Joan Miró

Joan Miró - MARAVILLAS CON VARIACIONES... Lithograph Contemporary Art Abstract

1975

Artist: Fernand Leger (after) Title: L'Artiste dans le Studio from Douze Contemporains Year: 1959 Original: 1938 Medium: Lithograph with Pochoir on Wove paper, signed and dated in t...

Vintage poster realized in 1976 in occasion of the exhibition of the Artist at Galleria Rondanini, Rome. Very good condition.

Red Abstract is a contemporary artwork realized by Le Pond in 1970s. Mixed colored lithograph. Hand signed on the lower margin. Numbered on the lower margin. Edition of 66/100

The Mouth of the Time is a contemporary artwork realized by Nani Tedeschi in 1971. Black and white lithograph. Hand signed and dated on the lower margin. Artist's proof

Study for two communicating signals is an contemporary artwork realized by Mario Persico in 1970s Mixed colored lithograph Title on the lower margin. Hand signed by the artist Nu...

Totem is a lithograph, realized by Guido Marelli in the 1970s. Hand-signed on the bottom right. Numbered  on the bottom left. Edition of 150 and some artist's proofs in Roman numbers.

Composition is a graphic work on paper realized by Vedan in 1970s. Beautiful black and white lithograph on paper. Numbered on the lower margin. Hand-signed on the lower right margi...

Epicentre - Olympic Games Beijing 2008 is a lithograph realized by Alexander de Cadenet in 2008, in occasion of the Olympic Games in Beijing. Limited edition of 260. Hand signed an...

Nue - From the 12 plate Portfolio, 1959 Published by Denise Rene, Paris Lithograph in colors on heavy paper 20 x 26 inches Numbered in pencil, edition of 64/150 AUGUSTE HERBIN (188...

Dan Flavin Dan Flavin at Albright Knox Gallery (hand signed and inscribed to renowned curator) Offset Lithograph. Hand signed and inscribed by Dan Flavin 18 × 22 inches Provenance: Estate of artist and collector Rick Collar Unframed Uniquely inscribed and hand signed 1972 Dan Flavin exhibition poster from his Albright Knox exhibition. Dan Flavin hand signs and inscribes it to Paulus Hendrik Hefting, the curator of the Neue Nationalgalerie in Berlin. The inscription reads: "Best regards and best wishes to you especially in "diagrams and drawings". What Flavin is referring to is the important exhibition also in 1972, "Diagrams & Drawings" curated by Hefting, at the Rijksmuseum Kröller-Müller (Netherlands), which featured Carl Andre, Christo, Walter De Maria, Dan Flavin, Michael Heizer, Don Judd, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Richard Serra, Robert Smithson. An extremely rare signed poster with a unique inscription to a major European curator referencing an historic Minimalist exhibition in the early 1970s. We may not see the likes of something like this anytime soon! Dan Flavin Biography From 1963, when he conceived the diagonal of May 25, 1963 (to Constantin Brancusi), a single gold fluorescent lamp installed diagonally on the wall, until his death in 1996, Dan Flavin (1933-1996) produced a singularly consistent and prodigious body of work that utilized commercially available fluorescent lamps to create installations (or “situations,” as he preferred to call them) of light and color. Through these light constructions, Flavin was able to establish and redefine space. Flavin’s first solo exhibitions were held at the Judson Gallery in 1961 and the Green Gallery in 1964, both in New York. His first European exhibition was in 1966 at Galerie Rudolf Zwirner in Cologne, Germany; and in 1969, the National Gallery of Canada, Ottawa, organized his first major museum retrospective. His work was included in a number of key early exhibitions of Minimal art in the 1960s, among them Black, White, and Gray (Wadsworth Atheneum Museum of Art, Hartford, Connecticut, 1964); Primary Structures (The Jewish Museum, New York, 1966); and Minimal Art (Gemeentemuseum, The Hague, 1968). Flavin’s work would continue to be presented internationally over the course of the pursuant decades at venues including the St. Louis Art Museum, Missouri (1973); Kunsthalle Basel (1975); Museum Boymans-van Beuningen, Rotterdam (1975); Stedelijk Museum, Amsterdam (1986); and the Solomon R. Guggenheim Museum, New York (1992), among others. A major museum retrospective devoted to Flavin’s work was organized, in cooperation with the Estate of Dan Flavin, by the Dia Art Foundation in association with the National Gallery of Art, Washington, DC, where it was first on view in 2004. The exhibition traveled from 2005 to 2007 to the Modern Art Museum of Fort Worth, Texas; Museum of Contemporary Art, Chicago; Hayward Gallery, London; Musée d’Art Moderne de la Ville de Paris...