This exquisite lithograph by Joan Miro (1893–1983), titled Hommage a San Lazzaro (Homage to San Lazzaro), from the album San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe siecle (San Lazzaro and His Friends, Tribute to the Founder of the Journal XXe Siecle), originates from the 1975 edition published by XXe siecle, Paris, and printed by Imprimerie Arte Adrien Maeght, Paris, October 1975. Hommage a San Lazzaro reflects Miro’s poetic and spontaneous imagination, combining abstract symbols, vibrant color, and rhythmic line to create a luminous tribute to Gualtieri di San Lazzaro, the visionary editor who fostered dialogue among the greatest modern artists of the twentieth century. The work exemplifies Miro’s late period, when his mastery of gesture and color transformed Surrealism into pure visual poetry.
Executed as a lithograph on velin d'Arches paper, this work measures 14 x 10.5 inches (35.56 x 26.67 cm). Unsigned and unnumbered as issued. The edition exemplifies the exceptional craftsmanship of the Imprimerie Arte Adrien Maeght atelier, one of the foremost print studios in postwar Paris, known for its collaborations with Miro, Calder, and Chagall.
Artwork Details:
Artist: Joan Miro (1893–1983)
Title: Hommage a San Lazzaro (Homage to San Lazzaro), from San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe siecle, 1975
Medium: Lithograph on velin d'Arches paper
Dimensions: 14 x 10.5 inches (35.56 x 26.67 cm)
Inscription: Unsigned and unnumbered as issued
Date: 1975
Publisher: XXe siecle, Paris
Printer: Imprimerie Arte Adrien Maeght, Paris
Catalogue raisonne references: Cramer, Patrick, and Joan Miro. Joan Miro, Catalogue Raisonne Des Livres Illustres. P. Cramer, 1989, illustration 202. Miro, Joan, et al. Joan Miro Lithographe V: 1972-1975. Maeght Editeur, 1992, illustration 1080.
Condition: Well preserved, consistent with age and medium
Provenance: From the album San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe siecle, published by XXe siecle, Paris, October 1975
Notes:
Excerpted from the folio (translated from French), Finished printing in Paris in October 1975. This album has been printed on velin d'Arches in DLXXV numbered examples. The LXXV original examples include a series of VIII original lithographs, signed and numbered by the artists. In addition, LV examples were printed for artists, authors, friends and collaborators of XXe siecle. The typography is from l'Imprimerie Union in Paris; the lithographs of Max Bill, Marc Chagall, Hans Hartung, Braque, Fontana, Magnelli, Picasso, Magritte and Poliakoff were printed by Fernand Mourlot in Paris; those of Alexander Calder and Joan Miro by l'imprimerie Arte in Paris; that of Max Ernst by Pierre Chave in Vence; that of Zao Wou-Ki by ateliers Bellin in Paris; and that of Henry Moore by the Curwen Studio in London.
About the Publication:
San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe siecle (San Lazzaro and His Friends, Tribute to the Founder of the Journal XXe Siecle), published in 1975 by XXe siecle, Paris, is a historic portfolio celebrating Gualtieri di San Lazzaro’s monumental contribution to modern art through his journal XXe Siecle. For decades, the publication served as an international meeting ground for artists, writers, and critics who defined the modern era, including Picasso, Chagall, Calder, Miro, and Hartung. This commemorative album gathered original lithographs by these masters, each rendered as a personal artistic homage to San Lazzaro’s enduring legacy. The prints were executed by premier ateliers such as Mourlot, Arte, Bellin, and Maeght, uniting craftsmanship and artistic genius in one of the most refined tributes to 20th-century modernism.
About the Artist:
Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola d'Art in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miro's inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miro's work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for £23,561,250 (approximately $37 million) at Sotheby's, London, on June 19, 2012.
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