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Man RayMarchand de Couleurs1974
1974
About the Item
This artwork titled, Marchand de Couleurs, is an original color lithograph on Wove paper by American artist Man Ray, 1890-1976. It is hand signed and inscribed A.P (Artist Proof) in pencil by the artist. The center image size is 13.75 x 15.75 in.
The size of the sheet which is printed in grey is 21.5 x 23.75 in. It was published by Astride Varese, Italy and printed by Ateliers Desjobert, Paris, France. It is referenced and pictured in the artist's catalogue raisonnee by Luciano Anselmino, plate #109 page 70 and 71
- Creator:Man Ray (1890 - 1976, American)
- Creation Year:1974
- Dimensions:Height: 33.25 in (84.46 cm)Width: 32.75 in (83.19 cm)Depth: 2.25 in (5.72 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:San Francisco, CA
- Reference Number:Seller: 100201stDibs: LU66632161923
Man Ray
Born Emmanuel Radnitzky, Man Ray was a famous American filmmaker, painter and photographer. His career is distinctive, above all, for the success he achieved in both the United States and Europe. First maturing at the center of American modernism in the 1910s, he made Paris his home in the 1920s and 1930s. In the 1940s, he crossed the Atlantic once again and spent periods in New York and Hollywood.
Ray’s art spanned painting, sculpture, film, prints and poetry, and in his long career, he worked in styles influenced by Cubism, Futurism, Dada and Surrealism. He also successfully navigated the worlds of commercial and fine art and came to be a sought-after fashion photographer. Ray is perhaps most remembered for his photographs of the inter-war years, in particular, the camera-less pictures he called "Rayographs," but he always regarded himself first and foremost as a painter. Although he matured as an abstract painter, Ray eventually disregarded the traditional superiority painting held over photography and happily moved between different forms. Dada and Surrealism were important in encouraging this attitude; they also persuaded him that the idea that motivates a work of art was more important than the work of art itself.
André Breton once described Ray as a pre-Surrealist, something which accurately describes his natural affinity for the style. Even before the movement had coalesced, in the mid-1920s, his work, influenced by Marcel Duchamp, had Surrealist undertones. He would continue to draw on the movement's ideas throughout his life. Ray's work has ultimately been very important in popularizing Surrealism.
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