Items Similar to Derrière Le Miroir No. 250 (page 20, 21) /// Modern Abstract Joan Miro Red Art
Want more images or videos?
Request additional images or videos from the seller
1 of 18
Joan MiróDerrière Le Miroir No. 250 (page 20, 21) /// Modern Abstract Joan Miro Red Art1982
1982
About the Item
Artist: Joan Miró (Spanish, 1893-1983)
Title: "Untitled (page 20, 21)"
Portfolio: Derrière Le Miroir: Hommage à Aimé et Marguerite Maeght (No. 250)
*Issued unsigned
Year: 1982
Medium: Original Lithograph on smooth wove paper
Limited edition: Unknown
Printer: Imprimerie Moderne du Lion, Paris, France
Publisher: Maeght Editeur, Paris, France
Reference: Maeght No. 1251; Cramer No. 253
Sheet size: 15" x 22"
Condition: Small pinholes within centerfold from original binding as issued. In excellent condition
Very rare
Notes:
With centerfold as issued. Produced for Miró's collaboration with the August, 1982 No. 250 "Derrière Le Miroir: Hommage à Aimé et Marguerite Maeght" portfolio. Text on verso as issued.
In October 1945, the French art dealer Aimé Maeght opens his art gallery at 13 Rue de Téhéran in Paris. His beginning coincides with the end of Second World War and the return of a number of exiled artists back to France. The magazine Derriere Le Miroir was created in October 1946 and published without interruption until 1982. Maeght's ambition in establishing his print shop and his publication magazine Derriere Le Miroir was to make available to a broader audience less expensive printed imagery by the artists of his time, many whom were represented by his Paris gallery. Its original articles and illustrations (mainly original color lithographs by the gallery artists) were famous at the time.
The magazine covered only the artists exhibited by Maeght gallery either through personal or group exhibitions. Among them are (in alphabetical order): Henri-Georges Adam, Pierre Alechinsky, Bacon, Jean Bazaine, Georges Braque, Pol Bury, Alexander Calder, Marc Chagall, Roger Chastel, Eduardo Chillida, Alberto Giacometti, Vassily Kandinsky, Ellsworth Kelly, Fernand Léger, Lindner, Henri Matisse, Joan Miró, Jacques Monory, Pablo Palazuelo, Paul Rebeyrolle, Jean-Paul Riopelle, Saul Steinberg, Pierre Tal-Coat, Antoni Tapies, Raoul Ubac, Bram van Velde.
Biography:
Joan Miró was one of the most critically acclaimed artists of the 20th century. He pioneered the transformation of the two-dimensional picture plane into a receptacle of personal dreams and imagery, characterized by the suppression of descriptive detail. As a painter, sculptor, ceramicist, muralist, and printmaker, he created a visual vocabulary unique in the 20th century and had an enormous impact on the course of modern art. Miró was a brilliantly innovative artist who absorbed and then went beyond all the major art movements of his formative years: Impressionism, Cubism, Fauvism, Dadaism, and Surrealism.
Miró was strongly influenced by his Catalan heritage from the primary colors of local Romanesque frescoes to the curving, undulating lines and organic forms of Gaudi's architecture. After moving to Paris in the 1920 he was strongly influenced by the Surrealists, in particular the concepts of automatism (allowing the subconscious to dictate forms) and the exploitation of accidents. His work of the 1920s and 1930s thrust him to the forefront of the Surrealist movement. He revered the Surrealist poets becoming close friends with many and later collaborating with them on many artists' books, for which he contributed the illustrations to their poetry.
His interest in printmaking went beyond the books and he worked extensively in etching, aquatint, and lithography on small and large-scale works throughout his career. His vision of vast conceptual spaces populated by strange, playful organisms is a world that exists only in the dreams and desires of the imagination. It evolves out of an atmosphere of spontaneity in which the artist's conception of reality is inseparable from his inner experience. His masterful use of color, his creation of a pictorial language which functioned as both symbol and design, and ultimately his achievement of an art in which emotion and form had become identical, are unique amongst the 20th century masters.
- Creator:Joan Miró (1893 - 1983, Catalan)
- Creation Year:1982
- Dimensions:Height: 15 in (38.1 cm)Width: 22 in (55.88 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Saint Augustine, FL
- Reference Number:1stDibs: LU121210245322
Joan Miró
With his wide-ranging oeuvre, comprising strikingly original paintings, prints, ceramics, sculptures, metal engravings and murals, Catalan modernist Joan Miró was a critical force in moving 20th-century art toward complete abstraction. Although often considered an early Surrealist because of his nonobjective imagery and evocation of the subconscious, he defies neat categorization.
Miró’s identity is largely rooted in the city of his birth: Barcelona. To this day, a number of his public artworks can be found there, including the 72-foot-tall statue Dona i Ocell (Woman and Bird), 1983. Female and avian forms, along with bright colors and the theme of Catalan pride, are recurring elements in his work.
The radical visual world Miró created with his expressive lines, signature symbols and biomorphic shapes influenced such American Abstract Expressionists as Jackson Pollock and Color Field painters like Mark Rothko and Barnett Newman.
Mirò continued to work and experiment until his death at the age of 90 in 1983. Five years before that, he was quoted saying, “I painted these paintings in a frenzy, with real violence so that people will know that I am alive, that I’m breathing, that I still have a few more places to go. I’m heading in new directions.”
Find a collection of original Joan Miró art on 1stDibs.
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1978
1stDibs seller since 2015
1,219 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Saint Augustine, FL
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- Red and Black II /// Abstract Expressionist Lynn Chadwick British Minimalism ArtBy Lynn ChadwickLocated in Saint Augustine, FLArtist: Lynn Chadwick (English, 1914-2003) Title: "Red and Black II" Series: Red and Black *Signed and dated by Chadwick in pencil lower right Year: 1963 Medium: Original Lithograph ...Category
1960s Abstract Expressionist Abstract Prints
MaterialsLithograph, Handmade Paper
- City Art Gallery (Bird Talk) Poster /// Lee Krasner Female Woman Abstract ArtistBy Lee KrasnerLocated in Saint Augustine, FLArtist: (after) Lee Krasner (American, 1908-1984) Title: "City Art Gallery (Bird Talk)" *Signed and dated by Krasner in the plate (printed signature) lower left Year: 1966 Medium: Or...Category
1960s Abstract Expressionist Abstract Prints
MaterialsLithograph
- Casino Knokke Poster (Signed) /// Contemporary Abstract Sculpture Frank StellaBy Frank StellaLocated in Saint Augustine, FLArtist: (after) Frank Stella (American, 1936-) Title: "Casino Knokke" Series: Casino Knokke Posters *Signed by Stella in black marker lower center Year: 1991 Medium: Original Offset-Lithograph, Exhibition Poster on glossy wove paper Limited edition: Unknown Printer: Unknown Publisher: Casino Knokke, Knokke, Belgium Sheet size: 24.5" x 16.63" Condition: Some minor handling creases. In excellent condition Very rare Notes: Provenance: private collection - Paris, France; acquired directly from the exhibition at Casino Knokke, Knokke, Belgium. Poster produced for a special exhibition of Stella's work at Casino Knokke, Knokke, Belgium from June 23 - September 1, 1991. The artwork featured on this poster is Stella's 1991, 133" x 87" x 75" stainless steel, bronze, copper, aluminum and carbon steel sculpture "Raft of the Medusa, Part IV". Comes with its rare 56 page softcover exhibition catalogue "Frank Stella: Casino Knokke" featuring 18 artworks. GIA Gallery Poster Disclaimer: Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters. Biography: Frank Stella (1936-) is an American artist best known for his use of geometric patterns and shapes in creating both paintings and sculptures. Arguably one of the most influential living American artists, Stella’s works utilize the formal properties of shape, color, and composition to explore non-literary narratives, as seen in his work Harrar II (1967) from the Protractor series. “Abstraction didn't have to be limited to a kind of rectilinear geometry or even a simple curve geometry. It could have a geometry that had a narrative impact. In other words, you could tell a story with the shapes,” he explained. “It wouldn't be a literal story, but the shapes and the interaction of the shapes and colors would give you a narrative sense. You could have a sense of an abstract piece flowing along and being part of an action or activity.” Born on May 12, 1936 in Malden, MA, Stella went on to study history at Princeton University before moving to New York in 1958. Having moved to the city, Stella was immersed in the heyday Abstract Expressionism, but it was the work of Jasper Johns that inspired Stella’s Black...Category
1990s Abstract Expressionist Abstract Prints
MaterialsLithograph, Offset, Permanent Marker
- Untitled (SF-348) (Fresh Air School) /// Abstract Expressionist Sam Francis ArtBy Sam FrancisLocated in Saint Augustine, FLArtist: Sam Francis (American, 1923-1994) Title: "Untitled (SF-348) (Fresh Air School)" Portfolio: Fresh Air School *Unsigned edition Year: 1972 Mediu...Category
1970s Abstract Expressionist Abstract Prints
MaterialsLithograph, Offset
- Altitudes /// Abstract Expressionism Helen Frankenthaler Female Post-War ModernBy Helen FrankenthalerLocated in Saint Augustine, FLArtist: Helen Frankenthaler (American, 1928-2011) Title: "Altitudes" *Signed, dated, and numbered by Frankenthaler in pencil lower right Year: 1978 Medium: Original Lithograph on light yellow-pink J.B. Green Hayle Mill Bodleian handmade paper Limited edition: 29/42 Printer: Bill Goldston and John A. Lund of Universal Limited Art Editions, West Islip, NY Publisher: Universal Limited Art Editions, West Islip, NY Reference: "Frankenthaler: A Catalogue Raisonné - Prints 1961-1994" - Harrison No. 72, page 264, 268-270; "ULAE" - Sparks No. 33, page 88, 323; Clark No. 67; Williams No. 67 Sheet size (irregular margins): 22.25" x 30.88" Condition: Remnants of previous mounting tape on verso. In excellent condition with strong colors Very rare Notes: Provenance: private collection - New York, NY; private collection - notable fashion illustrator Jay Hyde, Crawford, New York, NY; acquired from an art gallery in New York, NY; likely acquired directly from the publisher Universal Limited Art Editions, West Islip, NY. Lithograph drawn with tusche wash. Printed in two colors from two stones: red and green. Universal Limited Art Editions chop mark/blind stamp lower right. "Frankenthaler: A Catalogue Raisonné - Prints 1961-1994" - Harrison - "Frankenthaler carefully chose a European handmade paper that would add another color and texture to the print" ... "By contrast, in "Altitudes", the artist created a bleed image so that the sheet of paper is smaller than the stone's image and the large red tusche wash sweeps across the surface of the yellow-pink J.B. Green Hayle Mill Bodleian paper, becoming warmed and enhanced by its color and texture." "Universal Limited Art Editions - A History and Catalogue: The First Twenty-Five Years" - Sparks - "In "Bronze Smoke" (cat. no. 32), "Altitudes" (cat. no. 33), and "Door" (cat. no. 34), minimal compositions were replaced by fields of drifting, multilayered color, as rich and satisfying as her work on a much grander scale." Biography: Frankenthaler was an American abstract expressionist painter. She was a major contributor to the history of postwar American painting...Category
1970s Abstract Expressionist Abstract Prints
MaterialsHandmade Paper, Lithograph
- Untitled (Fresh Air School) /// Abstract Expressionist Female Joan Mitchell ArtBy Joan MitchellLocated in Saint Augustine, FLArtist: Joan Mitchell (American, 1925-1992) Title: "Untitled (Fresh Air School)" Portfolio: Fresh Air School *Unsigned edition Year: 1972 Medium: Orig...Category
1970s Abstract Expressionist Abstract Prints
MaterialsLithograph, Offset
You May Also Like
- Untitled from "Vingt-deux poèmes" by Mark Tobey, Lithography, Cassou, Black, RedBy Mark TobeyLocated in Köln, DEColor lithograph by Mark Tobey (Centerville, Wisconsin 1890 - 1976 Basel) from "Vingt-deux poèmes" (Portfolio with artworks by several artists and 22 poems by Jean Cassou...Category
1960s Abstract Expressionist Abstract Prints
MaterialsLithograph
- Sudden SnowBy Helen FrankenthalerLocated in New York, NY1987 Lithograph in colors, on wove paper Sheet: 31 5/8 x 23 1/2 in. Edition of 50 Signed, dated and numbered in pencil, lower marginCategory
1980s Abstract Expressionist Abstract Prints
MaterialsPaper, Lithograph
- Bronze SmokeBy Helen FrankenthalerLocated in New York, NY1978 Lithograph in colors, on brown wove paper Sheet: 31 1/2 x 22 1/2 in. Edition of 38 Signed, dated and numbered in pencil, lower marginCategory
1970s Abstract Expressionist Abstract Prints
MaterialsPaper, Lithograph
- Lincoln Center's Mostly Mozart Festival - 25th AnniversaryBy Robert MotherwellLocated in Aramits, Nouvelle-AquitaineRobert Motherwell, American (1915 - 1991) Lincoln Center's Mostly Mozart Festival, 25th Anniversary. Lithograph, Edition of 800, unsigned and unnumber...Category
1990s Abstract Expressionist Abstract Prints
MaterialsLithograph, Screen
- Horse Ride-Green, Violet, BrownBy Joan MiróLocated in Ljubljana, SIHorse Ride-Green, Violet, Brown. Original color lithograph, 1969. Edition of 75 signed and numbered impressions on Arches paper. Joan Miró was a famous Spanish Catalan surreal painter, sculptor and ceramicist, but he also created graphics, large installations and murals. His radical style for that time was a contribution to the early-20th-century avant-garde and complete abstraction later. Early fauvistic works showed the influence of Cézanne, in cubist compositions, but also a reference to the avant-garde interests of the painter. Few years later he started to change his artistic approach over the magic realism to surrealism. His surfaces become abstract and stayed like that until the rest of his career. Miró’s mature style evolved from the tension between his fanciful, poetic impulse and his vision of the harshness of modern life. The artworks are reflections of his subconscious mind, filled with pictorial signs, biomorphic forms, geometric shapes, and abstract and semi-abstract objects. He worked extensively in lithography and produced numerous murals, tapestries, and sculptures for public spaces. Miro’s composition...Category
1960s Abstract Expressionist Abstract Prints
MaterialsLithograph
- Untitled from the portfolio “Poems dans le ciel”By Sam FrancisLocated in Ljubljana, SIPoems dans le ciel (eng. Poems in the sky). Original lithograph, 1986. Edition of 100 signed and numbered impressions on Arches paper. Samuel Lewis Francis was an American artist, we...Category
1980s Abstract Expressionist Abstract Prints
MaterialsLithograph
