of the three names. Educated at Holme Valley Grammar School, 1949–52, and Bootham School, York, from 1952 to 55, after which he worked in a family textile business and studied textile technology for six years, painting in his own time, before going to King's College, Newcastle in 1961 to study Fine Art. From 1961 to 1965 Mark Lancaster studied under Richard Hamilton at the University of Newcastle upon Tyne, where he also taught from 1965–66, and then at the Bath Academy of Art, Corsham, Wiltshire, 1966–68, while living in London. He first visited New York City in 1964, where he worked briefly as an assistant to Andy Warhol, appeared in several Warhol movies, and met Jasper Johns, Ray Johnson, Ellsworth Kelly, Roy Lichtenstein, Frank Stella, James Rosenquist, Larry Rivers, Frank O'Hara, Robert Motherwell, Helen Frankenthaler, Norman Mailer and many others. In New York he photographed extensively, and started a series of paintings related to the imagery of the Howard Johnson...
Category

20th Century Abstract Prints

Materials

Lithograph

Here We Are In Croydon by Howard Hodgkin, Lithography with Hand Colouring, 1979
By Howard Hodgkin
Located in Kingsclere, GB
Here We Are In Croydon by Howard Hodgkin, 1979 Additional information: Medium: lithograph with hand-colouring on Moulin d'Auvergne handmade paper, the full sheet printed to the edges 56 x 76 cm 22 1/8 x 29 7/8 in signed, dated and numbered 30/100 in blue crayon Hodgkin was born in London and grew up in Hammersmith Terrace. During World War II he was evacuated to Long Island, New York, for three years. In the Museum of Modern Art, New York, he saw works by School of Paris artists such as Henri Matisse, Édouard Vuillard, and Pierre Bonnard, which he could not easily have seen then in London or Paris. Back in England in 1943, Hodgkin ran away from Eton College and Bryanston School, convinced that education would impede his progress as an artist, though he encountered inspiring teachers at both schools. He then attended Camberwell School of Arts and Crafts (1949–50) and Bath Academy of Art, Corsham (1950–54). Hodgkin never belonged to a school or group. While many of his contemporaries were drawn to Pop or the School of London, he remained independent, initially marking his outsider status with a series of portraits of contemporary artists and their families. His first solo exhibition was at Arthur Tooth and Sons in London in 1962. Two years later he first visited India, following his interest in Indian miniatures, which began during his time at Eton. Collecting Indian art would remain a lifelong passion, which he initially supported by dealing in picture frames. In 1984 Hodgkin represented Britain at the Biennale di Venezia. His exhibition Forty Paintings reopened the Whitechapel Gallery, London, in 1985, and he won the Turner Prize the same year. In 1995–96 Hodgkin had an exhibition at the Metropolitan Museum of Art, New York, which travelled to the Modern Art Museum of Fort Worth, Texas; Kunstverein für die Rheinlande und Westfalen, Düsseldorf; and Hayward Gallery, London. His first full retrospective opened at the Irish Museum of Modern Art, Dublin, in 2006 and traveled to Tate Britain, London, and Museo Nacional Centro de Arte Reina Sofía, Madrid. In the autumn of 2016 Hodgkin visited India for what was to be the last time, completing six new paintings before his return to London. These works were shown at England’s Hepworth Wakefield in 2017, in Painting India, a show that focused on the artist’s long-standing relationship with the Indian subcontinent. Starting in the 1950s, Hodgkin maintained a parallel printmaking practice, translating his visual language into works on paper. Exploring the interactions of color and space on a grander scale, he produced theatrical set designs for Ballet Rambert, the Royal Ballet, and the Mark Morris Dance Group. His black stone and white marble mural...
Category

20th Century Abstract Prints

Materials

Handmade Paper, Lithograph

Shaded Grey by Kim Lim, 1993 - Minimalist Textural Print, White and Grey
By Kim Lim
Located in Kingsclere, GB
Shaded Grey by Kim Lim, 1993 Additional information: Medium: lithograph 52.5 x 56 cm 20 5/8 x 22 1/8 in signed, dated and numbered 20/20 in pencil Kim Lim was born in Singapore and spent much of her early childhood in Penang and Malacca. After her schooling in Singapore, Lim knew that she wanted to become an artist, and at eighteen, she enrolled at St. Martin's in London, where she spent two years concentrating mainly on wood carving. She then transferred to the Slade, where taught by the etcher Anthony Gross and lithographer Stanley Jones, she developed a strong commitment to print making. On journeys back to Singapore she stopped off in Europe and India, soaking up the art 'like a sponge'. These were the experiences that confirmed in her a lifelong predilection for things archaic, and for the flow and rhythm of Indian and South East Asian sculpture: " I found that I always responded to things that were done in earlier civilizations that seemed to have less elaboration and more strength." In Greece she was entranced by Cycladic sculpture. Of Chinese art she was moved most by early Shang bronzes, Han sculpture, Sung pottery...
Category

20th Century Abstract Prints

Materials

Lithograph

Paintings and Drawings, by Agnes Martin 1974-1990 (Stedelijk), 1991
By Agnes Martin
Located in Kingsclere, GB
Paintings and Drawings, by Agnes Martin 1974-1990 (Stedelijk), 1991 Additional information: Medium: complete set of ten lithographs on transparent vellum paper each, 30 x 30 cm 11 3/4 x 11 3/4 in Agnes Martin was an American painter who was born in Macklin, Saskatchewan, Canada, in 1912, and became a US citizen in 1940. Martin is perhaps most recognised for her evocative paintings marked out in subtle pencil lines and pale colour washes. Although restrained, her style was underpinned by her deep conviction in the emotive and expressive power of art. Martin believed that spiritual inspiration and not intellect created great work. ‘Without awareness of beauty, innocence and happiness’ Martin wrote ‘one cannot make works of art’. In a career spanning five decades, Martin became known for her square canvasses, meticulously rendered grids and repeat stripes, though her lesser-known early works consist of experiments with mixed media and works on paper. Martin thought of her works as studies in the pursuit of perfection. Martin spent many years working in New York, where she was part of a contemporary of artists such as Sol LeWitt, Ann Truitt, Donald Judd and Ad Reinhardt – with whom she was close friends. In 1967, shortly after Reinhardt died and just as Martin’s art was gaining acclaim, she left the city and continued her investigations into Buddhism and meditation. She wished to experience true solitude and used this period of quiet reflection to produce some of her most significant writing, whilst situated in sparsely populated and remote areas of the United States and Canada. In 1968 Martin resettled in New Mexico and began building an adobe and log house in a remote mesa. She lived there alone and without modern conveniences for several years. In 1973 she began creating work again. Agnes Martin’s influence reaches globally and plays a hugely significant role in 20th Century art history. Whilst known as a pioneer of abstract painting, her work as well as her reclusive lifestyle have served as an inspiration to creative practitioners in diverse disciplines. Painters, photographers, writers – and many devotees from the words of fashion, architecture and graphic design revisit and rephrase her perspectival studies and fascination with geometry, the legacy of which can be seen in investigations into brevity of line and muted colour palettes. Artists such as Richard Tuttle, Ellen Gallagher...
Category

20th Century Abstract Prints

Materials

Lithograph

Still Thinking About These?

All Recently Viewed