Pujol Baladas 13 Dali Sensations engraving Surrealist limited edition
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Manel Pujol BaladasPujol Baladas 13 Dali Sensations engraving Surrealist limited edition1987
1987
About the Item
- Creator:Manel Pujol Baladas (1947, Spanish)
- Creation Year:1987
- Dimensions:Height: 22.05 in (56 cm)Width: 29.93 in (76 cm)Depth: 0.4 in (1 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:CORAL GABLES - MIAMI, FL
- Reference Number:1stDibs: LU471315112092

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Located in CORAL GABLES - MIAMI, FL
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Born in Vic, Cataluña, in 1947, he resides in Mexico since 1998. Heir of the Spanish school by tradition and through his personal relation with the three Spanish giants of the 20th Century: Picasso, Dalí and Miró.
He has over 50 individual exhibitions presented in Mexico, El Salvador, Puerto Rico, Spain, Sweden, France, and the U.S.A., such as “The color of the music of Rodolfo Halffter”, Pecanins Gallery (Mexico City, 2005); “Opus in color”, Museum of Anthropology (Jalapa, Ver., Mexico, 2004); Museum of Art of Queretaro (Queretaro, Mexico, 2001); Spanish Institute of Culture in El Salvador (San Salvador, El Salvador, 2000); “From flesh to passion”, Siqueiros Cultural Polyforum (Mexico City, 1999). He arrived in Mexico in 1997 with an invitation to present the exhibition “Germ of Illusions”, Pemex (Mexico City).
Before his experience in Mexico, he realized the Olympic Suite “Homage to the Olympic Subvenues Barcelona 92”, a permanent exhibition in the Olympic Museums of Barcelona and Lausanne, in 1992. He showed in 1996 with the Sotelo Blanco Foundation. Anthropology Museum of Santiago de Compostela, the Nakita Gallery (Stockholm, Sweden), Corrine Timsit International Galleries Inc. (San Juan de Puerto Rico and Paris, France). In 1990 he showed in the Museum of Hispanic Art (San Francisco, USA) and in the Museum and Gallery Elbine Dalvanes (Paris, France).
His exhibition “The Force of an Encounter”, Museum of Abstract Art Manuel Felguérez, March-June (Zacatecas, Zac., 2008) was a very interesting revision of his work in the past ten years, considering his analysis of musical language exclusively. This gave way to an evolution of his pictorial language.
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