Offset Abstract Prints

Storiauni For Poem of "Inedita" by Giuseppe Ungaretti is a vintage poster on paper realized in the 1970s by the Italian graphic master Paolo Dorazio. For the exhibition of ten scre...

"In the Sky" is an original 1982 poster for the exhibition of "40 international aerial artists exhibiting over Purchase, New York, Aug 8, Washington DC, Oct 9, New York City, Oct 16, 1982". Produced and orchestrated by the Rainbow Art...

Working Man is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1937. Signed o the plate on the lower. The print suite was realize...

Studio Marconi is an exhibition poster realized after Hsiao Chin in 1984. Offset print realized in the occasion of the exhibition held at Studio Marconi, Milano, in 1984. Good cond...

Peter Halley Paintings (Hand Signed), 1995 Offset lithograph poster (hand signed by Peter Halley) 28 1/2 × 18 3/4 inches Hand signed in black marker on the front Unframed Alpha 137 G...

Maya Lin: Systematic Landscapes poster (hand signed and dated), 2006 Offset lithograph poster Hand signed and dated 2006 in black marker by Maya Lin on the front 16 1/2 × 26 inches U...

Vintage Poster is an Offset realized for the exhibition by Michel Haas at Galerie Di Meo Paris in 2003. The artwork is represented in a well-balanced composition. Good condition, n...

Territorial Identity Documents - Poster is an original poster print realized in 1978. The artwork was realized on the occasion of the photographic exhibition at the Rondanini galler...

Peter Halley, Frank Kozik Halley/Kozik, 1997 Offset Lithograph. Hand signed by both Peter Halley and Frank Kozik on the lower front. Edition 75/100 22 1/2 × 35 inches Unframed This color lithograph was created on the occasion of the Peter Halley and Frank Kozik exhibition at Wooster Gardens from May 3 - June 14, 1997. Hand signed by both artists on the lower front and is annotated as a study proof: S/P 75/100. Frank Kozik was born in Madrid, Spain in 1962 . At the age of 14 he moved to the United States and settled in Austin, Texas. Credited with single handedly reviving the “lost” art of the concert poster, his creative career rose largely out of his enthusiasm for Austin’s growing underground punk rock scene in the mid-eighties. Starting with black and white flyers for friends’ bands posted on telephone poles, his reputation grew as an artist whose work was graphically compelling as well as culturally gripping. This exhibition was an installation featuring an eight-year survey of punk rock posters...

Peter Halley Heterotopia 2 (Hand Signed by Peter Halley), 2019 Offset lithograph poster (Hand signed by Peter Halley) 23 × 16 1/2 inches. Signed in black marker on the front Published by Greene Naftali, New York Unframed Alpha 137 Gallery is honored to offer this historic offset lithograph of American artist Peter Halley's 2019 exhibition Heterotopia 2, at Greene Naftali Gallery in New York City which the artist hand signed in black marker. Scroll images for a photograph of our director Nadine Witkin with the artist. Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective...

Rosenquist Exhibition Poster is an original contemporary artwork realized in 1970. Offset poster realized in occasion of the James Rosenquist ex...

Mark Tobey And Sam Francis- Exhibition Poster is an offset print on paper realized in 1977 for the Exhibition held in Weber Gallery in Geneve. Good conditions with slight folding.

Hand of Fire is a vintage offset print after Antoni Tàpies, printed on hand made paper. It is one of the prints belonging to a deluxe edition of 1982 limited to 2.000 specimens, repr...

Vintage Exhibition Poster is a Offset print realized for the exhibition of Marco Tirelli in 2006. Good condition, no signature. The exhibition was held in Galerie de Meo in Paris i...

John Baldessari, Sonnabend Gallery. New York, NY, September 17 - October 15, 1994: A beautifully composed rare original John Baldessari exhibition poster on elegant transparent paper...

Vintage gallery exhibition poster. The Galerie Maeght is a gallery of modern art in Paris, France, and Barcelona, Catalonia, Spain. The gallery was founded in 1936 in Cannes. The Paris gallery was started in 1946 by Aimé Maeght. The artists exhibited are mainly from France and Spain. Since 1945, the gallery has presented the greatest modern artists such as Matisse, Bonnard, Braque, Miró, and Calder. In 1956, Adrien Maeght opened a new parisian venue. The second generation of “Maeght” artists was born: Bazaine, Andre Derain, Giacometti, Kelly, Raoul Ubac, then Riopelle, Antoni Tapies, Pol Bury and Adami, among others. Jean-Paul Riopelle, CC GOQ (7 October 1923 – 12 March 2002) was a painter and sculptor from Quebec, Canada. He became the first Canadian painter (since James Wilson Morrice) to attain widespread international recognition. Born in Montreal, Riopelle began drawing lessons in 1933 and continued through 1938. He studied engineering, architecture and photography at the école polytechnique in 1941. In 1942 he enrolled at the École des beaux-arts de Montréal but shifted his studies to the less academic école du Meuble, graduating in 1945. He studied under Paul-Émile Borduas in the 1940s and was a member of Les Automatistes movement. Breaking with traditional conventions in 1945 after reading André Breton's Le Surréalisme et la Peinture, he began experimenting with non-objective (or non-representational) painting. He was one of the signers of the Refus global manifesto. In 1947 Riopelle moved to Paris and continued his career as an artist, where, after a brief association with the surrealists (he was the only Canadian to exhibit with them) he capitalized on his image as a "wild Canadian". His first solo exhibition took place in 1949 at the Surrealist meeting place, Galerie La Dragonne in Paris. Riopelle married Françoise Lespérance in 1946; the couple had two daughters but separated in 1953. In 1959 he began a relationship with the American painter Joan Mitchell, Living together throughout the 1960s, they kept separate homes and studios near Giverny, where Monet had lived. They influenced one another greatly, as much intellectually as artistically, but their relationship was a stormy one, fueled by alcohol. The relationship ended in 1979. His 1992 painting Hommage à Rosa Luxemburg is Riopelle's tribute to Mitchell, who died that year, and is regarded as a high point of his later work. Riopelle's style in the 1940s changed quickly from Surrealism to Lyrical Abstraction (related to abstract expressionism), in which he used myriad tumultuous cubes and triangles of multicolored elements, facetted with a palette knife, spatula, or trowel, on often large canvases to create powerful atmospheres. The presence of long filaments of paint in his painting from 1948 through the early 1950s[8] has often been seen as resulting from a dripping technique like that of Jackson Pollock. Rather, the creation of such effects came from the act of throwing, with a palette knife or brush, large quantities of paint onto the stretched canvas. Riopelle's voluminous impasto became just as important as color. His oil painting technique allowed him to paint thick layers, producing peaks and troughs as copious amounts of paint were applied to the surface of the canvas. Riopelle, though, claimed that the heavy impasto was unintentional: "When I begin a painting," he said, "I always hope to complete it in a few strokes, starting with the first colours I daub down anywhere and anyhow. But it never works, so I add more, without realizing it. I have never wanted to paint thickly, paint tubes are much too expensive. But one way or another, the painting has to be done. When I learn how to paint better, I will paint less thickly." When Riopelle started painting, he would attempt to finish the work in one session, preparing all the color he needed before hand: "I would even go as far to say—obviously I don't use a palette, but the idea of a palette or a selection of colors that is not mine makes me uncomfortable, because when I work, I can't waste my time searching for them. It has to work right away." A third element, range of gloss, in addition to color and volume, plays a crucial role in Riopelle's oil paintings. Paints are juxtaposed so that light is reflected off the surface not just in different directions but with varying intensity, depending on the naturally occurring gloss finish (he did not varnish his paintings). These three elements; color, volume, and range of gloss, would form the basis of his oil painting technique throughout his long and prolific career. Riopelle received an Honorable Mention at the 1952 São Paulo Art Biennial. In 1953 he showed at the Younger European Painters exhibition at the Solomon R. Guggenheim Museum in New York City. The following year Riopelle began exhibiting at the Pierre Matisse Gallery in New York. In 1954, works by Riopelle, along with those of B. C. Binning and Paul-Émile Borduas represented Canada at the Venice Biennale. He was the sole artist representing Canada at the 1962 Venice Biennale in an exhibit curated by Charles Comfort...

Vintage poster after Fritz Baumgartner is a vintage offset artwork on paper realized in 1974. Original colored offset. Good condition and aged. Titled on the bottom center. The ...

Chryssa, Greek (1933 -2013) - Galerie Denise Rene, Year: 1976, Medium: Poster, Size: 39.75 x 30 in. (100.97 x 76.2 cm), Publisher: Editions Denise Rene, New York

Artist: After Francis Bacon (1909-1992) Title: Personnage Couche, exhibition poster Year: 1966 Medium: Offset Lithograph on wove paper Size: 28 x 17....

Spoleto is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1970. The print suite was realized in 1985 in a limited edition of 2500,...

Figure is an original Vintage Offset Print on ivory-colored paper, realized by Franco Gentilini (Italian Painter, 1909-1981), in 1970s. The state of preservation of the artwork is e...

Untitled is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1975. Signed o the plate on the lower. The print suite was realized i...

Figures with Bicycle is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1965. The print suite was realized in 1985 in a limited edi...

Trembling Womanis an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1964. The print suite was realized in 1985 a limited edition of 2...

John "Crash" Matos The Concrete Jungle (Hand Signed by CRASH), 2018 Offset lithograph poster (hand signed by CRASH) 17 × 11 inches Boldly signed in gol...

Claes Oldenburg Chinati Foundation, Marfa Texas (Hand Signed), 2003 Offset Lithograph poster. Hand signed by Claes Oldenburg 23 1/2 × 13 1/2 inches Exceedingly rare when hand signed. This offset lithograph poster was created on the occasion of the Claes Oldenburg & Coosje van Bruggen...

This is a beautiful offset print by Murakami. This is a classic Murakami in which the artist showcases his prowess for reimagining traditional Japanese motifs within a new, contempor...

This is not signed or numbered. it is from a folio of prints. Laura Fiume was born in Urbino, central Italy in 1953. Her education took place in Milan at the Liceo Artistico and at the Polytechnic School of Design. In 1976 she moved to Canzo, near Como where she learned serigraphy, ceramics, and painting from the well known artist Salvatore Fiume, her father. At the beginning the main subject of her works was that of fishes. She then extended her interest to the wider world of animals, interpreted through a deliberately naïve style and very bright colours. In 1983 Laura’s works were exhibited both at the Basel Art Fair and at Artexpo in New York. The latter marked the beginning of a collaboration with the Work’s II Gallery In Southampton (NY) which would continue until 1988. Her major exhibitions of those years were in Milan at the Palazzo dell’Arengario, now home of the Museo del Novecento in Piazza Duomo, (1985), and in Venice at the Assicurazioni Generali headquarters in Piazza San Marco (1987). In 1983 Laura began her ceramic production in her father’s workshop of Canzo located in a former silk mill. Between 1990 and 1992 thanks to an exclusive agreement with a Japanese company her paintings and graphic works were distributed throughout Japan. The 1990 exhibition at the Artesanterasmo Gallery of Milan on the theme of mirrors was the only occasion in which she exhibited her paintings with her father. Her collaboration with that gallery has been steady since 1988. In 1992, following a suggestion from the well known architect Pepe Tanzi, Laura collaborated to the launch of the Pozzi & Verga new collection of tables and chairs by including images of those pieces of furniture in her own paintings. Between 1992 and 2000 she had her own showroom in Milan where her collections of ceramics and her creations for leading companies like Ricchetti (tiles), Fede Cheti (home fabrics), Edilkamin (fireplaces and stoves), Kaigai (textiles for clothings and bathroom towels), Rosenthal (china), and Proserpio Arredamenti (furnishings and frabrics) were on display. In 1995 she was chosen as Designer of the Year by Meyer Mayor, the distinguished Swiss company specialising in kitchen and table linen production. In the 1995 exhibition entitled Walls and Terracottas at the Artesanterasmo Gallery of Milan abstract most of the subjects were painted on dirt-like materials. In the same year she also presented her new Tableaux an Terre at the L’Ile en terre Gallery of Saint Paul de Vence, France. Between 1996 and 2005 she collaborated with the Edizioni San Paolo Publishers illustrating children’s books and stories for kids in the G-baby Magazine. In 1999 she increased her show-room space by creating Atelier Produzioni d’Arte where prints, ceramics, and sculptures by various international artists were presented. In 2000 Laura began her collaboration with Raika of Japan designing their fashion collections which have been on display since 2002 in the Showroom Laura Fiume at the Mitsukoshi Department Store in Tokyo. In 2000 Laura designed a collection of coffee cups called The Jungle Collection for Cellini Deutschland. In April 2003, as part of the events that took place during the Salone del Mobile of Milan, Laura held a large exhibition at the Spazio Exté entitled Other Rooms: A Tribute To Philippe Starck. On that occasion Laura enjoyed the collaboration of Alessi, Driade, and Flos who kindly lent her the pieces from their Philippe Starck production represented in her paintings for an installation in that exhibition. In June 2003 Laura held a one-artist exhibition at the Svetog Krševana Gallery in Šibenik, Croatia as part of the International Children’s Festival of that town where she exhibited her early works dedicated to the world of children. In 2005 she gave her contribution to the restyling of the L’Arenella Hotel on the Isola del Giglio, Tuscany, by providing a number of enlarged images of her works which became the characterizing element of the hotel’s interiors. In the summer of the same year she held a retrospective at the Vartai Gallery in Vilnius, Lithuania. In 2005 she also presented an installation within the project Ten Arm-chairs for Ten Artists, an initiative by Molteni & C, a leading company in the furniture field, where Laura was asked to decorate a Molteni arm-chair from the Reversi collection and to carry out a number of paintings using the same fabrics covering their couches and arm-chairs. In 2006 there were as many as three exhibitions of Laura’s. The first one, called Visual Amplifications was held in Fiesole, near Florence, in the museum within the St. Alexander Basilica building. The second one, entitled Private Stories, took place in Sansepolcro, Tuscany at the Piero della Francesca City Museum. The third exhibition, entitled Trame d’interni (Plots in Interiors) was hosted in Milan by the Artesanterasmo Gallery where Laura presented her new paintings on fabrics provided by well known fabric producer Enzo degli Angiuoni. In 2007 she exhibited her works in Rome at the Galleria Margutta 3 and then at the trendy TAD Conceptstore showroom of Via del Babuino. Both exhibitions were strictly connected through the idea of displaying works in harmony with TAD’s furnishings. In 2007 Laura was also invited to take part in Milan’s Cow Parade...

Mirò - l'Oeuvre Graphique is a vintage offset and lithograph poster realized after Joan Miró, in 1974. The artwork was realized in occasion of the exhibition dedicated to the graphi...

ITALO SCANGA Untitled (from the Artsounds Collection), 1986 color offset print, ed. 200 12 x 12 cm. 30.5 x 30.5 cm. Edition 49/100 signed and numbered in pencil by the artist, sig...

Luigi Veronesi poster is a beautiful vintage poster of his exhibition in Rome in 1976. Signed on the plate on the lower left. In very good ...

Woman is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1983. The print suite was realized in a limited edition of 2500, and curat...

Giuseppe Uncini - Drawings and Projects is an offset on paper realized by the Italian artist Giuseppe Uncini in 1976, for the Exhibition in the Rondanini Art Gallery. Giuseppe Unci...

Abstract Composition is a Vintage Offset Print on ivory-colored paper, realized by Franco Gentilini ( Italian Painter, 1909-1981) in the 1970s. The state of preservation of the art...

Alexander Calder - Poster Exhibition is a vintage poster realized in 1971. Mixed colored offset and lithograph print. This print was realized on the occasion of the exhibition dedi...

Polish Poster of Hyde Park is an original polish poster of the polish Teatr Ateneum. Vintage offset print. Signed on the plate on the lower rig...

Memory of the Songs is a vintage offset print after Antoni Tàpies, printed on hand made paper. It is one of the prints belonging to a deluxe edition of 1982 limited to 2.000 specimen...

This artwork "Untitled" c.1980 is an original offset lithograph on wove paper by Canadian artist Terry Leftrook, born 1948. It is hand signed in pencil by the artist. The size is 13...

Man is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1965. Signed o the plate on the lower. The print suite was realized in 198...

Alexander Calder - Poster Exhibition is a vintage poster realized in 1971 Mixed colored offset print This print was realized on the occasion of the exhibition dedicated to the arti...

Vintage Poster Iluminacia is an offset realized in 1973. Edition of 5.000. Good condition.

Jean Degottex, Vintage Poster Exhibition is offset print realized in the occasion of the exhibition held in Meo Gallery in 2010. Good conditions.

Arte Povera 2 Exhibition - Galerie Di Meo, Paris is an offset realized for the exhibition in 2010. Good condition, no signature. The exhibition is in Galerie Di Meo in Paris from October to November 2010. The Arte Povera Artists are: Giovanni Anselmo, Michelangelo Pistoletto, Alighiero Boetti, Luciano Fabro, Jannis Kounellis, Pier Paolo Calzolari, Giuseppe Penone, Giulio Paolini, Gilberto Zorio, Pino...

Jean Degottex, Vintage Poster Exhibition is offset print realized in the occasion of the exhibition held in Meo Gallery in 2010. Good conditions.

Museum of Man is a print on paper realized in 1976 by Emilio Tadini. Screen print and litograph. Hand signed. Numbered, Edition of 75 pieces. The artwork was realized on the occ...

Metamorphosis is original photolithography offset on ivory-colored paper, realized by Franco Gentilini (Italian Painter, 1909-1981), in the 1970s. The state of preservation of the a...

Milton Glaser Sony Tape, Full Color Sound poster 1980: Vintage original 1980s Milton Glaser poster designed by Glaser for the world-recognized brand Sony. A classic Milton Glaser advertising design featuring the profile of a 19th-century music listener silhouetted against music liner paper. Offset lithographic poster in colors. 30 x 45 inches. Very good overall vintage condition with the exception of perhaps some minor signs of handling. Vintage original print. Milton Glaser printed signature upper left; from an edition of unknown. Literature: Milton Glaser Posters, Glaser, pg. 251. Legendary graphic designer, illustrator, and art director Milton Glaser created some of the most recognizable iconography in America today —including the iconic I ♥ N Y logo —and countless posters and ad campaigns. Glaser changed the face of commercial art in the 1960s and ’70s, breaking with the conventions of modernism and drawing inspiration from a wide variety of art-historical and pop-cultural sources, from Art Nouveau to comic illustration...

Polish Tourist Advertising- Poster- Poster is an original offset poster print. The artwork was realized to promote Polish tourism. Good conditions except for some folding and a rip...

Scialoja - Exhibition Poster Galerie Di Meo - 1996 is a vintage poster. This artwork was realized on the occasion of the exhibition Toti Scialoja, at...

Alexander Calder - Poster Exhibition is a contemporary artwork realized in 1971 Mixed colored offset print This print was realized on the occasion of the exhibition dedicated to th...

Strukturen und Prinzipien is a vintage poster realized by Almir da Silva Mavignier (Rio de Janeiro, 1925-2018) in 1979. Vintage Poster "stru...

Vintage gallery exhibition poster. Bright vivid red and bold yellow. The Galerie Maeght is a gallery of modern art in Paris, France, and Barcelona, Catalonia, Spain. The gallery was...

Gothic Stained Glass is an original print on paper realized by an Anonymous artist in the early 20th Century. Passepartout included: 49x 34 cm. ...

Untitled is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1975. Signed o the plate on the lower. The print suite was realized i...

Self-Manikins is an offset and lithograph print realized after a drawing by Willem De Kooning (1942). The print suite was realized in 1985 in a limited edition of 2500, and curated ...

Michel Haas - Poster is a vintage Offset realized for the exhibition by Michel Haas at Galerie Di Meo Paris in 2006. The artwork is represented in a well-balanced composition.

Vintage Poster Krakow Theatre is a vintage offset print realized by M.Gorowski in 1975. The poster was realized for Krakow Theatre in a well-balanced composition. Good conditions.

U no és Ningú is a vintage offset print after Antoni Tàpies, printed on hand made paper. It is one of the prints belonging to a deluxe edition of 1982 limited to 2.000 specimens, rep...

Vintage Poster for the exhibition Editions de se sur Marcel Duchamp. One of 400 copies with title and date of exhibition, of a total edition of 500. Unsigned. Schwarz, Ref: Catalogue Rainsonne 396 Marcel Duchamp was born July 28, 1887, in France. After the sensation caused by Nude Descending a...

A unique print from an original drawing by Denis Meyers - Artist proof from an edition of 5. The print on paper features some of Denis Meyers "Word Patterns". Ships flat and inquire ...