JIm McCormick

Preying Annoyance, Surrealist Etching by Jim McCormick

1969

Kurt Seligmann, Swiss-American (1900 - 1962) - Protuberances Cardiaques, Medium: Etching on wove paper, Image Size: 8.75 x 7 inches, Size: 19.75 x 14.75 in. (50.17 x 37.47 cm), Des...

Jim McCormick, American - Antique Remembrance, Year: 1969, Medium: Etching on Arches, signed, titled, numbered and dated in pencil, Edition: 3/10, Image Size: 14.75 x 14.75 inches,...

Artist: Jose Luis Cuevas, Mexican (1934 - ) Title: Macbeth Year: 1987 Medium: Lithograph with Collage on Arches, signed and numbered in pencil Edition: 110 Size: 24 x 33.5 in. (60.9...

Juliana Seraphim, Palestinian (1934 - ) - Asturias II, Year: Circa 1970, Medium: Etching, signed and numbered in pencil by the artist and Miguel Asturias, Edition: 200, Size: 26 ...

Surreal Fantasy is a 1967 original limited edition ( 18/30 ) black and white signed etching by Italian artist Alberto Longoni in good condition. ...

Abstract Composition is an etching realized by Martine Goeyens in the late 20th century. Hand-signed. Numbered 3/50 prints. Good conditions. The artwork is created through expres...

"Demi-God of Discontent" is an original etching and aquatint made with Chine Colle by Molly McKee. The artist signed the piece in the lower right, titled it lower center, and wrote the edition number (2/10) in the lower left. It depicts a few abstracted human figures in McKee's surreal and horror-inspired style. 11 3/4" x 9" art 24 7/8" x 17 1/2" frame This surreal etching...

ARMODIO (1938) Abstract Composition Original Etching Signed and justified c.p.a Dimensions: 49,5 x 34,5 cm. Armodio was born in Piacenza in 1938. His training depends not so much on the attendance of the "Gazzola" Art Institute in his city, but also on the encounter with the painter Luciano Spazzali, whose study is the ideal place for experimentation and contamination. Here he met the painter Gustavo Foppiani, first teacher and then a fellow traveler; the two work together and then join the painter Carlo Bertè who will divide the study until 1980. This formed a free grouping animated by curiosity towards the most varied manifestations of culture, intent on reading reality under the sign of irony and inclined towards playful transgression. The first Piacenza personal exhibition was in 1963 at the Genocchi Gallery in Piacenza and in 1964, thanks to Foppiani, the Obelisk of Rome...